Sentences with phrase «even movies sometimes»

Not exact matches

Von Lohmann's role was to help Google achieve that goal even when the creators of some of that information objected, and he sometimes clashed with media figures who accused Google of not doing enough to clamp down on pirated movies accessible through its search engine.

It seems that media, as of late, has been embracing religious and sometimes even Christian elements within TV, movies and music.

Sometimes it's a meal, or a supermarket product or even a movie that sparks a new creation, but other times it's as simple as a «have you tried...?»

Coconut flour egg, bacon & cheese muffins Popcorn (popped in coconut oil and topped with melted butter)-- we make popcorn for the movie theater, too Coconut flour blueberry muffins Grass - fed cheese Homemade corn tortilla chips Soaked and dried nuts Homemade sprouted flour crackers Whole, raw milk (in a sippy cup; sometimes I even bring two)-- it's impossible to get ANY kind of milk on most airplanes these days; many airlines only have non-dairy creamer available Scrambled eggs — I put them in a Thermos container Bananas, oranges, apples, grapes — organic if possible Homemade shortbread cookies — it's a great idea to pack a few cookies for those extra-tough times while traveling Raisins — organic if possible Grass - fed whole milk yogurt mixed with a little fruit - sweetened jam or honey — I put it in a Thermos Homemade soaked granola -LSB-...]

Sometimes the conversation quickly veers around to the movie business, but this was a croquet day — as Zanuck indicated even before he had given Nick Janois, the respectful ma √ Ætre d' h √ ¥ tel, his order.

She went to the movies, sporting events, and concerts with regularity, sometimes even at the last minute, and enjoyed getting dressed up to go to such events.

They talk in person about music, movies, clothes, crafts, books and sometimes even boys.

And while I love love love sleeping and napping with my son, I am sometimes embarrassed to explain to others why I have a hard time getting laundry done, never mind even going out for that movie or to that party.

My hubby and I have compensated with lunch & brunch dates, taking turns going out in the evenings sometimes, and lots of rented movies once she's asleep.

«When you see someone who's homeless, keep in mind it's not necessarily like the movies, that there's mental illness or cause of drugs, there could be a lot of reasons, and instead of looking as we sometimes do, we look away from them, we look down at them, instead look at them like anyone else and just say «hope you have a good day» and «hope you're alright» and give them that encouragement that they're going to be okay because that little thing may be the thing that gets them to the next step, that helps them get to that next interview, that next opportunity, or even to come in to an organization and say I need help,» said Vasquez.

Movies can sometimes feel very real, bringing up emotions and even physical reactions as we watch them.

Conversely, sometimes I watch movies just for the costumes - even if the storyline isn't that good.

I am big hot chocolate lover, sometimes I drink it every evening when covered under many blankets and watching a movie!

As a society we spend a lot of time to emulate the romance we see in movies and on TV, or sometimes even our own friends, but as I have said before, your relationship is 100 % unique, and you need to let it bloom at the rate you want it to, and it the way that you want it to (this «you» being both / all of you, and not you specifically.

I'm a very nice gentleman and respect women also i'm very kind sweet and i enjoyed going out for the evening like going to a nice resturant or a movie dancing sometimes going for a nice weekend drive up to Mt.Rainier or going to the ocean and walk along the beach holding hands.

im just a normal guy, i play video games, but i also love getting out and enjoying the day, be it movies, dinner, or sometimes even shopping sometimes.

The outstanding script is what drives this movie forward and the special effects are so realistic you sometimes forget they're even there.

Sometimes it's an indefinable experience, so gripping and engaging that you soon forget you are even watching a movie.

As one who started his career as a cameraman, he was concerned himself primarily with the images, and this usually resulted in handsome - looking movies in which the actors and actresses come off very well visually, even if the acting quality and styles sometimes varied widely.

This is an example of «sometimes even the best critics get it wrong» this is the best Pot movie since Cheech and Chong.

As a rule, these movies basically work, most of them, even if they sometimes feel more like a product, launched, than a superhero world, imagined.

Now, with movie attendance falling, expectations may have been scaled back somewhat for films, unless they're a sure thing — and sometimes even then.

At the film festival: Bruce LaBruce's subversive masterpiece, Gerontophilia, a lovely rom - com in which everybody fucks one another across all age and gender borders — desire shall bind us together; Juno Mak's Rigor Mortis, a touching albeit grim look at loss and damnation in the form of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale of love ground down by the mill of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gerima.

Aladeen's casual sexism and racism make for some of the absolutely hugest laughs the movie gets and again, Cohen knows exactly how far to bring it to the line — and even sometimes step over it — while still landing on the right side of funny.

It sometimes amazes me how obviously crappy kids movies like this even get reviewed here, yet some clearly better films are passed up, or overlooked entirely and never reviewed.

