Sentences with phrase «even talk about the films»

I can't even talk about these films without getting irate.
The Transformers franchise hasn't had it easy — games haven't been brilliant, we don't even talk about the films anymore, but High Moon Studio's War of Cybertron was a great example of how you could take a really fun IP, not tie it to anything, and simply focus on making a great game... and then making an even better game.

Not exact matches

His last two films were dark indie movies (True Crimes and The Bad Batch), and he's been talking publicly about spirituality, philosophy and even the gospel.
And that evolution continues as even the McMahons themselves begin to talk about wrestling the same way that the film and television industry is discussed.
Flint compared herself to the hugely outnumbered band of Spartans in the film 300 when talking about the onslaught from Ukip - turned - Tory voters that she and others like Gloria de Piero and even Dennis Skinner faced.
We're gonna need a minute to process this whole situation... Okay, now we're ready to talk about the purple - and - black - and - teal lace caped gown, which shows a lot of leg and a even more side cleavage at the opening ceremony of the film festival.
You can always sit and relax after the showing with drinks or even get a bite to eat to get to know each other a little better and talk about the film you have both just shared.
Talk about encouragement - it's pandering, really - the film even rewards its audience for identifying with Matt's tormentors by offering hot proxy girlfriends.
Not the most intersting of films, however it talks about a very current theme, even for today.
Even Spielberg had trouble with this — «Munich» might have been the best film of 2005, but 13 years later people only really talk about Eric Bana's sweat level during that climactic sex scene.
Even the location is a construct: Cave drives around, and talks lovingly about, Brighton, but the footage leaps unannounced across temporal and spatial boundaries, the film - makers playfully conspiring to blur several worlds into one artificial reality.
This was a blank - slate film experience for me, and it's not a sequel or prequel so much as an independent movie operating laterally to Suicide Club, so why am I even talking about all this.
At the film's press day, actor Paul Giamatti, who's also an executive producer on the movie, talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a film like Sideways would even get made today.
Witherspoon noted, that now there's talk about «seeing a more dynamic woman on film» and explained «I think this is just the beginning, and we hope to continue that and even make it more diverse and make it more inclusive, make it more look like the world really looks.
The film combines facts about different species of dinosaurs with talking creatures that resort to a mixture of silly banter, potty humor and even mild sexual innuendo.
After writing and directing indies such as Gummo, Julien Donkey - boy, Ken Park and Trash Humpers, Harmony Korine's Spring Breakers was one of last year's most talked about films, with his work in that film expected to help him lure in even more A-list talent for this revenge film.
Tarantinos's special touch drives the film even if he is not in the directorial chair, talk about a powerful auteur signature.
Patton Oswalt has even talked about similar work he's done, (referred to as «punch - ups») on animated films.
Before I even start to talk about John Wells «new film «August: Osage County,» I have to say I've never seen the stage play or read it by writer Tracy Letts.
Just a few short days ago, Chris Pine talked briefly about his experience on Star Trek 2, saying the film would keep its comedic elements, but the crew of the Starship Enterprise would face an even greater threat.
The co - writer / director, who also made «Drive» and «Only God Forgives,» and the star sat down with us this week in Chicago to talk about the divisive response to the film, the purpose of art, and even «Beyond the Valley of the Dolls.»
While talking about the possibility of having a gay character in the Marvel films, Gunn revealed that he believes there could be a gay character — or even a bisexual character — that we don't know about as of right now.
It's easy to feel a certain fatigue as awards season drags along, with even the most dedicated Oscar - ologists tiring of talking about the same boiled - down pool of a few films.
Such rules would normally be frowned upon (and even ignored by many), but in fact, this film does such a masterful job of paying homage to the first, while enhancing the characters and story, that we are eager for every viewer to experience it with fresh eyes and clear mind... no matter how tempting it is to talk about!
Laura Poitras — «Citizenfour» Easily the most talked - about non-fiction film of the year, a front - runner for the Documentary Oscar (and even, some suggest, a dark horse for a Best Picture nomination), «Citizenfour» looks to make director Laura Poitras, if she wasn't already, one of the best known documentarians working today.
And let's not even talk about how high a bar the bear's two adventures set for family films...
It's lyrical, sweet and even though it doesn't feature Jane Fonda's much talked about wild, scene - stealing turn, it manages to evoke the sense of longing for the past that that lives up to the film's title.
