Sentences with phrase «even a movie character»

He's not even a movie character actor.

Not exact matches

The Infinity 3.0 team ran into similar challenges with Star Wars, according to one source, juggling priorities to make levels and characters for Star Wars Rebels, a popular animated series even as the game's developers wanted to focus more on the movies, particularly the then - upcoming Star Wars: The Force Awakens.

If in the case of the movie Contact again, even if Foster's character stayed with him, bought him presents, took care of him when sick, got him b - day cards or cried at his funeral, someone could always say «Well she could be a psychopath and is just pretending to love him because its expected of her or she expects to get something out it like inheritance.»

The second Story - substitute proposal suggests that moral rights and duties can be squeezed out of the characters themselves, without the aid of any Story - like the odd movie that succeeds with good characters even without the benefit of a discernible plot.

Even Italians are not «white»... When a movie becomes a global project as this movie was you will most likely have non white characters.

Indeed, even the worldwide demand for movies, tapes, and videos suggests at least the high permeability and at most the pervasive character of some levels of human sensibilities in what some want to see as radically (distinct and encapsulated.

I haven't even seen the movie yet, but just by surfing through Pinterest I know who the characters are.

Plus, preschoolers are very impressionable, so he may adopt the fears of playmates, siblings, TV and movie characters, or even you.

But that has not stopped movie companies from pushing the boundaries of animation to make their synthetic characters seem as real as possible — even if those characters happen to be shape - shifting megaton robots, as in last summer's Transformers special effects extravaganza.

Together with Christian Theobalt, leader of the research group «Graphics, Vision & Video» at the Max Planck Institute for Informatics, they could solve another problem: with their method, they can display people in full even if they had been partly obscured by other characters in a movie scene.

Even now there is something about the grainy / nostalgic graphics that make the movie and the character that makes my heart feel warm!

We've got a big selection of officially - licensed ugly Christmas sweaters that feature such movie characters as Darth Vader, Chewbacca, the Grinch — we even have ugly holiday sweaters that feature such iconic lines as «Merry Christmas, ya filthy animal» from 1990's Home Alone.

You can even put subtle hints about your zodiac, favorite hobby or movie character in your pseudonym.

Manifesto's visual inventiveness and Blanchett's multifarious performances make the movie consistently engrossing, even when the relationship between Blanchett's character and the words coming out of her mouth — or, more often in this version, spoken by her in voiceover — seem purely arbitrary.

Game Republic has crafted a gem of its own that will be often compared with games like Ico and perhaps even Zelda, but the story bond between gamer and characters has truly been mastered in the senses that if one of the characters died (as in story line) then you would shed a tear or two (something movies can hardly ever achieve).

Even if is not perfect for his awful villains, some unfunny jokes and the character of Captain Underpants not appering much in the film, is still better than any animated movie like Cars 3 o LEGO Ninjago Mmovie like Cars 3 o LEGO Ninjago MovieMovie.

Id even be happy if it was just a small mission where you could play as an actual character of the movies, but you don't.

LOTR fans should be pleased, as I think The Hobbit picks up the same tone of adventure mixed with comedy and peril of the original movies, with its fantastic settings and even more fantastical characters.

He's always «on,» even when the character is supposed to be off; by the end of the movie, there isn't a piece of scenery that doesn't bear his teethmarks.

It sounds predictable, and it is, for there's not a single surprise in the whole damn movie except for Carrey himself, who sells it pretty well even if this character is a bit like the ones from Liar, Liar and Yes Man.

Yes, some of the actors from the movies voice their characters here, but they just seem like a cameo, even if they are a part of the story, they will leave you to fend for yourself and you wont see them again for quite some time.

Between Scarlet Johansson's vampire - alien character Laura and truly impressive production design, the movie is gorgeous to look at even though it doesn't hold up under any degree of thematic scrutiny.

With shadowy, black - and - white production, a slow - burning jazz soundtrack, and a wide ensemble of characters that runs the gamut of crime movie archetypes, Dick Hopper serves as a love letter to film noir, even as it skewers the genre with no mercy.

One noticeable issue about this movie is that it forces us to feel sad for characters we don't even learn anything about or are on screen for one scene.

Even though they've been drafted on a computer, those spineless blobs bear all the physical simplicity and facial expressiveness of Aardman's best - loved clay characters, and even at the height of their derring - do, Roddy and Rita move like they're in a movie from another, less slick Even though they've been drafted on a computer, those spineless blobs bear all the physical simplicity and facial expressiveness of Aardman's best - loved clay characters, and even at the height of their derring - do, Roddy and Rita move like they're in a movie from another, less slick even at the height of their derring - do, Roddy and Rita move like they're in a movie from another, less slick era.

