Sentences with phrase «even painted his collages»

Not exact matches

Scrapbook style — use a trendy design with a collage of photos, snippets, souvenirs, even painted pictures and written notes

These tree outlines make a great base for adding autumn colour - use paint, turn it into a collage, you could even add real leaves!

Even reluctant students can usually find a way in — just being outside, hands on learning, using all their senses, bug hunting, digging, wheelbarrowing — some might be inspired to draw or paint or make a collage or sculpture.

Even the snow and ice glow with subtle color variations in the pleasing digital collage artwork, which combines painted, drawn, and printed elements.

So, even though I still draw and paint in my work, part of the reason I ended up using a lot of collage is in order to get away from the personal mark.

The three paintings and a collage, all featuring the same figure with folded arms, seem to be rooted in the painterly tradition reminiscent of Otto Dix and even early Tair Salakhov.

The exhibition begins on the fifth floor, entitled America Takes Command: 1950s into the 1960s, with Abstract Expressionism, Fluxus, Junk Sculpture, Collage and Assemblage, Anti-Art, Beat Culture, Proto - Pop, and even some figurative painting.

Schapiro even invented the term femmage to explain her process for creating art, in which she began to combine painting, textiles, and paper into collages.

Born in Nigeria, Akunyili Crosby's large - scale works combine collage, painting, drawing and printmaking and «challenge conventions of portraiture, even as they filter a number of art historical and literary influences.»

From early figurative paintings, through collages and video installations, to her radical work in dance and performance, Ms. Schneemann has consistently — insistently — made the personal political, bridging divides between eras and cultures, even species.

These artists have indulged in stretchers, and even their collage draws on painted fabric.

I use collage when I feel the painting is on the right pathway towards completion, and even then I might change something.

Page 357: Wangechi Mutu creates Afro - futuristic paintings and collages of women using images cut from Vogue, National Georgraphic and even porn magazines.

The exhibition «In Different Ways» at Almine Rech Gallery focuses on how artists have developed unique techniques — at times diverse within their own oeuvres — using a brush, airbrush, spray paint, silkscreen and even pouring paint, collaging a range of materials, questioning canvas and wood support structures, or a combination of these processes.

Soon after the month - long Corcoran Gallery solo exhibition, Jane Frank began to apply not just spackle but a variety of other materials - sea - weathered or broken glass, charred driftwood, pebbles, what appears to be crushed graphite or silica, and even glued - on patches of separately painted and encrusted canvas (canvas collage)- to her jagged, abstract expressionist paintings.

2 Even when «arbitrarily» choosing red for his third major series of works, he kept largely to the monochrome, entrusting color variation primarily (as he had in the Black Paintings) to the material interactions of paint with the collaged ground.3

There must be something for everyone in this exhibit with installation, painting, sculpture, collage, sound art, architecture, archive materials and exhibition catalogues and even film.

The German artist specializes across a variety of media including drawing, painting, collage, sculpture, photography, and even sound.

Her large scale works on paper, which combine collage, drawing, painting, and printmaking, challenge conventions of portraiture, even as they filter a number of art historical and literary influences.

Even the works without collage elements from this time have a feeling of paper cutouts, the paint laid on thickly and in blocks across the surface.

However, unlike his last exhibition whereby he assembled and painted upon found paintings in their entirety, in «Transformer» Gortner cuts and collages pieces from an even wider range of found paintings and discarded objects, incorporating them into a new composition.

The exhibition that has emerged features works by 20 artists, including pieces made with packaging, as well as photographs, sculptures, collages, painting, and even a sound piece.

Even though his paintings, collages, and books seem messy, they are also considered emotional and sophisticated and they are quite popular among collectors, galleries, and museums.

Even the most informed visitor may wonder, though, what qualifies certain pieces on view as «combines» when the term «collage» or «painted collage» might serve as well.

Presented as a dense collage, or mosaic even, of torn fragments, the installation mimics the information saturation of our digital existence, but move in close and each painting is achieved with the immensely satisfying attention to detail one always enjoys with Landy's work.

Some of the works included in the exhibition explicitly engage with Eliot and his writing, such as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made as a gift for Eliot, which combines the text from Petronius that is The Waste Land's epigraph with the opening lines of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists of 36 collages in which the artist has cut out each of the words of the poem, and re-organised them alphabetically and in groups, at once fragmenting Eliot's poem of «broken images» even further and bringing its underlying verbal structure to light.

Over the next decade, Motherwell's production of large - scale collages even outpaced his creation of paintings; his enthusiasm for and dedication to the collage technique for the remainder of his career sets Motherwell apart from other artists of his generation.

They didn't agree on what their position should be, or even how it should be dealt with in art, as two contrasting, rarely seen examples displayed here posit: Bearden's figurative photostat collages and abstract paintings by Norman Lewis.

