Sentences with phrase «even fight scenes»

You get interviews with the artists and writers and even fight scenes.

Even the fight scenes flounder around the average mark and all of the crippling injuries Shepard's character Jon Baker suffers are explained away by a metal bone in his arm.

The rift between Iron Man and Captain America drove everything in that film, so that even the fight scenes had a bristling intimacy.

Redeemed here and given a part with some personality, not to mention a crazy look and even a fight scene with her resentful, judgmental sister played by Cheryl Hinds.

Not exact matches

Police were even called in to break up fights, according to the BBC, which said violent scenes occurred across the country.

And, even after seven installments, they still manage to up the ante with increasingly ridiculous action sequences, car chases and fight scenes.

I even enjoy seeing Nativity scenes, but wait, I am a liberal atheist, and therefore according to Palin, Hannity, and FOX News an evil doer who fights tirelessly to try to ruin Christmas for billions of children, so the narrative goes.

They claw, scratch, and fight to be free before the soap has even entered the scene.

Mostly it's a film to watch and go agog at the timeless special effects and fight scenes, and even for a chuckle once in a while.

Even during these early fight scenes, however, it's clear than the movements of the robots are superbly choreographed.

The silly antics continue in this sequel with even more fight scenes and the addition of more characters, albeit shallow ones.

Except only the scene of «Juno» fighting and «Hannah Montana» crushed by the comet, but even this one is worth note 1.

Gleeson, on the other hand, has a harder circle to square, as both antagonist and romantic lead, and to his credit, he stays on the tightrope, even switching between both in one scene as he and Peter feign friendship for each other to appease Bea, only to be resume their fight every time she leaves the room.

Despite the explosions and fight scenes in a grocery store, American Ultra is never worth whatever the admission price is, nor is it a film that will be remembered even a month after release.

Unfortunately, these fight scenes are not as clean as they could be, as figuring out One's fight sequences take getting used to, and even still, they can be a challenge due to the inconsistencies of landing attacks or being stunned.

A veteran action director, McTeigue shoots individual fight scenes well enough, but never provides any modulation or sense of escalating terror — at no point is anyone allowed to crack a smile, and even when the children are threatened with imminent death, the film's pace never seems to quicken.

Some of the fight scenes are nicely done, but as there are so many of them it just seems redundant (even Colin Firth kind of shrugs as yet another group of extras comes after him).

However, the fighting scenes are okay even though I've heard some people complaining about the constant use of slow motions.

Only the fight scenes are worth watching in this unbelievably bad vehicle for Jackie, and even those aren't up to his usual standards.

There is even an unintentionally hilarious scene where Tom Hardy gets to beat himself up with fight choreography designed by a second grade girl.

Christian Bale is, of course, intense and serious as he portrays the inner pain of Moses, even in the earlier scenes when he and Ramses fight on the same side.

The new material includes never - before - seen subplots, extended fight sequences and even the deletion of a few scenes from the theatrical release.

Even Rene Russo as Thor's mom is given a fight scene this time around instead of standing in the background behind Anthony Hopkins.

As a deconstruction of the superhero genre it doesn't quite achieve Watchmen or even Mystery Men status, but there are some technically well - choreographed fight scenes, some great dialogue and solid writing throughout.

The film opens with a scene in which Machete (Danny Trejo) and his partner, Sartana (Jessica Alba) are fighting off some baddies and seem to have been successful, when suddenly a masked man appears around the side of a vehicle and guns down Sartana, and then bails, leaving Machete alone and now even more morbid - looking than he previously had been.

Silly doesn't even begin to describe this plot, which also involves killer robot dogs and an extended Elton John cameo — basically, an excuse to dust off his most flamboyant costumes and to score over-the-top action scenes to «The Bitch Is Back» (Poppy's theme, but also sorta Elton's, once he busts out the kung fu) and «Saturday Night's All Right for Fighting.»

Favreau also understands the clarity of action and the movie's aerial fight scenes have a lovely fluidity that makes them enjoyable, even if they don't really contain anything new.

Watching her in those fight scenes, doing it in high heels, by the way, and an eight foot long gown was even more impressive.»

I love how the chain is an integral part of the fight choreography (it even pays off later in an equally great scene).

