Sentences with phrase «even made a movie about it»

Greene includes the interaction as if to ask: Should men even make movies about women?

They even made a movie about it starring Bill Murray alongside the furry fella.

Not exact matches

Brie Larson's Captain Marvel could make a brief appearance or cameo in «Infinity War» to get us even more excited about 2019's «Captain Marvel,» the first female - led movie in the MCU.

Ask the Muslims who every day draw antisemite caricatures and in daily newspapers in Egypt and make horrible movies against Jews and Israel in Turky.But this hypocrits are affended when they get the same treetment.I personaly dislike the muslim faith and this is a politicaly correct statement.If I could freely speak out... (youtube for instance don't do anything to Holocaust deniers... but if you write anything bad about Moslims they automaticaly warn you and even close your account... hypocrits... cowerds)

Even after The Disaster Artist gave his own story and his cult - classic indie film The Room — largely regarded as the worst movie ever made — new prominence, little is known about where he comes from or who he truly is.

George W Bush was painted as Hitler, called Hitler and even an assassination movie made about him - produced in Canada and shown in the USA - and nary a peep from most folks.

Hi, I loved the little movie about your new book, and I think the addition of your little boy makes it even more personal.

David thought the movie's message about opening yourself to new experiences, even uncomfortable ones, might make science more exciting than it already was.

Even now there is something about the grainy / nostalgic graphics that make the movie and the character that makes my heart feel warm!

Fantastic Beasts 2 Won't «Explicitly» Address the Fact That Dumbledore's Gay, Even Though It's a Movie About Him and the Man He Loved What makes these stories the Most Popular?

That alone makes it more thoughtful about how the world works than a lot of mainstream movies, even if those ideas are interspersed with plenty of comic - book posturing.

If you like movies about unlikely heroes who make good, even at great personal cost, then Bad Day for the Cut is sure to please.

An efficient prison break movie that manages to be tense and gripping, even though there is nothing really memorable about the plot and it doesn't even make any attempt to conceal its artificial and clearly manipulative efforts to create suspense in many key scenes.

Writer - director Ken Loach has been making movies about the British working class since the mid-60s, and this masterful dramatic feature proves that even after all these years he can still work himself up into righteous, white - hot rage.

But it's hard to make even a smartish movie about the young, clueless, and stoned.

Over Her Dead Body may be the worst romantic comedy I've ever seen, although I hesitate to make such a resolute pronouncement about a movie that's so barely even there.

We Are Your Friends is one of those movies about a group of friends who are in the midst of trying to accomplish their dreams and fulfill their aspirations, but feel stuck or even worse, know they don't have what it takes to make it out of their hometown.

Even though the studio literally made a movie about feelings, Coco ranks among its most heartfelt and emotional films.

While I have no doubt that he believes this fiction (in spirit if not particulars, perhaps), Brashear's story — even in its big - screen dilution — is so manifestly about long - term, institutionalized racism, that such a comment appears patently naive, even disingenuous (the movie even makes the case, somewhat ironically, that the Navy's greatness is proved by the fact that someone so exceptional as Brashear would want to be part of it).

A Farrelly brothers movie is always worth seeing, too, even if it doesn't have a chance of making the next American Film Institute list of 100 best comedies («There's Something About Mary» was No. 21 on the just - released list, and deservedly so).

The ads for Fever Pitch, a movie which is basically about learning to balance the passions in our lives, made it seem like a product of profound stupidity, even more of an artistic bottom - feeder than the Farrelly's shaky debut, Dumb & Dumber.

It makes what could just be a toy movie — even just an inventive and funny one — into a movie about toys and what they can do for us.

Second and more importantly is how the movie is also very honest about domestic violence, even if the vocabulary did not yet exist when this was made.

At the film's press day, actor Paul Giamatti, who's also an executive producer on the movie, talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a film like Sideways would even get made today.

At one point, Nick jokes about movies that are made about people who don't do much, a meta - reference to the film itself, but even urban ennui and marital apathy have been captured with more do - nothing honesty than Perry achieves here.