After all, the movie in many ways isn't even really about Tom Hanks» character.

However, even though the movie has its share of crackling dialogue and wildly high - and - mighty characters, A Good Woman lacks a certain spark and energy.

Yet by highlighting the relationships and humanity of even the characters that are not human, and placing real peril in fierce and unrestrained action the audience can feel, the movie is redeemed and utterly necessary viewing.

There's little doubt, though, that Kubrick's solid eye for compelling visuals is firmly in place even at this nascent stage in his career, and it's worth noting, too, that the movie boasts a very small handful of genuinely compelling sequences (eg Mazursky's unhinged character is left alone with a woman from a nearby village).

I lost track of which characters were with which side, and the movie even tries to make the same joke, as if knowingly acknowledging this aspect forgives Free Fire for its plotting misfires.

Later he stages four simultaneous, forgettable battles in the film's biggest fight sequence — and even that moment is deflated by Deadpool himself, who interrupts the action to announce the movie's big VFX clash between entirely computer - generated characters.

The film has a revelation about a character's love life that will resonate even stronger today, after gay marriage votes across the country, and I think that revelation is the emotional denouement the movie needed.

These inconsistencies of story, tone, and character have solidified in this sequel, and it's enough to make one wonder if Deadpool, the masked smart - ass with pistols and swords, is even suited for the current climate of superhero movies.

What a strange movie with even stranger characters.

Even the characters in the movie are saying at the beginning, «This is crazy.

Still, Easy A is an agreeable endeavor that remains worth a look if only for Stone's star - making work as the central character (ie she's good even when the movie isn't).

Even in the movie's most conventional stretches, Blomkamp puts things across with terrific verve, using action and computer effects to enhance rather than trump story and character.

The enjoyment comes from the two masterful Method actors, the introspective Brando - like Sean Penn searching for the truth about his role and the more instinctive Nicole Kidman playing to the exotic foreignness her character conveys in a rather prim way, as they play their frustrated oil and water would - be lover roles without even touching or expressing any love except through quiet sighs (a restrained a romance as there ever was in a movie).

Even as characters are tweaked and actors bring a slightly different energy than his other movies, The Best of Me is still the same mushy Nicholas Sparks adaptation with drama so overwrought audience members can't help but laugh — at least until they're sniffling during the closing credits.

The actors make the movie's memorable characters all the more indelible, even when Love at First Fight loses its sense of originality.

Clearly, no actor would say no to a phone call from Steven Spielberg asking if they'd like to participate in an Abraham Lincoln movie, so even the smallest part is filled by either a big name movie star or a noticeable character actor, among them Lukas Haas, Hal Holbrook, Joseph Gordon - Levitt, Tommy Lee Jones (serving as the de facto emotional center for the movie), David Strathairn, Lee Pace, Jackie Earle Haley, Bruce McGill, Gregory Itzin, Jared Harris, Michael Stuhlbarg and Walton Goggins.

The last half hour would have had me weeping for joy if I could have brought myself to care even the slightest bit for the main character but Gordon - Levitt (who was superb in the cyclist movie Premium Rush) was so completely cartoonish and flat it almost turned a 3D movie back into 2D.

On top of that the characters don't even resemble their movie character counterparts!

No other character in the movie can see these psychotic delusions, yet the one that they do see (the bloody gash from aforementioned shanking) just happens to be caused by the only delusion that the filmmakers don't even show the audience (Nina killing herself, apparently, when she thought she was killing Lily).

The last half hour would have had me weeping for joy if I could have brought myself to care even the slightest bit for the main character but Gordon - Levitt (who was superb in the cyclist movie Premium Rush).

Still, the movie's central story did not provide much for character development even with a 2.5 hour run time and, the end of the movie will leave most people disappointed compared to previous installments.

We don't even know what Marvel movie Sharon Stone is starring in, let alone which character she'll play.

No other actor in recent movies, not even James Woods, is better at creating a repellent, spiteful, vindictive character, and it's wonderful to watch him here, gnawing away at decency.

Mystique's character has become even more interesting, as we see her caught between the sweet Raven from First Class, yet on the road to becoming the genocidal terrorist from Singer's movies.

With a terrific cast of character actors, a tense dynamic between Takakura and, well, everyone else in the movie, and Ishii's trademark no - nonsense direction, Abashiri Prison is a B - movie genre classic that heralded even better things to come in the series.