Sentences with phrase «even conceptual art»

Later again, his interest in perception became relevant for Op Art and even Conceptual Art.

Enjoying art — even conceptual art — does not require any information or puzzle solving or training.

So that it shows that there is this more complex story, that as much as we might like to think otherwise, even Conceptual art didn't completely vanquish the object.

MS. CORDOVA: Well, let me ask you, because you're bringing up some really interesting issues about the idea of success for an artist and especially during the late «60s and 1970s, you seem to be moving away from painting and towards — well, obviously installations, also towards maybe even conceptual art.

Can even conceptual art and the handmade?

His love of process as much as product left him more open to representation than Greenberg was, and even conceptual art could strengthen his case for the artist's intentions.

And you can also say that a lot of the art systems we grew up around, even conceptual art or minimalism, could be just as strange a belief.

Not exact matches

at the Hammer Museum (Through May 6, 2018) Reviewed by Emily Nimptsch Let's be honest — contemporary art, especially anything of the minimalist or conceptual variety, can be elusive and sometimes even downright mystifying to the general public.

Likewise, there's nary an art fair nor biennial free of performance offerings — even from artists whose practices aren't focused on the medium, like conceptual practitioner Rashid Johnson's recent restaging of the grandfather of midcentury performance art Allan Kaprow's 1970 Sweet Wall, or even social - practice popularizer Theaster Gates's recent in - situ pottery presentation at the Istanbul Biennial.

Political and conceptual art are rare, lest they question the fair's or the collector's very existence, but then so is folk art, even as outsider art has entered the mainstream.

However, «Cowboys» can be seen not only as a cynical representation of reality, but also, in the critical tradition of Conceptual art, as a piercing inquiry into the ethos of the American vernacular, and even as the existential gesture of a figurative and realist artist.

Today, the digitization of imagery breaks into both the conceptual and impressionistic areas of fine art, where experimentation is even more pronounced, and nonconcrete subjects such as the «digital sphere» can be explored and visualized using the photographic medium.

The members of the Hungarian unofficial art scene were keen to break the conventions of concrete art, fluxus, conceptual art and even pop art, as established in the West, by combining them in their unique visual language.

Pretty much every artist creates work to be seen, excluding some conceptual art here and there — and even that makes a public statement.

At the end of their conversation, Cornell dropped a final piece of information that floored even the imperturbable father of conceptual art — he had never even been to Paris.

In his 1967 essay for Artforum entitled Paragraphs on Conceptual Art, he wrote, «The idea itself, even if not made visual, is as much a work of art as any finished product.&raqArt, he wrote, «The idea itself, even if not made visual, is as much a work of art as any finished product.&raqart as any finished product.»

His ideas about experimentation, non-traditional materials, and the use of chance and automatism, resulted in a fascinating laboratory whose output presaged everything from Performance Art and Happenings, to Installation Art, even Process art, Conceptual Art, and Electronic Media AArt and Happenings, to Installation Art, even Process art, Conceptual Art, and Electronic Media AArt, even Process art, Conceptual Art, and Electronic Media Aart, Conceptual Art, and Electronic Media AArt, and Electronic Media ArtArt.

There's such grace and refinement, and simple sensory pleasure, to be found in Judd that it's hard to believe that when his art first came on the scene, even some of his fans felt it was a purely conceptual exercise, with few aesthetic rewards.

Indeed, the collection can be viewed as a lived archive of the world in which LeWitt moved and worked, even as it examines the possibilities for conceptual art across media, disciplines, and time periods.

Golden calls her show «post-black art,» and she has a museum that can even present black abstract artists, a black artist collective of the 1960s, or black conceptual art as a lost tradition.

Please join us for an evening to contemplate the ontology of grabbing with conceptual poetry, art history, psychoanalysis, performance and discussion.

We may think of video, graffiti, sound, and live performance all as art — even conceptual parades starring the general public — but textiles we instinctively tend to place on the other side of that Manichean divide: they're design.

The resultant roughened white page has been seen as iconoclastic, even an act of vandalism, but as a pioneering work of conceptual art it undoubtedly expanded the notion of what «Art» could art it undoubtedly expanded the notion of what «Art» could Art» could be.

In addition the principles of abstraction have spread to photography and sculpture and beyond — even to the mind - set behind Conceptual Art, with its penchant for systems, categories and repetition that isolate and reorganize, and thereby abstract, aspects of reality.

And that's exactly what was on view at the National Gallery of Art in Washington, D.C., last autumn and winter: sterling examples of Pop art and Minimalism, conceptual pieces, assemblages executed in California, a smattering of Abstract Expressionism, and even some Nouveau Réalisme from FranArt in Washington, D.C., last autumn and winter: sterling examples of Pop art and Minimalism, conceptual pieces, assemblages executed in California, a smattering of Abstract Expressionism, and even some Nouveau Réalisme from Franart and Minimalism, conceptual pieces, assemblages executed in California, a smattering of Abstract Expressionism, and even some Nouveau Réalisme from France.

Even within this sex - positive black - sheep subset of feminist art, there were conceptual and political rifts.

Conceptual artist John Baldessari recently conducted an interview with NPR, making us love the Santa Claus of contemporary art even more than we already do.

Then, when I got to Goldsmiths and started learning, I realised this guy was like the ultimate conceptual artist, even though he had no connection to the art world and no audience (although maybe he did, I don't know for sure).

The aesthetics of these early works borrows from Minimal, Conceptual, as well as Land art, and the regulars from MAMCO will certainly find an echo to works from Dennis Oppenheim, Franz Erhard Walther, or even Victor Burgin.

However, within Radical Women's redefined conceptual axes their works exist outside a framework for approaching Latin American conceptualism made popular in recent decades: ``... heroic, political, and even militant, leaving little space for those forms of conceptualism and experimental art that embrace more subjective interjections and both broad and intimate personal and political struggles.»

