Sentences with phrase «even as the script»

Here's death to prevent death, death as punch line and dance sequence, death without consequence even as the script insists nothing could matter more.

Uncoiling his warped self - awareness when apart from his family, Keegan - Michael Key sells Clarence's arc even as the script throws in cheap machinations to test it (Rob Huebel appears briefly — and pointlessly — as a temptation for Nia Long's character).

Not exact matches

The company has even looked at picking up the rights to scripted shows that aired during previous seasons on traditional networks, while Facebook also has deals in place for streaming live sports, including MLB games and European soccer, as well as e-sports competitions.

Some of the kinds of transactions that Bitcoin can support include so - called M of N transactions, which require agreement between a certain subset of a group, and can be used for escrow, mediation, or shared financial management; time - locked transactions, in which bitcoins are distributed on a strict schedule, useful for trusts or wills; and even data - conditional transactions, in which a script uses a data input such as a regular Google search to monitor real - world events that would automatically trigger disbursements or other actions.

Ubisoft wanted a lot of creative control — as in, it will have approval over budgeting, casting, the script, even the release date.

But even as Homer, Marge and their three kids, Bart, Lisa and Maggie, surpassed the Stone Age family's six - season run, no one dreamed the show would continue for a quarter of a century, giving it a second record as the longest - running scripted TV series in American history.

In a later section, on demographic distribution analysis, the contract mentions the possibility for additional «targeted data collection procedures through multiple platforms» to be used — even including «brief phone scripts with single - trait questions» — in order to correct any skews that might be found once the Facebook data is matched with voter databases in each state, (and assuming any «data gaps» could not be «filled in from targeted online samples», as it also puts it).

The best sales professionals take their cold calling to an elevated level, beyond the «by the script» style of telemarketing, and use cold calling as a way to build relationships and deliver value, even before a sale is made.

Even if the all copies of the Koran were destroyed in the world within a few hours new copies would be created by these people known as hafiz who have it memorized and in most cases even learned the proper scripts to write itEven if the all copies of the Koran were destroyed in the world within a few hours new copies would be created by these people known as hafiz who have it memorized and in most cases even learned the proper scripts to write iteven learned the proper scripts to write it in.

Even as we contest these false gender scripts, the scripts have a total hold over our existence, shaping our language, our values and the social structures that we all participate in.

Because last I checked there was still not a single shred of tangible, measurable, empirical evidence in support of any form of Theism, let alone something as backwards, corrupt, and atrocious, morally reprehensible (historically), and specific as Catholicism, which isn't even a very accurate form of Christianity when compared to the oldest Biblical scripts we've yet found.

We've seen atheists, Muslims, even other sects of Christianity attacked viciously for not believing the precise same script as the majority.

Worse than that, the script even uses «ladies» as a derogatory term for slow flyers, an idea which belongs in the same dustbin as the phrase, «you throw like a girl»

Even as the reviewer urges the writer of the teleplay to stick to The Script, however, the point is again being made: John and Jesus are purely literary presences.

As a post script to my last post, I see the price of an Arsenal share has gone up again today — without any even being traded.

Even the most «sorted» young fathers will need some support to feel that they are really significant in their children's lives, given that fathers» roles are less clearly socially scripted than mothers», particularly in relation to intimate care - giving where fathers are generally perceived as optional extras.

Politicians from all parties still squabble and shout at each other across the floor in the House of Commons, they still publicly bash each other's ideas without putting forward real alternatives and, even as we slide into the double dip of recession, the parties can't stop themselves from hurling scripted insults and blaming current problems on past policies.

This one went to script: a thumping majority, the Conservatives even more divided than we thought they were, and another step closer to what those on both sides of the debate are viewing as a really momentous reform for British society and British culture.

You can actually use this cookbook as a guideline or template for any health, wellness or yoga retreat center or even base your own restaurant around these scripted meal plans.

My clients tell me they like to wear them to the beach and some even flip the script and wear them as wedding guests, especially for outdoor occasions.

Do you feel as if your responses and actions are scripted according to someone else's or even your mate's thoughts and plans?

She works with clients to up their confidence, fix their dating screw - ups, provide the right words over text and online dating and even creating scripts for phone and in - person conversations as their Cyrano, reality and hip check, and help them stay on their dating and relationship purpose.

While we can help dating site owners with a lot of practical stuff, like the SkaDate dating script itself, as well as design (Avoiding Common Web Design Mistakes), monetization options (Turn It Into Cash), and even Terms of Use writing (The Importance of Terms of Use / Service), niche selection is the process best left to the client.

As always, there are several ideas for admins running their sites on SkaDate dating script on how to make their business even more successful.

As scripted with appropriate nuances by Gregory Burke, Catholics were actually killing Catholics, the young against the older, and one Catholic couple even risked their lives by caring for a wounded British soldier.

The final version of the story is a collaboration between Matthew Michael Carnahan (who was already rewriting a script by J. Michael Straczynski) and Damon Lindelof and Drew Goddard (who were brought in to salvage what they could) and maybe even Christopher McQuarrie, hired by Paramount to be on set and revise during reshoots as needed.

This cinematically juvenile approach wouldn't be such a problem if Megamind didn't also have much in common with the aforementioned Despicable Me (which emerged earlier this year as a startlingly original property); but since I'm feeling rather generous today, not even those similarities would necessarily damn Megamind either but for the fact that Despicable did it all — visuals, voicing, and script — far better in terms of the super-villain turned antihero.

