Sentences with phrase «evening cultural shows»

meditation at and Vihara Buddhist Temple, sunrise sail with the dolphins, rice field trekking and visit to Munduk waterfalls, eco-forest walks, snorkeling at Puri Jati, scuba diving at Menjangan Island, Golf at Bedugal, painting and art classes, selected evening cultural shows, healthy cooking seminars, Balinese culture briefings and visit to local villages, lifestyle coaching etc..

Not exact matches

This is a shared cultural event at a time when the notion of everyone watching the same program on the same network at the same time is a distant memory, totally disconnected from our new reality of Netflix (nflx), Hulu, Amazon Video (amzn), HBO Go or Apple TV (aapl) delivering our favorite shows, which increasingly aren't even produced by the major networks.

And I even thought evangelicals were morose, modestly dressed folks who showed up to boycott various cultural events and refused to celebrate halloween.

Shalit shows how, even in the face of such cultural pressures, a surprising number of young women are reclaiming the ideal of modesty — and often returning to traditional religion in order to do so.

But white North American Christian feminists have shown a great deal of sensitivity to the need for cultural pluralism within the broader movement of women, and even in this respect they are able to give encouragement, if not leadership, in other cultures.

Our cultural landscape clearly shows this, too: Retailers are hoisting up towering Christmas trees, colorful lights are being strung across the roofs of homes, and Santa Claus is making his rounds at the local malls for eager tots long before we even carve our turkeys.

The Barefoot Contessa has starred in cooking shows, written nine cookbooks (her latest, Make It Ahead, is out October 28), and is nothing short of a cultural icon for home cooks across the country — heck, she's captivating even to those who'd never set foot in a kitchen.

Showing that Greek life plays a large role in even larger cultural issues (the whole point of the post) at SU and other campuses.

This showed my cultural bias in that we think of even our youngest children as responsible for measurable learning.

The fact it can remain while such robust cultural changes take place shows it is no hindrance to the creation of a modern, progressive society and might even make it easier to secure.

As extensive examples show even in mature democracies, the mere recognition of civil liberties does not protect against various forms of social marginalization and cultural alienation.

«If nothing else, this issue has shown us the political, economic and cultural importance of the media industries and the need for even more transparent policy - making in this area.»

Cultural and physical anthropologists may work in museums, putting exhibits together and conducting important original background research that leads to the development of exhibits and publications in scholarly journals.The work of physical anthropologists may even be seen in clothing stores and automobile show rooms: The way clothing is sized and car seats are shaped is based on anthropological measurements.

Barrio Amon (I previously showed you the area around Parque Bolivar here) is one of the most historic areas in the city as it harbors many loved architecture buildings from XIX and XX centutry, most of which have even been considered cultural patrimony.

With numerous pop - cultural references, movie references, one - liners, visual gags and spoofs that parodied Hollywood and fairytales: Far, Far Away (Hollywood), Burger Prince (Burger King), Farbucks (Starbucks), Versarchery (Versace), Olde Knavery (Old Navy), Saxon Fifth Avenue (Saks Fifth Avenue), Gap Queen (Gap Kids), Tower of London Records (Tower Records), Friar's Fat Boy (Big Boy), Baskin Robinhood (Baskin Robbins), Banana Kingdom (Banana Republic), Marilyn Monroe's infamous pose from The Seven Year Itch (1955)- when Fiona's dress blows up, Meet the Parents (2000), Ghostbusters (1984), Mission: Impossible (1996), Alien (1979), Flashdance (1983), The Fabulous Baker Boys (1989), Spider - Man (2002), From Here To Eternity (1953), The Little Mermaid (1989) and The Lord of the Rings trilogy, and even more, such as Joan Rivers» red - carpet appearance, and the TV show Cops (parodied as KNIGHTS).

True Blood (HBO), a southern gothic story of vampires in the bayou and vampire rights on the cultural radar, is the closest that HBO has come to creating a buzz show since The Sopranos and Six Feet Under (and even The Wire) ended their respective runs.

Terrence J perhaps summed up the evening the best, which can be applied to why awards shows that celebrate people of color and their cultural productions are important.

Research has previously shown that differences in cultural and social capital can have repercussions in areas as diverse as use of language by the time children enter school, preferential access to grammar and faith schools, the type of characteristics parents value when choosing schools, the kind of studies children undertake and their access to more prestigious universities, or even the adoption of cultural practices linked to substantial cognitive gains like reading for pleasure.

If you consider the strong cultural pressure (now it just shows you are even MORE wealthy) combined with the sense that due to high price it's a good investment (it is also treated almost like money), then we might not expect much of a change.

Whether you choose the name of a famous boomer, a classic TV show, or even a Boomer cultural icon, picking one of these names can be a lot of fun.

Cultural show in the evening in Greenix village.

Ferry across the Chao Phraya River aboard a teak boat for an entertaining evening of delectable Thai food and a vibrant cultural show!

