Recently, Adrian Piper's request to withdraw her work from the exhibition Radical Presence: Black Performance in Contemporary
Art at NYU's Grey
Art Gallery stirred up debate around
ethnocentric exhibitions once more.
Donald Judd's dictum that «anything the artist calls
art is
art» is a Duchampian cliché that betrays an
ethnocentric bias; it assumes that the identification of the artist with an act of volition leads by definition to the production of «
art.»
Recent attempts to define the conventions or «paradigms» of
art (Art - Language, analytic art, some art criticism) also fail to recognize the ethnocentric solipsism of this attitu
art (
Art - Language, analytic art, some art criticism) also fail to recognize the ethnocentric solipsism of this attitu
Art - Language, analytic
art, some art criticism) also fail to recognize the ethnocentric solipsism of this attitu
art, some
art criticism) also fail to recognize the ethnocentric solipsism of this attitu
art criticism) also fail to recognize the
ethnocentric solipsism of this attitude.