There's more to Nostalgia, of course - as even Hamm's dealer is dealing with a few emotional losses of his own - but Pellington and Perry (whose script lacks the talkative confrontation of his previous work) inject every short story with a forced yearning for poeticism that's never really earned.

Last year's misleadingly titled «Fifty Shades Darker,» directed by James Foley and scripted by Niall Leonard (the author's husband), piled on the swoon - worthy luxury goods plus a few dubious thriller flourishes, even as it dragged out Anastasia's increasingly tedious ambivalence toward her adoring stalker of a boyfriend.

All in all, the film is plenty conventional, even in a portrayal of Ancient Rome that is about as thin as a lot of the characterization, and as contrived as the melodramatics which slow down the impact of momentum almost as much as dull and draggy spells, thus making for a script whose shortcomings are challenged well enough by a powerful score, immersively beautiful visual style, solid direction, and strong lead acting for Henry Koster's «The Robe» to stand as an adequately rewarding and very intriguing study on the impact Christ had even on those who brought about his demise.

Written long before the sequels were published, Garland's script seizes on key ideas from the novel, but spins them in exciting new directions, using his source as a kind of leaping - off point (even the opening meteor detail is a bit of a departure, albeit one with rich other - worldly implications) from which he offers five tough women a chance to make first contact with this alien presence, and perhaps save the human race in the process.

There is something special about Garland's script, based on the novel of the same name by Jeff VanderMeer, especially as it relates to self - reflection, disdain and even romance.

Of course, that's just the subject matter, whereas the execution, even within Murphy's script, co-written by Gil Doud, has its flat spells, broken up by highlights within, say, the script, which at least crafts its share of colorful set pieces to be sold as pretty entertaining.

I don't know how thin these characters are, as they are rich historical figures and are very often very well - portrayed, but there is something lacking about the expository aspects of Philip Dunne's, Gina Kaus» and Albert Maltz's script, which pays little mind to secondary characters, and isn't even all that layered with the leads, who, to a lesser extent, join most all other characters in supplementing a sense of melodrama.

Yet even as she and the filmmakers — Mr. Lelio shares script credit with Rebecca Lenkiewicz — thicken the texture, adding realistic details that should energize the scenes, the movie insistently puts a secular frame around its story, leaving little room for the metaphysical.

It may not be especially unique, even in concept, and its scripted interpretation may be a mess of contrivances and fat around the edges, but this story is a thoroughly intriguing one, which juggles epic sweep with rich intimacy as a study on the man behind Christ's crucifixion's coming to embrace the sacred man he killed through a guilt which drives him into dangerous circumstances, thus, there is a rewarding potential that would have been lost if it wasn't for Henry Koster.

It's a must - see for Daniel Day - Lewis» charismatic, subtly shaded performance as Lincoln — and an even richer one by Tommy Lee Jones — but a colleague of mine at The Post has a point in describing the film derived from Tony Kushner's wonky script as «C - SPAN with whiskers.»

Andrew Matthews» script is kind of limp, but with decent bits, at least in humor, as well as intriguing elements in the mostly undercooked, maybe even somewhat unlikable characterization, whose distancing attributes are challenged by, at the very least, decent performances.

However I didn't care about most of the characters, and I'm not sure if it was because of not knowing them as characters or the acting or even the script.

Much more comfortable as the perpetually cheery lifeguard in last summer's Baywatch, the actor just can't hide his natural affability and, even if the movie's multiple script writers had provided him with smarter lines, he couldn't deliver barbed wit to save George's life.

Even what's supposed to pass as dark comedy rarely works because the script (written by the film's first - time director David Veloz) never manages to capture the banalities of this industry town.

Haneke and his actors, playing the bittersweet music of Haneke's crafted - down - to - the - essential script, show us fully and roundly what's at stake even as they depict its cruel, slow, biologically - mandated slipping away, and there's simply never been anything, no depiction of romantic / eternal love, more affecting put on celluloid: The fruits of Haneke's unwavering banishment of any easy sentiment or banal platitudes or reassurances about the human spirit is a pure, clear, penetrating, and overwhelming emotion.

Streep is marvelous, as always, but in this case she outdoes even herself (and the script) by bringing a degree of poignancy to her conniving character.

There isn't even an opportunity to crack some skulls, as the Red Skull himself plays a brief scripted cameo, giving way to other lacklustre character steroetypes to flesh out the basic «evil guys take over the world» style storyline.

The film looks austere and serious, rather as if it had been shot inside a Frigidaire, and the oppressiveness of the images tends to strangle laughter, even at the most absurd excesses of Alvin Sargent's script.

Though he is not totally to blame, the script has a few cringe - worthy moments such as a completely overengineered dance routine involving James that would even make Napoleon Dynamite shake his head.

But even as the movie slowly falls apart, «Morgan» still has one final chance to deliver upon any resemblance of meaning behind its script.

«In Bruges» was the first film that truly overturned the idea of Farrell as a middling actor: as good as the script is (and it was Oscar - nominated), Farrell's take on it makes it an even better film.

It would be the first collaboration between the Coens and Clooney, who described himself as a fan of all their films and accepted the role without even seeing a script.

As we know, Damon Lindelof was brought on to try and salvage the script in advance of the reshoots, for a film that even Paramount admits is only about half of a good movie at this point.