Benjamin Button, Fincher's first PG - 13 movie, would kick off a winning streak for the director that has continued with The Social Network, one of the most talked about films of this century and undoubtedly the runner - up for 2010's Best Picture Oscar, and The Girl with the Dragon Tattoo, unlikely material for a $ 100 million domestic / $ 200 million worldwide run and one of the edgiest movies to elicit an Oscar win, even just a technical one.
Lynch talked about his excitement to make a film starring a badass woman and «strong female character» which he said shouldn't even be a term any more as a female ought just to be allowed to be a «strong character.»
The recent success of The Conjuring 2 means that there is the inevitable talk of a third movie with director James Wan already getting inundated with questions about a Conjuring 3, even with the second film still in theaters.
Sam Mendes had considered directing the film for a while, and even talked to Carey Mulligan about starring, but now Carol producers Stephen Woolley and Elizabeth Karlsen have The Hollow Crown's Dominic Cooke attached to make his film debut with it.
It shows you a couple of minutes from several new films so you can decide if you want to see them or, even better, talk about them at parties without bothering to see them.
Ryan Swen: It's extraordinarily tricky to talk about what films will enter the proverbial pantheon, and even more to predict what will still be talked about (heaven knows many more people will still fondly remember Captain America: Civil War in ten years time than will have seen Certain Women), both in cinephile circles and in the general public.
Rosalie produced Faces Places as well, and Varda credited her for coming up with the idea for the film and introducing her to collaborator JR. «We're good partners in crime,» says Rosalie, who had the idea for Let's Talk About Cinema even before Faces Places.
Beside Dorval, the best thing about the film is probably the cinematography, even though it sometimes calls a bit too much attention to itself, what with all the off - center close - ups, slow - motion tracking shots à la Wong Kar - Wai, B&W shots of Hubert talking to the camera, colourful fantasy cutaways... Still, you can tell that the kid has seen a lot of movies and instinctively knows how to recreate the things he likes in others» work through his own.
And Peck's film reminds us that even though he is no longer with us, he's still talking to us about what's going on.
That scene is the one and only reason why the film didn't get it's PG - 13 rating, and even though I'd be regurgitating a lot of other bloggers» feelings about the MPAA by talking about how stupid that is I agree that the film should not be edited just for the sake of that one beautifully foul scene that honestly I don't know who would watch it and be worried for their children's innocence.
In it, the cast and crew talk about the movie as if it's a great revolution in the history of horror films, which isn't even a little true.
And it's really interesting how now, even at the age of 89, she can talk with great clarity about a film from «54.»
(And I wont even talk about the self - control that it mustve taken Smith to not put himself in the film.)
Even though Deadpool screenwriters Rhett Reese and Paul Wernick are really busy writing Deadpool 2 at the moment, we managed to get them into our Collider Video studio a few days ago to talk about the success of the first film and where the character might go next.
W Magazine Taraji P. Henson, always fun, talks about getting the acting bug, auditioning for Precious and falling in love with «Cookie» on Empire even though she didn't want to do TV again AV Club Taraji also has a new leading film role as civil rights activist Ann Atwater who in 1971 had meetings with the Klu Klux Klan leader on reducing violence.
I want to talk highly about this film because of my love for so many involved but it lacked so many components that make a strong film that it's hard even trying to pick out high points.
There is also the added problem of Paquin as a teenager talking about losing her virginity, even if the film was shot when she was twenty - three.
Despite being her most accessible film, Coppola misses many opportunities to elevate this film to masterpiece territory, a hit, or even something to talk about following the credits.
As alumni of my school, the pair came to give a talk when I was about 14, and Cornish struck me as the more thoughtful, ambitious one even then, but nothing prepared me for his feature film debut.
When two characters at a café talk about Bazin's «holy moment» on a virtual movie screen, with the eternally unnamed protagonist mirroring our reactions in a darkened theater, Linklater audaciously crumbles the space separating the audience and the film even as the picture attacks the malaise of the day - to - day.
Discussions were going on in the line about the film actually being real, some even talking about how they heard the bodies of the three filmmakers were never found.
While this films producers should be applauded for their sensible approach in teaching parents how to talk to kids about sex, the awkward reading of cue cards and embarrassing situations will produce nervous giggles among even the most jaded audiences.
Also on Thursday, check out The Claim on IFC — I talk a lot about bad Milla Jovovich films (because I enjoy even the bad ones), but this one is actually good.
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