Sentences with phrase «even the movie seems»

Not exact matches

As a result, the industry has even seems to be gradually warming to the idea of premium streaming options, where studios release movies for customers to stream at home while they're still showing in theaters.

It seems that innovation is everywhere in the movies, even if it works so seamlessly you don't even realize it.

The memory may have faded, but movie studios can still feel the sharp barb left behind by 2014's release of «The Interview,» the James Franco and Seth Rogen - starring slapstick comedy that saw the duo assassinate Kim Jong - un; hundreds of Sony's e-mails were leaked by hackers in the aftermath, causing their own controversies, while even the brief threat of all - out war seemed to hang strangely in the air.

On a longer timeline, even that strong growth will seem low after figuring in all the movies, music and games people will want to consume in their robot cars, which Google will be only too happy to supply them with.

You probably wouldn't guess it, but the people behind some of your favorite movies and TV shows — even some of the ones that seem the least tied to reality — might have consulted a scientist in an attempt to keep things (sort of) realistic.

It seems that media, as of late, has been embracing religious and sometimes even Christian elements within TV, movies and music.

Speaking of tricks, Ant - Man and Wasp seems to double, triple, even quadruple down on all the size - changing stunts of the first movie, with tons of objects, from a building to a Pez dispenser, becoming action - centered props.

It seems like every time Marvel can't possibly increase the scope of a franchise, they figure out a way to make their movies even bigger.

I am not convinced that this objectification of humanity into victim and executioner does justice to the complexity of the human individual or to the dynamic of evil... The web that unites victim and tyrant in the same person is more complex than the white hat / black hat caricature that seems banal even in its natural habitat, the «grade B» movie.

Despite being addicted to both movies and music I'm not into musicals — with very few exceptions (one that comes to mind right now is Moulin Rouge), it seems impossible for me to enjoy that kind of movie, no matter how hard I try — like the four times I tried watching Chicago with no success (the movie made me fall asleep every single time and I wasn't even tired).

Although the list of things to do can seem limited, there are actually quite a few fun activities to try with babies before they crawl both indoors and out, including things like taking a flight, working on coordination, dressing them up, and even going to the movies — really!

Because as sexy and chic as sex in front of a fireplace may seem in books or movies, in real life the floor is hard, cold wood, and if you're in my house it's also coated in cracker crumbs, because even though you vacuumed yesterday you have twins who eat 11 meals a day like hobbits.

Memory loss has been a stock movie plot device since the release of 1940s melodramas like Random Harvest, but lately it seems to be everywhere: in mysteries (Memento), in thrillers (Paycheck), and even in comedies (50 First Dates).

Nearly all futuristic movies and novels — even sober business forecasts — seem to wallow in the same smug assumption that most people are fools.

But that has not stopped movie companies from pushing the boundaries of animation to make their synthetic characters seem as real as possible — even if those characters happen to be shape - shifting megaton robots, as in last summer's Transformers special effects extravaganza.

I think they are so perfect for working on in the evenings — I just can't seem to sit and watch a movie without actually doing something.

While even the most mundane aspects of our lives — banking, grocery shopping, watching television and movies, and listening to music — are done over the Internet, it seems dating via cyberspace is the last acceptable virtual frontier.

I am into wrestling, and thats about it, other than work music, movies and hanging out with friends, even though it seems like I do nt have any.

Manifesto's visual inventiveness and Blanchett's multifarious performances make the movie consistently engrossing, even when the relationship between Blanchett's character and the words coming out of her mouth — or, more often in this version, spoken by her in voiceover — seem purely arbitrary.

The studio may not have been able to keep the behind - the - scenes drama under wraps, but it doesn't seem to have affected the final product, because you honestly wouldn't know there was even a problem to begin with from watching the movie.

Godfather III, Lethal Weapon 3, Jaws 3 - D, Alien 3, Matrix: Revolutions, the third X-Men movie Box - office numbers to the contrary, no one seems particularly thrilled with the recent Spider - Man 3, and the naysayers are not exactly yo - ho - ho - ing at the prospect next week of a longer and even more convoluted third Pirates of the Caribbean.

«Rampage» would surely sink a less sturdy action star, yet even here the wayward mishmash of monster - movie tropes only seem to ping off him like bullets deflected by Superman.

Yes, some of the actors from the movies voice their characters here, but they just seem like a cameo, even if they are a part of the story, they will leave you to fend for yourself and you wont see them again for quite some time.

