I can't
even talk about these films without getting irate.
The Transformers franchise hasn't had it easy — games haven't been brilliant, we don't
even talk about the films anymore, but High Moon Studio's War of Cybertron was a great example of how you could take a really fun IP, not tie it to anything, and simply focus on making a great game... and then making an even better game.
Not exact matches
His last two
films were dark indie movies (True Crimes and The Bad Batch), and he's been
talking publicly
about spirituality, philosophy and
even the gospel.
And that evolution continues as
even the McMahons themselves begin to
talk about wrestling the same way that the
film and television industry is discussed.
Flint compared herself to the hugely outnumbered band of Spartans in the
film 300 when
talking about the onslaught from Ukip - turned - Tory voters that she and others like Gloria de Piero and
even Dennis Skinner faced.
We're gonna need a minute to process this whole situation... Okay, now we're ready to
talk about the purple - and - black - and - teal lace caped gown, which shows a lot of leg and a
even more side cleavage at the opening ceremony of the
film festival.
You can always sit and relax after the showing with drinks or
even get a bite to eat to get to know each other a little better and
talk about the
film you have both just shared.
Talk about encouragement - it's pandering, really - the
film even rewards its audience for identifying with Matt's tormentors by offering hot proxy girlfriends.
Not the most intersting of
films, however it
talks about a very current theme,
even for today.
Even Spielberg had trouble with this — «Munich» might have been the best
film of 2005, but 13 years later people only really
talk about Eric Bana's sweat level during that climactic sex scene.
Even the location is a construct: Cave drives around, and
talks lovingly
about, Brighton, but the footage leaps unannounced across temporal and spatial boundaries, the
film - makers playfully conspiring to blur several worlds into one artificial reality.
This was a blank - slate
film experience for me, and it's not a sequel or prequel so much as an independent movie operating laterally to Suicide Club, so why am I
even talking about all this.
At the
film's press day, actor Paul Giamatti, who's also an executive producer on the movie,
talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a
film like Sideways would
even get made today.
Witherspoon noted, that now there's
talk about «seeing a more dynamic woman on
film» and explained «I think this is just the beginning, and we hope to continue that and
even make it more diverse and make it more inclusive, make it more look like the world really looks.
The
film combines facts
about different species of dinosaurs with
talking creatures that resort to a mixture of silly banter, potty humor and
even mild sexual innuendo.
After writing and directing indies such as Gummo, Julien Donkey - boy, Ken Park and Trash Humpers, Harmony Korine's Spring Breakers was one of last year's most
talked about films, with his work in that
film expected to help him lure in
even more A-list talent for this revenge
film.
Tarantinos's special touch drives the
film even if he is not in the directorial chair,
talk about a powerful auteur signature.
Patton Oswalt has
even talked about similar work he's done, (referred to as «punch - ups») on animated
films.
Before I
even start to
talk about John Wells «new
film «August: Osage County,» I have to say I've never seen the stage play or read it by writer Tracy Letts.
Just a few short days ago, Chris Pine
talked briefly
about his experience on Star Trek 2, saying the
film would keep its comedic elements, but the crew of the Starship Enterprise would face an
even greater threat.
The co - writer / director, who also made «Drive» and «Only God Forgives,» and the star sat down with us this week in Chicago to
talk about the divisive response to the
film, the purpose of art, and
even «Beyond the Valley of the Dolls.»
While
talking about the possibility of having a gay character in the Marvel
films, Gunn revealed that he believes there could be a gay character — or
even a bisexual character — that we don't know
about as of right now.
It's easy to feel a certain fatigue as awards season drags along, with
even the most dedicated Oscar - ologists tiring of
talking about the same boiled - down pool of a few
films.
Such rules would normally be frowned upon (and
even ignored by many), but in fact, this
film does such a masterful job of paying homage to the first, while enhancing the characters and story, that we are eager for every viewer to experience it with fresh eyes and clear mind... no matter how tempting it is to
talk about!
Laura Poitras — «Citizenfour» Easily the most
talked -
about non-fiction
film of the year, a front - runner for the Documentary Oscar (and
even, some suggest, a dark horse for a Best Picture nomination), «Citizenfour» looks to make director Laura Poitras, if she wasn't already, one of the best known documentarians working today.
And let's not
even talk about how high a bar the bear's two adventures set for family
films...
It's lyrical, sweet and
even though it doesn't feature Jane Fonda's much
talked about wild, scene - stealing turn, it manages to evoke the sense of longing for the past that that lives up to the
film's title.
