Sentences with phrase «even brown marks»

Turn every few minutes to get even brown marks.

Not exact matches

The grill marks, browning and even a little charring adds great flavor.

But not even unpredictable Tuss McLaughry could have planned the endurance contest that marked the Brown University season of 1926 (Tuss's first) when 11, count»em, 11 Bruins defeated Yale and Dartmouth on successive Saturdays and played all but the last two minutes in a victory against Harvard two Saturdays later without a single substitution.

«Governor Cuomo and State Education Commissioner John King deserve high marks for standing up for our kids and successfully pressuring Buffalo School Superintendent Dr. Pamela Brown to void a highly questionable, secret side deal with the teachers» union that threatened to significantly undermine their teacher evaluation system before it was even implemented.

Even though the study looked at wild bees in Great Britain, the same transmission dynamics could easily show up in North America, says coauthor Mark J.F. Brown of Royal Holloway, University of London.

Prior studies examining how war may affect the HIV epidemic have produced mixed, and even conflicting, results, said senior author Mark Lurie, associate professor of epidemiology in the Brown University School of Public Health.

If the brown mark wonâ $ ™ t seem to go away even after the burn has healed, you can apply a topical skin bleach containing niacinamide or hydroquinone or opt for laser treatment, according to Dr. Jaliman.

It's a joy to watch them interact with each other, and there's quite a lot of memorable dialogue and even food for thought tossed about through Mark Brown's (The Seat Filler, How to Be a Player) well - conceived story.

There's the early morning DJ (Brown, The Final Curtain) that no one even knows exists until months on the boat (you would think the DJ who relieves him would know, but no matter, it would ruin the joke), and there's the one - joke character, sexy Midnight Mark (Wisdom, 300) who remains sexy because he looks good and says nothing (an irony given that radio is where looks don't matter and the gift of gab reigns supreme).

Absent any need for Sirkian quote marks, the less brightly stylized images in «Carol» more closely resemble those of «Mildred Pierce,» but the palette here seems even more deliberately muted — all dingy greens and nicotine browns, bathed in noirish shadows that seem to provide a cover under which the characters can at last reveal their true selves.

Today marks the 60th anniversary of Brown v. Board of Education, a case which is known around the world, even if it remains somewhat poorly understood.

Those raw brown gestures from the cave of Lascaux, the light blue that all but belongs to Fra Angelico half a millennium before Yves Klein thought to trademark one, the red cloak that gives Caravaggio's John the Baptist command of the future even as his eyes sink, the mere white of Jan Vermeer's pearl and fur, J. A. D. Ingres's yellow - gold that refuses the softness of satin, Mark Rothko's darkness that owes little more to reality but despair — the procession itself is arbitrary.

In Paris, Nicholas Ghesquière showed silk - embroidered frock coats comparable to those seen in 18th - century portraiture for his women's Spring 2018 Louis Vuitton collection; in New York, the Metropolitan Museum's recent Michelangelo show was the tenth most visited exhibition in its history, outstripping even the Alexander McQueen blockbuster in 2011; in London, renowned contemporary British artist Glenn Brown is presenting his reinterpretation of the Old Masters at the Gagosian Gallery (until 17 March), while at Victoria Miro (until 7 April), Mark Wallinger's Italian Lessons exhibition takes inspiration from the Italian masters and masterpieces in Italian collections.

Gaines subsequently tested the limits of representation by dropping the formulas to map tree growth, leaf accumulation, and kinetic motion with pencil - marked gridworks abstracted from portraits («Faces: Men and Women,» 1978) and photos of household objects («Shadows,» 1980), trees («Walnut Tree Orchard,» 1975 — 2014; «Falling Leaves,» 1978 — 79; and the flourescent acrylic paint and sheet series «Numbers and Trees,» 1986 — 89), even timed three - second intervals tracking the graceful turns of the iconic postmodernist choreographer and dancer Trisha Brown («Motion: Trisha Brown Dance,» 1980 — 81).

One of the evening's high - profile casualties was Mark Rothko's «Untitled (Plum and Dark Brown)» painting from 1964.

I did not use duckcloth or even white fabric but a dark brown (4 kids) and used white chalk to mark my lines where it needs sewing.

A lovely alternative to plain white labels, brown kraft paper is a wonderful way to mark storage containers, gift boxes, and even spice jars or potted plants.