Sentences with phrase «even as a young artist»

As visitors to his full - dress, full - floor Whitney retrospective will perceive from the moment they get off the elevator and are confronted by the mural - length 1999 painting Das Erdbeben in Chili [M # 3], the 79 - year - old artist has evolved to embrace riotous colors, unwieldy materials, and explosive forms in his recent work — even as younger artists with an interest in abstraction obsess over the rigorous formalism of his early years and pore over the compositional strategies in his 1986 book Working Space.
Although still anchored in representation, Brett moved even as a young artist toward boldly graphic, rhythmic compositions that verged on the abstract.
His photographs were always anchored in representation and straight photography, but even as a young artist he moved toward boldly graphic, rhythmic compositions that verged on the abstract.

Not exact matches

An example would be the fictional sermon on hell that James Joyce recounts in his Portrait of the Artist as a Young Man This kind of preaching fosters an image of God as an unloving and cruel tyrant, and in some cases leads to a complete denial of hell or even to atheism.
Indicative of Brewer's own interests as a young white artist in tune with black culture, it's an overarching melting - pot approach, and it somehow works, even if it kowtows to the unspoken Hollywood rule that the color not apply to the marquee characters or their families.
One of the films that didn't blow us away at Sundance, but offered a solid film full of jokes made just for cinephiles, was In a World... The film directed by actress Lake Bell follows a young female voice coach (Bell) as she joins the all - male race to land the white - hot new trailer of a blockbuster trilogy, and with it lay claim to the legendary trailer catchphrase «In a world...» She faces stuffy, douchebag competition in Ken Marino and even her own father (Fred Melamed), a legendary voice - over artist who can't bring himself to recognize his daughter's talent.
The story is about their relationship — how a washed - up old comedian takes a despairing young performer under his wing and gives her the confidence to become a great artist, even as his own career fades into irrelevance.
Desdemona Hart used to be a promising young artist who even made it so far as to study in Paris.
Even as he appeared to thrive in a milieu of experimentation and even as critics took note of a young artist of witty and outrageous imagination, Dine inwardly resisted the acclaim that was all too quickly coming his Even as he appeared to thrive in a milieu of experimentation and even as critics took note of a young artist of witty and outrageous imagination, Dine inwardly resisted the acclaim that was all too quickly coming his even as critics took note of a young artist of witty and outrageous imagination, Dine inwardly resisted the acclaim that was all too quickly coming his way.
Much has been made of the fact that the young Israeli artist Guy Yanai uses painting — an ancient, laborious technique — as his medium, even as he embraces the digital and new media norms of today (even going so far as to reference pixelation in his technique, with short, deliberate bands of color).
Tellingly, even though emerging art has been discounted as an asset class (astoundingly, by Art Basel's director Marc Spiegler, who recently said of it: «When it goes illiquid, it goes totally illiquid»), I noticed several hopefuls carrying a list of the young artists / collectives tapped for the forthcoming Whitney Biennial, chief among them Sky Hopinka, Park McArthur, Torey Thornton, Puppies Puppies and Porpentine Charity Heartscape.
Even though newcomer artists and young professionals do create hype in certain neighborhoods, the expulsion of longtime residents is a result of (international) property speculation and its subsequent utility as a tradable asset for securitizing debt — financial capitalism.
The interdependence is even greater now, as outsiders quote European painting and young artists, such as Amy Wilson or Paul Chan, borrow from Henry Darger.
There is surely a jaded brand of cynicism at play here, surprising in an artist as young as Singer, but even more, these gestures indicate a critical self - awareness that is a much - needed antidote to the powers and hubris of an inflated art market and a faith in seemingly bigger, better art spectacles.
Even as Painters Eleven was breaking up, their example was important to a strong and energetic group of young artists centered on Av Isaacs» gallery.
Even as recent years have seen a return to a focus on craft and the object and, sometimes, beauty, it seems that the ultimate triumph of Conceptualism has come in the form of younger generations who embrace the artist's role as that of universal creator.
But even as Hoyland internalised the Greenbergian dogma of flatness, the painter's deviations from it are precisely what makes the young British artist's canvases so interesting.
Overseeing these venues is a motley generation of «starving dealers,» as one of their number wryly put it: young artists, newly arrived wannabe dealers, former gallery directors and even former gallery owners forced to close down larger - scale businesses.
Andy Warhol always made himself available and accessible to younger emerging artists, and in the vibrant New York art scene of the 1980s, Jean - Michel Basquiat and Francesco Clemente forged particularly close friendships with Warhol — even becoming something of a triumvirate, as this new publication on the three artists shows.
In fact, at the time I didn't even refer to it as a performance — a word used so unhesitatingly by young artists today — since my generation were against the term, in France at least.
Christopher Burge, Christie's auctioneer, described the sale afterwards as «really extraordinary» and «a triumphant vindication» of the auction house's decision to offer works by younger artists many of which are not even a decade old.
But anger, even among young artists, at what is seen as the prize's narrowness has reached a peak since Serota's hint last year of a shift away from the dominant group of Young British Artists failed to materiayoung artists, at what is seen as the prize's narrowness has reached a peak since Serota's hint last year of a shift away from the dominant group of Young British Artists failed to materartists, at what is seen as the prize's narrowness has reached a peak since Serota's hint last year of a shift away from the dominant group of Young British Artists failed to materiaYoung British Artists failed to materArtists failed to materialise.
This separation between African artists who have either lived or travelled to European countries throughout their working lives and the bitter past history of this vast continent is what renders the artistic production of both older and younger artists absolutely crucial to the social dynamics of the contemporary age as an overwhelming sense of wisdom emanates from even the youngest artists included in the fair.
Even in Péladan's time two schools of thought existed, artists such as Jean - Auguste - Dominique Ingres thought, «To create a work of art one must have a certain elevation of soul and faith in God,» 1 while Gustave Courbet discouraged young painters from using mystical, religious, and Christian subject matter, advocating that painting should represent what the artists can observe, not the invisible and nonexistent.
Even as a young unknown artist, he was deeply interested in experimentation, especially with novel media.
He's used his «juice,» as Parazette calls it, to support a number of younger Houston artists, mounting shows of their work in New York and Miami at his own expense - even taking out full - page ads in Artforum.
In each case, as with the younger generation, all the artists shared an interest in exploring the nature of perception, even as they used diverse means to do so.
As night fell, Victoria Miro opened a second gallery, in Mayfair, with a show of «infinity net» works by Yayoi Kusama, and the David Roberts Foundation cleared its block - long building for the swarm of young people who showed up for an evening of performances by artists who included the collaborating Rodney Graham and Kim Gordon.
The exhibition will serve as both introduction and retrospective for one of the Bay Area's most exciting young artists, and one who has already grown, changed, and built upon his unique style, even in the last few months.
As the evening drew to a close, Hans Ulrich Obrist asked the duo to offer some words or wisdom for young artists.
The individuality of their work makes it impossible to brand this generation of young artists as a movement, even though many of the artists know and support each other.
Furthermore, even if most of his landscapes do have an Irish flavour, they fall squarely within the European plein - air painting tradition of the likes of Nathaniel Hone the Younger (1831 - 1917), Augustus Nicholas Burke (1838 - 91), Frank O'Meara (1853 - 88), Roderic O'Conor (1861 - 1940), Walter Osborne (1859 - 1903) and John Lavery (1856 - 1941), as well as Newlyn artists Stanhope Forbes (1857 - 1947) and Norman Garstin (1847 - 1926), to name but a few.
I am also thinking of artists from the younger generation like Chris Martin, who is making paintings with all kinds of materials such as used carpets, records, pillows, even food, and so on.
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