«Birdman» proves that a movie — the grabbiest, most kinetic film ever made about putting on a play — can soar on the wings of its own technical prowess, even as the banality of its ideas threatens to drag it back down to earth.

The truly wonderful thing about this movie is that it's so intense that even the scenes made up of nothing but silence have the power to shatter your nerves.

And even though I made the people I love most in this world do and say some of the stupidest shit ever put in a movie, I was still very particular about who would shepherd our film into the box office wild lands.

That's still pushing it for her to even make Major (averaging at 10 years of service), and we're still in this place of demoting the character to cast a younger actress when a character who is her peer in the comics gets to keep his rank in the movies (For the sake of reference, Terrence Howard was ~ 38/39 for Iron Man 1; Cheadle is about 4/5 years older than he is.

They don't even make jokes about how Marvel movies always kill characters and bring them back.

This being the movie industry, there's even a new trailer to let theater audiences know about the changes, with an announcer saying, «At the MPAA, we're dedicated to making sure every film finds its proper rating.»

With The Lost City of Z, he has realized his true epic — a story that spans continents and decades — yet kept his finger on the intimate pulse that's always made his movies work: This is a great movie about ambition, colonization, and audacious dreaming, but even more than that it's a moving (and tragic) story about fathers and sons.

Even though this movie was made nearly 30 years ago, almost nothing about it feels dated.

And if this movie doesn't make the best pic cut, I will definitely not watch, or even really care about the ceremonies or who wins.

This is not the sort of movie that inspires books about how it was made, but I imagine a good book - and even a good movie - could be based on whatever in the world they thought they were doing when they made «The January Man.»

I'm not Marvel so I can't make it happen, but I can tell you that Marvel is hugely collaborative, I think our even our Thor movie was basically the product of conversations they'd had with Chris and with Mark about what they wanted to do next.

Even if Hugh thought he was entitled to this award because he spent 7 years making his movie about a problematic dude (all the Hugh Was Snubbed stans are really hung up on the 7 - year thing), I think he'd have it in him to smile, clap and keep up appearances.

The film is so beholden to the moods and manners of Malick that even its more estimable elements (the acting, the cinematography, the very conceit of making a movie about Abraham Lincoln that focuses exclusively on what's ostensibly the least interesting part of his life, sort of a Younger Mr. Lincoln) are diffused into the ether.

He spent years talking about a Captain Marvel movie before making one and has spent even more years discussing how much he'd like to give Black Widow her own movie, but his attempts to...

Kill List (2011) was a dingy one - last - job crime picture that evolved into something wholly unexpected and creepy; Sightseers (2012) is the funniest movie ever made about a murder spree; High - Rise (2015) totally got J.G. Ballard's hermetic banality (even if that concept was never enough to sustain a whole novel in the first place).

Michael, as some might recall, is a «mama's boy,» and even though the last movie made a big deal about him getting past that, it turns out that he still is.

The classic LEGO humor could even be injected to make fun of the Crystal Skull, because we don't talk about that movie.

Stay for the truly wild story — about Tommy Wiseau and the making of the «greatest bad movie ever,» The Room — and even wilder casting: Zac Efron!

Colson Googled to find out more about the story and became even more enthralled when he discovered that no big screen movie had been made about a match that riveted the nation.

This is all part of what makes Logan such an outstanding X-Men movie - even though it's still a movie about Wolverine, it's also a movie about mutants, and everything they've gone through.

It was one of those rare times when a major film studio — United Artists, in this case — allowed him to make pretty much anything he wanted, even a sophisticated and very personal British movie about an openly gay Jewish doctor sharing his lover with a woman.

«The Theory of Everything» is about the power of the human spirit, and while the first half makes for more compelling viewing compared to the generic story beats that encompass Hawking's later years, Redmayne and Jones are so good that even if their performances overshadow the movie itself, it's still very much must - see viewing.

This is one of the great movies about creativity - it makes other screen biographies, even good ones, look corny and obvious.

How good, or bad, does a movie have to be in order to make an impression — enough of one, anyway, so that you can remember it, or even still feel like talking about it, 15 minutes after you've seen it?

That would absolutely blow my socks off and make me even more excited about this movie.