On a more ambivalent note, I sometimes think that questions of Oscar relevance are really covert dismissals of the significance of Hollywood and the kind of movies the Oscars are all about, films that often (but not inevitably) have eight - or even nine - figure budgets and unashamedly aim for mainstream acceptance.

The movie ridicules both intense faith and, later, the impatience with which «enlightened» nonbelievers try to puncture that faith, and even attempts some bizarre, sometimes drug - fueled metaphysical explanations for why (most) humans can't see the food characters come to life.

As the teens begin to exhibit standard horror movie behavior, a group of technicians in a control room are scrutinizing, and sometimes even controlling, every move the terrified kids make.

Even the film's musical choices, an element that one probably would normally not pay much mind to in this kind of movie, are sometimes strikingly strange.

Earl Felton's indisputably sophisticated script is yet another to fall victim to the overzealous homage of subsequent entries in the underwater power - struggle genre (The Hunt for Red October, Crimson Tide, Atlantis: The Lost Empire (see sidebar), and even the Dark Castle Ghost Ship come to mind) that it minted; we can give a movie credit where credit is due while admitting that it sometimes exists in its own shadow.

The key part of that question is, yes it's two years later because that's when the movie comes out, two years have happened, but even more importantly sometimes the characters in sequels ignore the first movie in a way.

The largely interior, dialogue intensive picture sometimes veers into feeling like a TV movie (not helped by Howard Shore «s often overbearing, obvious score) with its static visuals, but strong turns by Del Toro and Amalric (who thankfully ditches a sea of quirks early on and settles into the part) at least keep things engaging, even if the narrative remains stuck in neutral for large chunks of the film.

Frances» endless optimism keeps her movie afloat even as the audience may realise that sometimes there's no shame in pragmatism.

Desplechin tackles drama with wildly confident eclecticism, sometimes even besting Martin Scorsese in pure movie - mad feverishness: iris shots, radically different camera styles, unexpected musical and literary quotations, theatrical flourishes, scenes broken up in collage.

Sadly, 68 Kill isn't even as good as most other movies I've seen, proving that sometimes you capture lightning in a bottle, or in the case of 68 Kill, you're lucky to catch farts in a bottle.

Often random and sometimes offensive, the movie can't begin to hold up against even a generous critical evaluation, though it does manage to amuse.

Beside Dorval, the best thing about the film is probably the cinematography, even though it sometimes calls a bit too much attention to itself, what with all the off - center close - ups, slow - motion tracking shots à la Wong Kar - Wai, B&W shots of Hubert talking to the camera, colourful fantasy cutaways... Still, you can tell that the kid has seen a lot of movies and instinctively knows how to recreate the things he likes in others» work through his own.

The journalist assigned to interview Rock's character argues that sometimes a thing — a book, a song, or even (wink, wink) a movie — is just what it is and nothing more.

You deserve the best of the best, but sometimes, it can be difficult to know where to even find the top titles out there — and that's why we've taken the time to hand - pick some of the best movies and shows hitting Netflix, Hulu, Amazon Prime Video, and HBO this month.

The sheer volume of late releases angling to get in just under the deadline creates a logjam of movies, sometimes making it hard to know what to even see.

Sometimes people know a movie is going to be a big hit no matter what the reviews say or even what people are saying online.

Sometimes, I'll even remember X-Men: Apocalypse, where Fassbender did everything in his power to bring steely dignity to a movie that didn't know what to do with him.

Because he sometimes enjoys finishing one movie while starting another (see Jurassic Park and Schindler's List), Steven Spielberg is kicking off work on Roald Dahl adaptation The BFG even as he puts the final touches to Cold War thriller Bridge Of Spies.

Even though a large collection of famous actors can sometimes distract from a movie, each actor feels natural in their role in The Post.

Sometimes it's years before I will even dare look at a movie again, and sometimes I'll shut it off after five minuteSometimes it's years before I will even dare look at a movie again, and sometimes I'll shut it off after five minutesometimes I'll shut it off after five minutes.»

As a first - time director, Falcone has trouble maintaining a specific tone - the movie wobbles back and forth between sentimentality and silliness, sometimes even within the same scene.

Oliver Stone has done this well with some of his political movies (JFK, Nixon, you could even say Born on the Fourth of July), but sometimes, it doesn't work (WTF was W?)

The one Oscar category where bad movies get love and sometimes even win.

Terrence Malick direction in this movie was pure brilliant, even when sometimes it dose get a little pretentious with some of the imagery, but all that aside, this is a beautiful film that's not going to be for everyone.

Mixing actual events with fictional elements and characters (Tolson and Farmer are based on real people), the movie manages to be engaging and thought provoking, even if it is sometimes predictable.