Meg solves her friend's dilemma by suggesting she push her car into the river, signaling that
even narrative convention in this book can contain a fair dose of surprise.
Not exact matches
Walker advocates a sexuality purged of every last human
convention, but humans tend to find it hard to relate to a
narrative so devoid of anything like shame, dignity, or
even privacy.
Even eschewing the
conventions of three act arc is an increasingly rare bird on screen these days, let alone relying on a sole lead to carry the entire movie on her shoulders, but she's refreshingly well - adjusted for someone tasked with bearing such
narrative responsibility.
Even memory turns out to be subject to its own
narrative conventions, and so the truth of experiences as we having them does not match what we later believe them to have been.