The grand special exhibition on occasion of the inauguration of the enlarged Kunstmuseum Basel will map the medium's extraordinarily dynamic evolution: the classical idea and form of sculpture grows more flexible and abstract as some artists integrate the trivial stuff of everyday life into their art or blur its spatial and conceptual boundaries, even as others return to the figurative tradition in an effort to set the genre on a new solid foundation.

Even Modern Painters, the magazine he founded in 1987, officially abandoned his editorial policy two years ago to become broadly sympathetic to conceptual art.

That can make a viewer anxious — and sometimes even hostile, given the general public's relative disdain (or simple disinterest) in wide swaths of conceptual art.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Outside the Tate Britain gallery, members of the «Stuckist» movement which scorns what it calls the «pretensions of conceptual art» and champions figurative painting, took aim at the Turner even before it had seen the exhibition.

After the 1990s, conceptual photographic works became even more popular in the art market.

But unlike most conceptual art, Ström's work includes a level of insecurity and even directly engages with current forms of technology.

Mainly absent from the art scene in the 1970s, Sturtevant reemerged in the 1980s, and has adhered to her rigorous conceptual strategy ever since, even re-creating Paul McCarthy's fabulously grotesque video performance, «The Painter» in 2002.

For Tuesday Evenings, Daignault discusses her love of Impressionism and its continued influence, both on conceptual art and her work, in «Lasting Impressions: following in the footsteps of the Impressionists in contemporary painting.»

Perhaps even more persuasive than these historical arguments are the words of artist Charles Gaines, whose work since the early 1970s has applied conceptual art strategies to an ongoing consideration of the implicit codes of seeing and differentiating that underpin our race - conscious society.

Even as they evoke the spare forms of Minimal art, or incorporate Conceptual techniques of appropriation and repetition, the works in Lasting Images also exemplify an expressive use of materials.

Given its dual identity of being and potentially not being, Andre's work clearly has a strong conceptual element, even though he was making it as far back as 1960, before conceptual art became a popular mind game.

David Richard is one of few contemporary art spaces in town that is committed to certain styles whose immediate impression is their visual impact - even more so, I think, than the conceptual: the Op Art, Hardedge, and Color School movements, for exampart spaces in town that is committed to certain styles whose immediate impression is their visual impact - even more so, I think, than the conceptual: the Op Art, Hardedge, and Color School movements, for exampArt, Hardedge, and Color School movements, for example.

Prince even went a step further (as expected)-- after being kicked off the site for posting his infamous work from 1983's series Spiritual America, featuring 10 year old Brook Shields posing naked, Prince re-emerged on the site by printing out postings from celebrities on canvas, re-photographing them, and posting them anew to his own feed in his own twist on the #regram, turning his Instagram account into a conceptual art project.

Henri Matisse is a really foundational artist for me, as is late 1960s American and European conceptual art, certain Arte Povera artists, as well as French and German painting of the 1960s through to the»80s — Yves Klein, Daniel Buren, Martin Barre, Olivier Mosset, Blinky Palermo, Gerhard Richter, Martin Kippenberger, Imi Knoebel, Sigmar Polke — not to mention many non-art practices, such as design, writing and music... I haven't ever really felt or even understood the need to situate myself in any lineage, other than a sort of elective affinities grouping, which is maybe a very contemporary luxury for an artist.

THE TONY PRIZE; as a Minister Denounces the Turner Prize as «Conceptual Bulls ** t» the Mail Stages Its Own New Labour Art Show Daily Mail (London); November 1, 2002; Thomas, David; 700 + words... week dismissed entries for art's pound sterling20, 000 Turner Prize at London's Tate Britain gallery as «conceptual bulls... of our day is a devastating indictment of the military / industrial complex and an insistence that, even in what we delude ouConceptual Bulls ** t» the Mail Stages Its Own New Labour Art Show Daily Mail (London); November 1, 2002; Thomas, David; 700 + words... week dismissed entries for art's pound sterling20, 000 Turner Prize at London's Tate Britain gallery as «conceptual bulls... of our day is a devastating indictment of the military / industrial complex and an insistence that, even in what we delude ourselvesArt Show Daily Mail (London); November 1, 2002; Thomas, David; 700 + words... week dismissed entries for art's pound sterling20, 000 Turner Prize at London's Tate Britain gallery as «conceptual bulls... of our day is a devastating indictment of the military / industrial complex and an insistence that, even in what we delude ourselvesart's pound sterling20, 000 Turner Prize at London's Tate Britain gallery as «conceptual bulls... of our day is a devastating indictment of the military / industrial complex and an insistence that, even in what we delude ouconceptual bulls... of our day is a devastating indictment of the military / industrial complex and an insistence that, even in what we delude ourselves...

If figurative work has been unstylish in recent years within the micro-trending art world in favour of more lazy conceptual and minimal works, then let this show serve to reassert the things viewers could never really get rid of liking anyway, like skill and sincerity and immediate, emotional, gutsy work; thoughtful and intense and odd works, rendering and likeness and oil paint, works that may even celebrate that very un-cool topic, beauty.

His latest verbal assault - branding this year's entries for art's Turner Prize «cold, mechanical conceptual bullshit» - is strong even by his standards.

Perhaps because so many shortlisted artists are involved in unconventional or avant - garde forms of installation art, contemporary sculpture, video art or other types of conceptual art, they tend to attract considerable criticism (even ridicule) from some art critics and members of the public.

Thus, even though he was part of a Neo-Dadaist group that created the Happenings, he didn't progress to Conceptual art; even though he was then associated with Pop, he didn't embrace Pop's deadpan style, or the later purity of Minimalism.