So for me, the argument scene between Stephen Strange and Christine Palmer, that fight scene in the apartment — even to this day, every time I watch the movie, it feels like, «How did I get this scene from this gritty little indie film into this Marvel movie?»

Even in his advanced age, he still grunts, growls, yells and packs a severe punch in the action scenes, particularly in one fight scene that's seemingly shot in one singular take, and involves fire axes, guns, flying knees and even an electric guiEven in his advanced age, he still grunts, growls, yells and packs a severe punch in the action scenes, particularly in one fight scene that's seemingly shot in one singular take, and involves fire axes, guns, flying knees and even an electric guieven an electric guitar.

While she holds her own in fighting skills, the film misses some opportunities to explore ideas or even comedic scenes that deal with the shifting gender roles in the big action movies these old dogs invented.

«Sherlock Holmes» may not be the kind of movie you'd expect from Guy Ritchie, but even though a lot of his trademark style is absent, his touch is still very evident — particularly in scenes where he slows down the action to explain in detail what's happening (like Holmes» first two fights) before going back to show it again in real time.

Save for one brief scene, there was no evidence of even the murmurings of rebellion against the Capitol, where the wealthy take in the stories of the participants and their eventual fight to the death as a demented form of reality TV.

If I never had to watch another dreary - looking, CGI - heavy third - act fight scene in which a major world city is threatened, or even seriously damaged, but saved from annihilation at the last minute — or at least, if I could get a two - year break — I would be immensely happy.

The film's one strength is some fairly impressive fighting scenes, but even then they were very hollow.

Tucker gets plenty of screen - time and moments of irreverent hamming, while Chan dishes out some high - flying action during the fight scenes, even if they are far from his best.

The four main characters are stellar personalities, and each one stands out for a different reason: Becca is the young filmmaker who takes her work very seriously, carefully crafting frames and cinematic scenes for her documentary; Pop Pop takes extreme pride in being a strong farmworker, but struggles greatly with his increasing age; Nana is kind and fun - loving, baking cookies and playing hide and seek with her grandchildren, but fights to retain control of her faculties in the evening.

The underground boxing scene, the robots fighting in abandoned zoos or even going head - to - head against a live bull, have a rustic, dirty feel about them.

By focusing on fighting from a 2D perspective Namco and ArcSys allow the hallmarks of the series to shine, with flashy special moves and cinematic camera angles all designed to wring every last drop of nostalgia from Dragon Ball fans — with those same scenes so well crafted that they might even imprint on first - timers in the same way the original show did.

Her Captain Phasma has even less lines in «The Last Jedi» than in «The Force Awakens», and it's baffling why an actress of her physical and emotional calibre is relegated to fight scenes in a bulky metal suit with her face covered.

You can even play as him for a brief moment and have a 1960s style fight scene.

But we also have to endure a steady menu of sight gags relying on homophobic «humor»; multiple fight scenes with very little comedic payoff; an uninspired retread of the smuggling operation plot line from the original; too many moments featuring the insufferable and just - not - funny Farva character, and an ending that makes zero sense and has no payoff, even in this loony comedic universe.

The action sequences are insanely fun: Watch as Gurira, in a fight scene, effortlessly wrangles a floaty red evening gown while kicking butt, and dispatches a bad guy by throwing her wig at him.

But it lacks even the self - aware zaniness of those shows, and the shaky - cam fight scenes feel like they were edited by a random number generator.

Lin has even brought in «Haywire» star Gina Carano (as Hobbs» right - hand man) to serve as the perfect adversary for Letty, leading to a pair of fight scenes that are almost as good as the Diesel / Johnson brawl from the last film.

And that's not even factoring in the pleasure of the massive explosions, Buffy-esque fight scenes, a fantastic cast of British talent (John Hurt, Sinead Cusack, Stephen Rea) and the deliciously subversive fact that the adolescent son of our Prime Minister, Euan Blair, was a runner for a film that takes great pleasure in blowing up the Houses of Parliament.

And, in a climatic battle, even time itself is a battlefield — as a fight scene becomes an ironic antidote to the constant scenes of destruction that drag on at the ends of superhero movies.

With his concrete narrative as foundation, Evans is able to make his visually arresting fight scenes even more welcomed.

What began in Japanese arcades before I was even born has helped to spawn a culture not only in the competitive fighting scene, but in the fighting game community as a whole.