It's hard to get excited about a movie when even the people IN the movie don't seem very interested.

Something about baseball seems to bring out the silly side in moviemakers — even in a movie like The Fan, which starts out well - crafted and deadly serious and seems to have good enough actors and a savvy enough director to stay that way.

As in many of the Coens» movies, the world on screen is one we intuitively recognize, even as its geography seems decidedly askew.

A movie that's admirably provocative, even if at times it seems to be more interested in being challenging than being entertaining.

He also allows his actors to look like true movie stars, even though most of the audience may have never seem them before (except for John Cho).

Without ruining the movie, that's about all I can say, and while the premise itself seems bizarre and twisted, I can assure you the movie itself is even more so, so do with that information what you will.

They might even be the best part of the film, but only because the rest of the movie feels patched together from scraps, including some sentimental interludes that seem designed to give it «heart» but merely come off as insincere.

The movie has lots of glossy charm even if Ms. Roberts and Grant seem less like lovers than members of a support group for the desperately attractive.

But it's also part and parcel of Marvel's recent slate of movies, which has been interested, more than ever, in the idea that American hegemony and military power maybe isn't everything it's cracked up to be — even as every movie seems to conclude with a big shrug.

What makes the movie seem crass is its refusal to present (or even to see) more than one side of any given issue.

The critics seem to have badly misjudged this great story, they're clearly idiots or lacking passion and a sense of adventure - maybe a result of watching too many crappy Hollywood action movies or bias towards Bay who has his name «over the door» even though its run and written by others.

But even in the movie's most straightforward moments — some gentle comedy involving Mary and her great - aunt's housekeeper, or a visual joke in which a cat seems to change color — the delicate interplay of soft textures and painterly hues pulls you deeply into this story's world.

Even Thor seems a bit nonplussed by the big story of all these movies, referring to the convenient MacGuffins that keep showing up in this franchise as «colorful, glowing Infinity Stone things.»

Even composers Hans Zimmer, who's scored a zillion movies, and John Powell seem to be having more fun than usual.

Rachel McAdams only seems to be in this movie in order to create a love triangle and even that is weak.

Recounting the extraordinary life story of Louis Zamperini (played by Jack O'Connell, «Starred Up»)-- who ran for America in the 1936 Olympics, survived a plane crash during World War II, stayed afloat for 75 days on a life raft before forced internment in a series of Japanese POW camps — Jolie and company seem to be digging into the Spielberg playbook: The movie offers up sun - dappled nostalgia for Depression - era Southern California, harrowing wartime sequences, and even a shark attack, but it serves them all up with maximum efficiency.

In a time when even the best of big Hollywood movies all seem to be mired in a certain nagging, unimaginative visual sameness, this one dares to take us to a place we haven't been before.

Even if at times its structure feels overly complicated and the B - roll seems silly, the movie makes compelling points.

The fight with Elle Driver is a virtuoso celebration of fight choreography; although we are aware that all is not as it seems in movie action sequences, Thurman and Hannah must have trained long and hard to even seem to do what they do.

And now even with all the new SFX available, Hollywood seems hard pressed to make even a mediocre film that combines the best acting and direction with the best SFX to make a really enjoyable movie.

The ads for Fever Pitch, a movie which is basically about learning to balance the passions in our lives, made it seem like a product of profound stupidity, even more of an artistic bottom - feeder than the Farrelly's shaky debut, Dumb & Dumber.

It looked like a fun summer movie, and I love scary movies, even though no one seems to know how to make one anymore.

Denzel Washington's shocker for a movie no one seemed to really like came up a lot (especially considering he got in over James Franco or even Tom Hanks).

Connelly doesn't seem to even belong in the movie (neither does the flying horse).

Blame the picture's settings, various brightly - lit exteriors and contemporary environments (office buildings, college campuses)-- even when the movie is in a grand old house, our aged heroes» Chow - duh Society huddled together in pools of shadow, scaring each other with spooky stories, the joke seems to be that someone is always turning on the lights.

This isn't the movie for everyone, and after a while, the neat resolutions seem to facilitate cute dialogue instead of providing deeper levels, but it's entertainment, and even flawed, Juno is a fresh take on teen angst.

High definition doesn't even seem to add anything significant to the movie in terms of picture, sound, or bonus features, as this sports the worst - looking Blu - ray transfer I've seen from Disney.