Enjoy a family - friendly evening out at Siam Niramit, a Thai dancing and cultural show known for its elaborate traditional performances and sparkling costumes.

In the evening witness a cultural show.

Tom Finkelpearl, now the commissioner of cultural affairs for New York City, who organized Hammons's first solo museum show at P.S. 1 Contemporary Arts Center in Queens in 1990, recalled that for years Hammons didn't even have a phone; Cannon's apartment was one of the few places where the artist could reliably be found.

Each artist incorporates their cultural background into their current work in unique ways, some producing work that clearly shows the resonance of their origins; others creating pieces that express ideas, even controversial ideas, about their roots, and still others are working in new and utterly original forms.

Many Local and international creatives have enjoyed the possibility to promote their work at the various exhibitions, group or even solo shows, participating or collaborating in cultural events that have taken place at Fousion Gallery Barcelona or in other spaces in Europe over the last years.

This survival of the past, full of misunderstandings, shifts and projections (as shown in the slideshow Egyptomania, the film Cynopolis, drawings of the Sphinx, and even in the photographs of prehistoric flints) troubles cultural codes and conventions.

So it's slightly disappointing that she has marked her selection as the Korean Cultural Centre's Artist of the Year by opening her show to collaborators, even if the results are sometimes fascinating.

Pioneering Places will show how cultural placemaking can have an even larger role to play.

Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

Less than two months after the death of Armand Hammer and less than two weeks after the closing of the first exhibition at the Armand Hammer Museum of Art and Cultural Center in Westwood, the museum is mired in uncertainty — over its direction and even its next show.

Imagining the Political Subject», Secession, Vienna 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublino 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae ~», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Parigi (performance) 2012 «Searching for the fountain», Moderna Museet, Stoccolma 2012 «Soundworks», ICA, Londra 2012 «Setting the Scene», Tate Modern, Londra 2012 «OEI / Letterism», Moderna Museet, Stoccolma (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stoccolma 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stoccolma 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Bruxelles 2011 La Casa Encendida, Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Francoforte 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Parigi 2010 «Manifesta 8», Murcia, Spagna 2010 «Exhibition, Exhibition», Catello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Firenze (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Roma (performance) 2009 «Lecture Performance», Cologne Kunstverein, Colonia (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Torino (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

The gallery will organise and facilitate various events and responses to the show in collaboration with other cultural contributors and practitioners of other art forms: Clapping to the polyphonic melodies of visual art and the rhythm of sevillanas, a workshop with the Dublin School of Flamenco on April 18, 5:30 Mandola for Visual Harmonies, an evening of music with Julyo on April 25, 7 pm -------------------

The show included pieces from 17 artists who, in their refusal to allow the viewers to define or even meter time by artworks, reflect a singular approach that characterizes our cultural moment at the beginning of a new millennium.

Leaked photos show a body that doesn't depart radically from the shape that has become a cultural icon, but does update it with new styling cues — and may even lose the horizontal bar across the rear window that has caused visibility problems for so many Prius owners.

Because when even major corporations like Nike and Starbucks rethink their business, it shows that a real cultural transformation is underway and sends a clear message to policymakers and other companies.

The video above shows a conversation between The Open Planning Project's Executive Director, Mark Gorton, and the Commissioner, and covers everything from physically separated bike lanes to reclaiming public space for people, through freeing up bus lanes for faster mass transit, and even the psychology of the street — how cues from the environment can help create cultural shift in the city's drivers.

Koka Booth Amphitheatre is another highly valued cultural venue where you can enjoy a concert, a movie or even symphony tours with great shows and amazing food.

The 5 - megapixel front - facing camera might actually be the most significant improvement in this year's batch of iPhones; it also shows that even though Apple is steering away from «beautified» smartphone photos, it had to bow to at least one cultural trend.

In addition, little knowledge is available on the effect of parenting support programmes delivered to immigrant parents.24 The few studies available have mostly shown little or no improvement in the mental health of immigrant parents25 26 or even poorer outcomes for immigrant families27 and families with low socioeconomic status.28 Scarcity of studies in this area may simply because few immigrant parents participate in such programmes.24 Several studies have reported difficulties in recruiting and retaining immigrant parents in parenting support programmes.29 30 Factors such as belonging to an ethnic minority, low socioeconomic status, practical aspects or experienced alienation and discrimination all contribute to low participation.28 31 Other studies have demonstrated that low participation and a high dropout rate of immigrant parents are associated with a lack of cultural sensitivity in the intervention, poor information about the parenting programme and lack of trust towards professionals.24 A qualitative study conducted with Somali - born parents in Sweden showed that Somali parents experienced many societal challenges in the new country and in their parenting behaviours.

Most are related to our upbringing, cultural influences, and a fear of what might happen if we show how we really feel about things, people, and even ourselves.