Sentences with phrase «et plastiques»
Major support for the exhibition is provided by the Fondation Nationale des Arts Graphiques et Plastiques, Etant donnés: The French - American Fund for Contemporary Art and Consulate General of France in New Orleans.
https://noma.org/
With the support of Foundation National des Arts Graphiques et Plastiques, Paris, and the Holland Festival, Amsterdam.
2015 Fondation des Arts Graphiques et Plastiques, Paris, France 2013 Résidence Atelier les Arques, France 2012 Peter S.Reed Foundation Artist's Grant, Ohio Capacete, Rio de Janeiro, Brasil 2011 Artist's Book, Paris, France 2010 Transfer, Mülheim, Germany 2003 — 2005 Kahler Grant, Princeton University 2001 — 2005 Graduate School Summer Stipend for Research Abroad, Princeton University 1999 Los Angeles Contemporary Exhibitions 1994 Foundation for Art Ressource Art, Los Angeles 1993 Visual Arts Department Award, UCLA 1991 — 1994National Merit Scholarship
With support from Estonian Ministry of Culture, Rolex Institute, Marian Goodman Gallery, Pace Gallery, Sprüth Magers, David and Elaine Potter Foundation, Ford Foundation - Institute of International Education, Robert D. Bielecki Foundation, Fondation Nationale des Arts Graphiques et Plastiques, Institut Français à Paris, Graham Foundation for Advanced Studies in the Fine Arts, Goodman Gallery and FUSED (French - US Exchange in Dance) and FACE.
Not exact matches
He has received awards, commissions and fellowships from the Arts and Humanities Research Council - AHRC (2012 - 2016), the International Photography Research Network - IPRN (2006), Fundación Telefónica (2005), and Commande Publique du Ministère de la Culture et de la Communication, Centre National des Arts Plastiques (2006), among others.
He completed undergraduate studies in Arts Plastiques et Sciences de l'Art at the Sorbonne, Paris, France (1973), Fine Arts, Lisbon, Portugal (1980) and Studio Art Centre International, Florence, Italy (1982), earned his MFA at Pratt Institute, New York (1985) and his Ph.D. in Visual Arts at Universidade de Évora, Évora, Portugal (2005).
At the beginning of the 90s, Lino Tagliapietra was often in Marseille, at CIRVA (Centre International de Recherche sur le Verre et les Arts Plastiques), and that was the place where Wilson started producing glass, following every step of the production process, from the shaping of molten matter to the final polishing.
Ranging in shapes, textures and materials, these 400 vibrant works are loaned from national collections, notably Centre Pompidou, but also the Cité de la Céramique — Sèvres et Limoges, the Arts Décoratifs, the Centre National des Arts Plastiques, the Mobilier National and CIRV.