Sentences with phrase «even bigger film»

She impressed in a henchwoman role as the sharp - footed Gazelle for Kingsman: The Secret Service, and now Sofia Boutella is off to an even bigger film.

Even the biggest film fan would acknowledge that it's very difficult to get to know someone when conversation is forbidden until the credits roll, but at a concert there's plenty of time to chat between songs, while the songs themselves help to fill any awkward silences.

Not exact matches

With his latest opus due out this month and a half - dozen more films on the way, the director and historian Ken Burns has learned a lot about how to manage big teams through even bigger projects.

«But what it actually did is it allowed films to do even bigger visual effects and we had to enhance what they did — whether it's an asteroid hitting the ground or blowing 10 cars up in the air.

From film enthusiasts to gamers and theme park attendees, Chinese consumers represent a huge fan base and an even bigger disposable income.

If the movie theaters ever make a bigger profit, even from concessions, the studios can just raise the price of film rental.

So when Hollywood tried to replicate that success with big - budget films like Russell Crowe's Noah, Christian Bale's Exodus or even Martin Scorcese's Silence, they've all flopped.

The band raises money for local children's charities and is committed to rebuilding the Big Easy - even filming their new Playhouse Disney TV Show in the city of New Orleans.

We should be thankful that Darwin's life story has made it to the big screen, yet even before Annie has died, the film shows its scorn for the ability of the audience to appreciate the subject matter.

Even if «Gravity» did not win big at the Oscars it would have been easy to call the film a success, in part due to its box office take as well as furthering awareness of space exploration and helping foster curiosity about NASA and their programs.

Ideal for everyday use, these products may also be used for filming in high definition, ensuring the makeup looks flawless even on a big screen.

Series creator Chris Carter has even written a third entry in the franchise's film department and, based on what the ratings will be like, we'll probably see more X-Files in the future, whether in terms of more episodes or a big blockbuster of a movie.

Beatty's film looks even better when you compare it to the relatively lifeless stuff that has passed for political satire recently — the smart but self - satisfied Wag the Dog, the toothless Primary Colors, or even the Sisyphean journalism of Michael Moore's The Big One.

As it turns out, «'' Amy»» entrepreneur Banky Edwards (Jason Lee) has sold the film rights for his «'' Bluntman & Chronic»» comic book — which is loosely based on Jay and Silent Bob — to Miramax, and the studio greenlit a big - budget production.Before it even begins, though, the pending «'' Bluntman & Chronic»» film provides more than enough fodder for a new wave of hate - mongers who prowl the Internet, namely pimple - faced geeks who slam anything they can type about on a series of movie gossip websites.

The most invaluable below - the - line contribution, meanwhile, comes from production designer Alex DiGerlando, who furnishes the film's broad range of Floridian boxes — big and small, flashy and fetid — with a wealth of subliminal personal and social history, even as they stand empty.

It is nice to see the cast back together again and with the plethora of other bad animated films that hit the big screen today; this reviewer will always take another Shrek feature film... or even a Christmas Special.

A big success by director Tom McGrath, and writers Alan J. Schoolcraft and Brent Simon was keeping the film light and fun by remembering that characters — even villains — must always be endearing and loveable to the audience.

It is so unknown, that one of his biggest fans, didn't even realize that this film was based on a story by Dick, until I saw it in the credits.

Though its Metascore was slightly below that of the first film, Kung Fu Panda 2 was an even bigger hit, out - grossing all but three other films so far in 2011.

It should be, because big Hollywood names aside, this Michigan - filmed family movie overcomes an initially harebrained - sounding story line with just enough thrill, modern - day ocular wizardry and even fragments of heart - warming emotion to convert most initial skeptics into believers.

Though the theme of resentment plays a big part in the film, Tom's emotional transformation is taken a little too far, to the point that you're not even sure if you like the main characters anymore.

Other big names in film, such as Ellen Burstyn, Sam Elliot, Dennis Leary, and even Jennifer Garner all gave great performances.

This film just doesn't have that same kind desperation, that same kind of «we're running out of time»... even though one of the film's main visual concepts is the big clock counting down.

But he never gets overenthusiastic for big events; even with 2001's always magnificent sometimes dramatic choice of music, the visual pacing of the film never changes.

The biggest of the non-major distributors, TWC saw its box office receipts grow by nearly 36 % last year compared to 2014 (thanks to hits like Paddington and 2014 holdover The Imitation Game), even as the overall quality of its films declined.

Later he stages four simultaneous, forgettable battles in the film's biggest fight sequence — and even that moment is deflated by Deadpool himself, who interrupts the action to announce the movie's big VFX clash between entirely computer - generated characters.

These performers keep you mesmerized, making the most of what they're given even when the film sinks into a swamp of whose - dick - is - bigger competitions and sports clichés about product endorsements.

Directors Joe and Anthony Russo (Captain America: Civil War) have managed to take their balanced approach from Civil War and The Winter Soldier and inject even more characters into the mix; we're talking well over 30 big names all mashed into one nearly three hour film that briskly flies by as characters we've grown to love over the years embark on their most important (and personal) battle yet.

