Sentences with phrase «even during sequences»

Not exact matches

We can detect even the faintest cry during nap time, and have mastered new troubleshooting sequences (pacifier?

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Even after the principles of epigenetics came to light, it was believed that methylation marks and other epigenetic changes to a parent's DNA were lost during the process of cell division that generates eggs and sperm and that only the gene sequence remained.

Even with whole genomes, some of the earliest branches in Neoaves proved challenging to resolve, which was best explained by massive protein - coding sequence convergence and high levels of incomplete lineage sorting that occurred during a rapid radiation after the Cretaceous - Paleogene mass extinction event about 66 million years ago.

During this 2 - week period, seismic activity had, in general, moved northward; Tuesday evening's magnitude - 8.2 temblor was centered near the northern end of this seismic sequence.

The 3D conversion for DH2 is superb — even though there are few instances of stuff coming out of the screen at the audience, it adds depth and solidity to the proceedings, and puts us squarely in the middle of things during the movie's first action sequence of note, a ride through Gringotts vaults.

The supporting characters are usually an afterthought, but in Black Panther, they are so well drawn that they seem every bit as interesting, perhaps even more so, than the main protagonist himself, who is either mostly masked or obvious CG during his battle sequences, whereas we are always aware as the women fight, with full acting and facial expressions to root us into their fight in the moment.

But during the aerial «dogfight» sequences, the film is something else again: a grand - scale spectacular, the likes of which has never been duplicated, not even by more expensive efforts like Hell's Angels (1930) and The Blue Max (1965).

Recounting the extraordinary life story of Louis Zamperini (played by Jack O'Connell, «Starred Up»)-- who ran for America in the 1936 Olympics, survived a plane crash during World War II, stayed afloat for 75 days on a life raft before forced internment in a series of Japanese POW camps — Jolie and company seem to be digging into the Spielberg playbook: The movie offers up sun - dappled nostalgia for Depression - era Southern California, harrowing wartime sequences, and even a shark attack, but it serves them all up with maximum efficiency.

It's a terrifying sequence of events, made even more so by how effective Johansson is during them.

It's all very thinly held together by first - time director Paul Hunter, who does the best he can with the poor plot, but can't even manage to raise the pulse for the duration, even during what should be some incredible fight sequences.

We know we'll first see T'Challa in costume as Black Panther during the film, we actually have no clue where in the film this action sequence even takes place.

The Dolby Digital 5.1 soundtrack is somewhat serene at first, but it delivers some jolting bursts of life during the Mars sequences, pushing the subwoofer and engulfing you with atmosphere even in space where technically, there should be no sound.

Top Gun was part of formula product that helped established the song album as the definitive soundtrack release during the eighties, yet enemies of the practice should appreciate the candor of the interviews, which describe the construction of the score and song materials in action sequences involving powerful sound effects; even if you have the hit songs, making them fit is still a chore.

There are no ambient effects or channel separation, even during the game and crowd sequences, rendering the entire product akin to a very clear mono track.

The first, by George A. Romero, his wife and assistant director Chris Romero (née Forrest) and Tom Savini, reveals that almost all the cast were friends, family or local Pittsburgh volunteers (even the mall was owned by personal friends of Romero), that the original script had a far bleaker ending (everybody dies) which was changed during the shoot because the film was «too much fun» for it, and that the fourth film, should it ever get made, is a larger - scale affair set in a down - town area, with lots of action sequences and an overarching theme of «ignoring the problem».

His use of Irish - themed punkers The Dropkick Murphys during the belated opening title sequence attests to his ability to remain current — even in his sixties.»

Down to Earth was directed by Chris and Paul Weitz, but this film doesn't display any of the antic spirit of their last film, American Pie — not even during the stand - up sequences that should be comic high points.

Robert Wise (The Sound of Music, West Side Story) even borrows the light and dark effect of Vertigo's dream sequences during the «Spock Walk» sequence.

It features some of Malick's most stunning imagery and is contemplative even during some of its more intense sequences.

His Nick Colton is certainly a far cry from the sort of tough guy roles he was famous for, and it's Bronson's performance that keeps things interesting even during some of the more superfluous sequences (this is a story that could've easily been told in half the time without losing a thing).

More successful are the jokes that take place during those sequences, or — even better — the darker twists this film puts on them without an accompanying gag.

Even during more subdued sequences, the forward channels offered a nice blend of ambient sounds that seemed well - located and convincing.

Even with two - time Academy Award - winner Christoph Waltz as the central baddie, even with an opening sequence set during the Day of the Dead featuring an absolutely flabbergasting tracking shot helmed by cinematographer Hoyte Van Hoytema (The Fighter), it's astonishing how little of interest actually takes plEven with two - time Academy Award - winner Christoph Waltz as the central baddie, even with an opening sequence set during the Day of the Dead featuring an absolutely flabbergasting tracking shot helmed by cinematographer Hoyte Van Hoytema (The Fighter), it's astonishing how little of interest actually takes pleven with an opening sequence set during the Day of the Dead featuring an absolutely flabbergasting tracking shot helmed by cinematographer Hoyte Van Hoytema (The Fighter), it's astonishing how little of interest actually takes place.

During the pitch, the story artist will do all the voices, narrate the actions of the sequence and maybe even play sound effects with a physical instrument (or in the case of the demo we saw, a squeaker toy) or play music from a computer.

The casualties in flattened cars during this sequence are so high that it's distracting, but even more curious is the way the tank fails to crush Roman's car, which just sits being pushed by the tank.

Even during the action sequences, the structure becomes a serious issue.

Likewise, when a gang leader is brutally assaulted during an early action sequence involving The Joker, there isn't a shriek of anguish heard or a even the slightest hint of blood shown on - screen.

A game like Uncharted for example looks even better during a sequence when the player has no control.

It doesn't look too far removed from the graphical load of its bigger console versions, either, and the Vita has no trouble keeping the framerate high even during high - action sequences (see: any battle against Voldemort).

During the introduction sequence of Super Mario 3D World, Toad is seen taking a late evening stroll with his friends Mario, Luigi, and Princess Peach near Peach's castle.

I do have to admit that the production values are fantastic, even during these silly swirling battle sequences.

Ready at Dawn does a great job of interspersing small jolts of the plot during action sequences to help keep players fully involved though so even while you're pushing for the next big cut scene you're still getting a great story in the meantime.

While the game lacks the traditional NPC interaction of most RPGs, character interaction between the central players occurs frequently via story interludes and even during combat sequences.

The four characters have special abilities that will come in handy during specific sequences in battle, or even when your stuck and you need to take flight.

The subtitles are noticeably easy to read even during action sequences but the white text does get lost at times in brightly colored backdrops.

As you progress, you encounter other strange NPCs that attempt to fill in the gaps that were never even acknowledged during the game's opening sequence.

The Xbox One version maintains a rock - solid frame rate, even during the busiest action sequences.