No matter which length of day you choose; the day - night cycle showcases a total contrast in skies, lighting and
even dynamic casting of shadows from structures, objects and foliage as sunrise becomes mid-day, mid-day progresses into sunset and sunset transitions into midnight before looping back around again in what is a graphically authentic depiction of a day - night cycle.
Not exact matches
With a terrific
cast of character actors, a tense
dynamic between Takakura and, well, everyone else in the movie, and Ishii's trademark no - nonsense direction, Abashiri Prison is a B - movie genre classic that heralded
even better things to come in the series.
In a less interesting movie, you might find the
casting predictable, but del Toro's
dynamic camera sense,
even in the simplest expository dialogue scenes, challenges the performers to bring it, and to bring the fairy tale to life.
The upshot, while proficiently if unremarkably animated, allows little opportunity for the capable voice
cast to shine — and
even less to do — especially for Michael Caine and Maggie Smith, returning very, very briefly as Lord Redbrick and Lady Blueberry, who presided over the Capulet - Montague
dynamic of the first installment.
The torch used by the protagonist realistically lights the environment to such a degree that
even falling snow flakes
cast their own
dynamic shadows.