Her contribution to this project — a deft and humorous lead role as Margie Chizek, a Midwestern immigrant to Hollywood with big - star dreams who undergoes a brutal and hilarious metamorphosis in the face of Tinseltown romance — drew hearty praise from even those critics who responded negatively to the film itself.

And it is exactly how these big, thick destruction films should be done: the script is boisterously funny, the action sequences have real flair and sweep, and the central human - primate friendship is even quite moving at points.

I'm a guy and not even that big of a fan of musicals and I thought this film was beautiful, charming, uplifting, and funny (Bog's mom has some fantastic one - liners), with a good message to boot.

Not a very good film in the traditional sense, but a very enjoyable guilty pleasure for even this big Scooby - Doo fan.

This was also the first time Joseph not only got top billing (his name was even bigger than the director's name in the end credits) but his character completely carried the film.

This obvious rip - off of the original «Jaws» was one of the biggest cult films to come out of the exploitative genre, and it's even memorable enough to have been remade in 2010.

Even though Sony released only one positively reviewed film in 2010 and managed to boost that total to six films in 2011 (led by best picture nominee Moneyball), its overall Metascore still dropped nearly two points last year, while the studio's average Metacritic user score was also the lowest among the big six distributors.

While Divergent had plenty of big scene skirmishes that resulted in massive numbers of casualties, the killings in this film are even more disturbing.

Even if it may feel a bit overlong, this fantastic sequel is perhaps even more thrilling than the first film, this time investing more in the action and first - rate special effects with a bigger budget to create something epic - and it is always awesome to see Schwarzenegger as the big hEven if it may feel a bit overlong, this fantastic sequel is perhaps even more thrilling than the first film, this time investing more in the action and first - rate special effects with a bigger budget to create something epic - and it is always awesome to see Schwarzenegger as the big heven more thrilling than the first film, this time investing more in the action and first - rate special effects with a bigger budget to create something epic - and it is always awesome to see Schwarzenegger as the big hero.

As you well know, even though WB's project was announced first, Disney's adaptation won the race to the big screen, and now Warner Bros. seems to be rethinking how to approach Serkis» film.

, the so - sad - they - can - only - be-Irish melodies of Carter Burwell's Miller's Crossing score, or even with The Big Lebowski, where they concocted a soundtrack as strange as the characters in the film, assist on that one to a young Kenny Rogers.

Selma «s Ava DuVernay moves up even though her film doesn't and Interstellar «s Christopher Nolan makes the biggest jump of the month, up 10 points to land in the top 5.

It's difficult to think of a director less - suited to take on the intricate, minutiae - obsessed writing of Peter Morgan than Howard — a director who, even in his finest films, has always been interested in the big picture first, with characters serving history rather than the other way round.

Even though it is mostly getting positive reviews, Ant - Man still has one very big hurdle to overcome: the lukewarm reception by audiences, and the very real possibility that by breaking from the Marvel mold, the film positions itself to alienate and confuse die hard fans of the MCU formula.

There is an attempt at some sort of twist ending, a la M. Night Shyamalan, but even this adds so very little to the story as a whole, and comes off like a gimmick just to give the film a «big reveal» even if it doesn't really merit one.

Look at Halloween, The Fog, The Thing, Big Trouble in Little China, They Live, and this review's subject, Escape from New York: That's quite a run of films that are well remembered by many fans today, even if they didn't all set the box office ablaze.

I saw RIP TIDE (Aussie strictly Disney flick, cute for tweets but that's about it), Argento's DEEP RED (for the first time and on the big screen - was a gooey delight tripped up by the usual giallo issues), VICTORIA & ABDUL (odious and blandly crafted), and FIRST THEY KILLED MY FATHER (thankfully on the big screen since Anthony Dod Mantle's cinematography deserves it - the film is strong, even if Jolie is definitely not a subtle director).

They don't even really make a big deal out of gayness in this version, which is odd, but this is a dumbed down and less interesting version of the same story, which would be fine if it took advantage of having actors who don't even have to act if they can dance in a film like this.

If either of those films are a hit at Sundance, chances are they'll go on to even bigger things, because over the years the festival has become a formidable launching pad for actors, directors and their movies.

Richard LaGravenese's adaptation of Jason Robert Brown's stage musical contains about four big numbers that are among the year's most memorable scenes (even though the film itself is pretty spotty).

Allied is unusually linear, after the initial setup: Max is told he married a German spy in Marianne; against orders and behind Marianne's back, he sets out to disprove it.2 The apologist urge is to call it a maturation of Zemeckis's style, to tell a story so simply and economically (even if we've kind of been here before with Cast Away), but the film feels conspicuously underdeveloped as opposed to streamlined, to the extent that the big reveal seems as if it was decided on a coin toss; it's easy to imagine the opposite outcome without any sort of retrofitting to accommodate it.

It ends up being neither, nothing more than something to watch on an airplane to pass the time, instead of a film that warrants devoted attention on a big screen, or even at home.