Benjamin Button, Fincher's first PG - 13 movie, would kick off a winning streak for the director that has continued with The Social Network, one of the most
talked about films of this century and undoubtedly the runner - up for 2010's Best Picture Oscar, and The Girl with the Dragon Tattoo, unlikely material for a $ 100 million domestic / $ 200 million worldwide run and one of the edgiest movies to elicit an Oscar win,
even just a technical one.
Lynch
talked about his excitement to make a
film starring a badass woman and «strong female character» which he said shouldn't
even be a term any more as a female ought just to be allowed to be a «strong character.»
The recent success of The Conjuring 2 means that there is the inevitable
talk of a third movie with director James Wan already getting inundated with questions
about a Conjuring 3,
even with the second
film still in theaters.
Sam Mendes had considered directing the
film for a while, and
even talked to Carey Mulligan
about starring, but now Carol producers Stephen Woolley and Elizabeth Karlsen have The Hollow Crown's Dominic Cooke attached to make his
film debut with it.
It shows you a couple of minutes from several new
films so you can decide if you want to see them or,
even better,
talk about them at parties without bothering to see them.
Ryan Swen: It's extraordinarily tricky to
talk about what
films will enter the proverbial pantheon, and
even more to predict what will still be
talked about (heaven knows many more people will still fondly remember Captain America: Civil War in ten years time than will have seen Certain Women), both in cinephile circles and in the general public.
Rosalie produced Faces Places as well, and Varda credited her for coming up with the idea for the
film and introducing her to collaborator JR. «We're good partners in crime,» says Rosalie, who had the idea for Let's
Talk About Cinema
even before Faces Places.
Beside Dorval, the best thing
about the
film is probably the cinematography,
even though it sometimes calls a bit too much attention to itself, what with all the off - center close - ups, slow - motion tracking shots à la Wong Kar - Wai, B&W shots of Hubert
talking to the camera, colourful fantasy cutaways... Still, you can tell that the kid has seen a lot of movies and instinctively knows how to recreate the things he likes in others» work through his own.
And Peck's
film reminds us that
even though he is no longer with us, he's still
talking to us
about what's going on.
That scene is the one and only reason why the
film didn't get it's PG - 13 rating, and
even though I'd be regurgitating a lot of other bloggers» feelings
about the MPAA by
talking about how stupid that is I agree that the
film should not be edited just for the sake of that one beautifully foul scene that honestly I don't know who would watch it and be worried for their children's innocence.
In it, the cast and crew
talk about the movie as if it's a great revolution in the history of horror
films, which isn't
even a little true.
And it's really interesting how now,
even at the age of 89, she can
talk with great clarity
about a
film from «54.»
(And I wont
even talk about the self - control that it mustve taken Smith to not put himself in the
film.)
Even though Deadpool screenwriters Rhett Reese and Paul Wernick are really busy writing Deadpool 2 at the moment, we managed to get them into our Collider Video studio a few days ago to
talk about the success of the first
film and where the character might go next.
W Magazine Taraji P. Henson, always fun,
talks about getting the acting bug, auditioning for Precious and falling in love with «Cookie» on Empire
even though she didn't want to do TV again AV Club Taraji also has a new leading
film role as civil rights activist Ann Atwater who in 1971 had meetings with the Klu Klux Klan leader on reducing violence.
I want to
talk highly
about this
film because of my love for so many involved but it lacked so many components that make a strong
film that it's hard
even trying to pick out high points.
There is also the added problem of Paquin as a teenager
talking about losing her virginity,
even if the
film was shot when she was twenty - three.
Despite being her most accessible
film, Coppola misses many opportunities to elevate this
film to masterpiece territory, a hit, or
even something to
talk about following the credits.
As alumni of my school, the pair came to give a
talk when I was
about 14, and Cornish struck me as the more thoughtful, ambitious one
even then, but nothing prepared me for his feature
film debut.
When two characters at a café
talk about Bazin's «holy moment» on a virtual movie screen, with the eternally unnamed protagonist mirroring our reactions in a darkened theater, Linklater audaciously crumbles the space separating the audience and the
film even as the picture attacks the malaise of the day - to - day.
Discussions were going on in the line
about the
film actually being real, some
even talking about how they heard the bodies of the three filmmakers were never found.
While this
films producers should be applauded for their sensible approach in teaching parents how to
talk to kids
about sex, the awkward reading of cue cards and embarrassing situations will produce nervous giggles among
even the most jaded audiences.
Also on Thursday, check out The Claim on IFC — I
talk a lot
about bad Milla Jovovich
films (because I enjoy
even the bad ones), but this one is actually good.