Sentences with phrase «even working in the studio»

But even working in the studio, you're often against the clock.

Not exact matches

Karen: Even though I majored in studio art while in college - in my 20's - I was the classic starving artist who made a living working in the high tech industry.

We want photos of you sweeping the glitter off the village hall floor; heading out to teach 5 people on a dark evening half an hour's drive away after a long day at work; your piles of philosophy books stacked next to your mat; your tabs of marking for trainees; the scrubby you use on the handstand footprints on the wall; the loose change rattling in the donation box after the PWYC; your studio rent bill; the baby sick on your yoga top after mums and baby yoga; the holes in your favourite decade - old yoga leggings; the charity shop where you buy more; coffee stains on cork blocks and the hospital room where you teach cancer patients; the costume box for your yoga and theatre kids class; your ID badge for prison work; the hug from the student who finally learned to stand on one leg...

After working these past two weekends in the studio, I am looking forward to being out and about... even though it's just to run errands.

That could work for a studio that doesn't have interest in spending much money on a film that didn't cost even over $ 60 million to actually make, marketing excluded.

A haunting scene involving Rudd interacting with an elderly woman searching the burned remains of her home sticks out like a sore thumb (in a good way) and gives the film a unique shape that distinguishes it even more from Green's studio work.

However, even though it's never uninteresting and presents challenges in its interpretation, «The Red Turtle» is not on the same level as the studio's finest work.

Baker protégé Rob Bottin's work on that film was arguably equal to that of his mentor (who left Bottin in charge of The Howling «s effects after he exited the project for the bigger - budget American Werewolf), and yet the Academy couldn't even be bothered to nominate him (or, perhaps more likely, its members simply couldn't bring themselves to watch a low - budget horror movie not put out by a major studio).

And a studio like Slightly Mad who hadn't even a publisher for their game until recently might see a huge risk in supporting a system like the WiiU where you just can't say how it's going to work out within the upcoming 2 years.

There are a few docs, a studio horror movie, a hardcore work of exploitation shot in a Thai prison, and even two Sundance darlings about dads and their daughters coming of age together.

The emphasis here is on singing and we not only hear Depp and Carter discuss the challenges they faced in having to sing on film for the first time but we even see them at work in the studio.

We even worked in a visit to Howard's studio so he could meet this beautiful family, too.

What I don't get (and what I should've been clearer about before) is why Sony didn't give it to Zipper, for example, instead of closing them down; Unit 13 was developed in a small time frame, worked on the same premise of short spec - ops style missions and was for the Vita, yet Sony chose this incompetent studio that they don't even own!

Even developer 2K Marin, the one other studio who's been allowed to work on the franchise, was headed by ex-Irrational people like level designer Jordan Thomas - whose epic credits include Bioshock's Fort Frolic and The Cradle in Thief: Deadly Shadows.

Now, how can the studio responsable for the horrible Playstation Move Heroes be even considered to work with one of the most important and remarkable series in Playstation?

HAVING RECENTLY snapped up Assassin's Creed creator Patrice Désilets from his Ubisoft retirement, new kid in school THQ Montréal has been making waves even before major work at the studio has begun.

The first reactions have already appeared on Twitter and one former developer in particular, Daniel Gray (who worked as Producer on Milo & Kate and Fable 3), went pretty hard on Microsoft calling them the destroyer of first party studios and even picturing a dedicated executioner in Redmond for these purposes.

However, I do not work at the same studio, or even in the same country as anyone on the development team.

«So we worked closely with a studio in the US, and even had our own shared wiki to facilitate detailed discussions as we worked together.

Even long after the majority of established games development studios left Nintendo's platforms for greener pastures elsewhere, the company continued to punish anyone who did want to work with them — particularly indie developers who weren't as established as some of the bigger players in the industry.

However, even if the studio is working on another Fable, it's worth pointing out that it opened a second studio in late 2017 for the purpose of working on its first non-racing title so it's not out of the realms of possibility that the original studio could be working on a new Forza game.

Each employee will be receiving some financial aid and even an opportunity to work in other studios under Irrational Games parent company, Take - Two.

Plus, I work in Boston, where finding studio space is akin to finding the Holy Grail, even if you can afford the cost.

I'm not sure where some artists get the idea that a gallery owner or art dealer can enable the artist to do nothing but luxuriate in their studio all day, painting and looking artsy — but even gallery owner Laureen Marchand told me that artists still need to do some work.

Lateness became part of the myth: of an underdog determined to make it the hard way; an artist working from daybreak to sunset in a studio so small it could hold only a single canvas; a secretive man who kept neither diaries nor notes, nor even talked to his wife about his work.