(The 1996 video Benny Andrews: The Visible Man shows the artist in his studio working on a painting / collage and discussing his technique of incorporating paper, fabric, and even cut - out sections of his old paintings into the new artwork.)

Kerlidou writes: «Bonnefoi's strategies seem to condense a few aspects of the work of his American contemporaries: the objectification and theatricalization of a gesture devoid of pathos of David Reed; the deconstructing strategies of Jonathan Lasker — even if Lasker's use of exaggeratedly thick brushstrokes seems closer to Dunoyer; the collaged elements in Philip Taaffe's paintings; and the interplay between the front and back in the work of Craig Fisher.

Benson discusses her process: «For the most part for these paintings, I feel like they are a collage of different painting moves and I approach it the same way you would if you're making a Photoshop file... In the beginning of the painting, it happens really fast and I can do the first four to five moves pretty fast within one to two days and even up to the first oil move.

But before you really begin painting from what I gather from the reproductions even that one, the first one, the figure by the window — the collage element becomes very important, and in a sense it's a denial of painterly gesture.

Not only did Alex Katz work on his paintings, but he also delved into large landscape paintings, sculpture, and even collages of the Maine lifestyle that he grew to love so much over the years.

Through painting, video, collage, sculpture, performance and installation by huber.huber, Manuel Mathieu, Mark Salvatus, Rachel McCrae, Victoria Sin, Omer Even - Paz, and a lecture - performance by Alex Anikina, Will Nature Make A Man of Me Yet?

Mostly, his collages were done in the evening after a day's painting outdoors.

But the bidding remained tempered throughout the rest of the night, and even saw a few stumbles: a late painting of two faces on a collaged background by Jean - Michel Basquiat, who has been a market sure thing in recent months, failed to sell at its $ 5 million - $ 7 milllion estimate, while Cady Noland — who holds the world auction record for a living woman artist ($ 6.6 million)-- had a section of chain - link fence go unsold at $ 500,000 - $ 700,0000.

AH: Even though I am interested in all those movements especially modernist painting, surrealist collage, abstract expressionism, and pop art not very many people have discussed that aspect of the work in depth.

The first features the work of painter Jack Davidson: bright collaged pieces that layer materials such as paint, ink, digital elements and even gold leaf and record his journeys around Barcelona, Spain.

Co-curated by Fitzgerald and Emily Skillings, both poets, the show presents paintings, drawings, and collages hung in imitation of the environment at Ashbery's own home, complete with katchkes, coffee tables, lamps, velveteen chairs, wall decorations suggesting abstracted ledges, and fireplaces — even a two - dimensional piano drawn onto the wall, stacked with real sheet music.

Given the context, an exhibition at Eyebeam Art & Technology Center, I was intrigued by the various possibilities of these little pictographs being transcribed and / or re-codified by artists and designers into interactive platforms, large - scale installation works, digital collage and even being represented in traditional media, like painting and drawing.

Elsewhere DeFeo's transfigurative impulse expresses itself through a deft withholding or reshuffling of visual information, as in many of her photo collages, or even the big paintings that scale up views of DeFeo's dental bridge to the proportions of small boulders.

Using acrylic, collage, charcoal, colored pencil, and even Xerox transfer, Njideka creates wonderfully colored and patterned paintings.

This exhibition will highlight 10 new works on panel that includes collage, painting and even sculptural elements in each piece.

The backgrounds of his paintings, even the paintings that look as if they have a simple, white background, are painstakingly done collage.

On view are work by artists like Benny Andrews, Carolyn Mims Lawrence, William T. Williams, Betye Saar, and more, including paintings, murals, collage, photography, sculpture, and even clothing design.

Although Jacobs's paintings immediately reference the urgency of AbEx gestures and even Arp's early chance collages, there is an indirectness in his process that literally requires the paintings to take time to develop, not so unlike an analog photograph.

In 1964, inspired by both the long history of art and by imagery he found on contemporary printed postcards, Roy Lichtenstein began to explore the genre of land and seascapes, using paint, plastic, enamel, drawings, collage, print, and even film to realize his various works.

Bas even pasted a magazine photograph of Slimane onto a collage painting from 2003, depicting a fashionably dressed adolescent floating in water as a ship approaches.

Yet even here, Schneemann's devotion to painting is betrayed by the film's washes of color and quick edits, as well as painterly, collage - like, and abstract aesthetics.

Elsewhere Costa has deployed coloured polythene bags (rubbish and recycling sacks from different London boroughs) to create geometrical wall pieces akin to Constructivist paintings; while in a series of small - scale paintings, he combines the methods and motifs of embroidery, collage and cartoons Quoting artistic precursors in seemingly degraded materials or formats, Costa playfully interrogates the «real value» of works of art, addressing the question of how unspectacular or even desultory materials might transmute into an art object and vice versa.