With the artist we have a series of works that perpetually shift medium, expressing temporal vibrations encompassing the journey from studio to gallery, moving kinetically from painting to sculpture, and even employing the finishing touches of the viewer in the completion of Murillo's installations.

One of the more interesting developments of recent years is that artists have been branching beyond simply making work in their studios, adopting the role of dealer, critic, publisher, curator, art fair - founder, nonprofit - founder, and even bar proprietor.

Even when not working in her day studio at the center, 18th Street has played a sustained role in Walker's artistic life.

Even after seeing Charles Hinman with work in progress in his studio, I still hardly know how he does it.

In contrast to the expressionist work of her peers, Kusama emphasized the machine - like process with which she worked, even managing to find the money to hire professional photographers to document her diligently making the net paintings in her studiIn contrast to the expressionist work of her peers, Kusama emphasized the machine - like process with which she worked, even managing to find the money to hire professional photographers to document her diligently making the net paintings in her studiin her studio.

«The way that I run my studio I don't have 50 people or 15 people or even five, I like to work in solitude.

He even opens up his studio in a post on January 31 where he is visibly working on a painting, explaining his interest in Bonard and De Kooning, whose exhibition he visited as a student at Pompidou.

Notably, 1953 was also a pivotal year for de Kooning, who finally found staunch critical support and solid financial success following the exhibition of paintings and drawings from his Woman series at the Janis Gallery that spring.22 By then, Rauschenberg had known de Kooning for a year or more and had seen him on occasion, often through their mutual friend Jack Tworkov (1900 — 1982), who sublet studio space from de Kooning.23 Even as other details of the Erased de Kooning Drawing story changed, Rauschenberg always insisted that he chose de Kooning out of deep respect for his work and because there was no question that a drawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he replied no.

(The 1996 video Benny Andrews: The Visible Man shows the artist in his studio working on a painting / collage and discussing his technique of incorporating paper, fabric, and even cut - out sections of his old paintings into the new artwork.)

The evening of open studios will feature work by students in a wide range of media including photography, sculpture, painting, drawing, graphic design, scenic design, and film.

... For example, even though I have undertaken several research visits to the US, and have been privileged to visit many artist studios, and to collect a significant amount of material on African - American artists, I have yet to see examples of work that in any way deals with the hostile political realities of life for Black people in Britain.

Talks, gallery visits and discussions with London - based artists and curators are balanced with time in the studio, with the project culminating in two public events: an open studio evening at the Slade Research Centre and a showcase of works - in - progress at Camden Arts Centre.

Canvas and paper are examined, folded and stored in the studio, sometimes for many months or years, allowing crinkles and creases to develop, etching a history and life into the fabric of the work before a mark is even laid down.

Those wouldn't have been done without the chance to reflect through the documentation of a day's work in the studio that evening and planning the next day's activity.

Perhaps the message is that, despite circumstances of racial tension and social upheavals, artists found autonomy in their studios, and even worked collaboratively, across racial lines in the case of The Deluxe Show.

It's a great way to get a feel for their work, pick up their contact info — and even chat if they are working in their studio.

He is currently a resident artist in the studio program at Root Division in San Francisco, where we will also have work in a group show titled Compelled which opens tomorrow evening.

He realizes them wherever he goes, asking all the art people he works with to pose in their working environment and working clothes: studio assistants, gallery staff, curators, lab technicians, critics, fellow artists, collectors, art handlers and even the «machines,» which contribute to an artwork's progress from studio to gallery and beyond.

While working under Ceausescu's regime, Bratescu focused on the studio as a space for self - preservation and the protection of identity: see her filmed performance Atelierul (The Studio, 1978), in which she defines the studio with gestures even as it circumscribes her movements.

Employed by the New York City Department of Social Services, Bearden worked in his studio on weekends and evenings.

Thomas discussed these works at her Clinton Hill studio one recent January evening, showing them off in the space they were made.

My List (@TwoCoats on Twitter) It's Spring Break and I'm trying to get some work done in the studio, but I wanted to contribute another painting - centric list even if it's somewhat half - assed.

The space within their works, just how much space and sometimes how little content, can really inspire me to find even more space in my own work back in the studio.

★ Whitney Museum: «Jay DeFeo: A Retrospective» (through June 2) The American artist DeFeo, who died in 1989 at 60, is famous for a single work, a gargantuan painting — nearly 12 feet tall — called «The Rose,» which she labored on exhaustingly for eight years, even after it had been extracted out of her San Francisco studio with a forklift.

Largely self - taught as an artist, in 1947 he moved to Paris where he worked for American Express during the day, and painted during the evenings and weekends, in a rented studio near the Palais Luxembourg.