Join us for
an evening of short films by Gordon Matta - Clark, Robert Smithson, Bruce Nauman, Kiki Smith, and more.
Join HUB seventeen and Rooftop Films for
an evening of short films directed by female directors to celebrate our March month long celebration of women!
Not exact matches
That puts the Sony Pictures
film on pace to swing to a $ 120 million opening,
short of the record - breaking $ 151 million debut
of 2007's Spider - Man 3 but according to Variety topping
even the sunniest expectations for the
film, which stars 21 - year - old actor Tom Holland in the title role.
Aiming to highlight the advantages
of meat - free eating, it will include 140 stalls, talks, cookery demos, workshops, arts and crafts,
short films, five all - day bars and music in the
evenings.
Last Thursday
evening, I had the pleasure
of attending the inaugural LUNAFEST Chicago
film festival with some blogger ladies and enjoyed a night
of food, drinks and eight inspiring
short films.
A serious
film about an important subject seems like an important
film,
even if the effort falls far
short of the target.
This
film is excellent, best
film of all, but it's too
short, so score is 0, they shouldve made it 10 hour long, for such an excellent
film even 6 hours is not enough
Even if the action and thriller elements fall short of the intended mark, there's never a point when the film fails to at least maintain interest, even when it becomes a bit obvious where things are going to l
Even if the action and thriller elements fall
short of the intended mark, there's never a point when the
film fails to at least maintain interest,
even when it becomes a bit obvious where things are going to l
even when it becomes a bit obvious where things are going to lead.
Plus most
of the Decepticons don't
even look like Transformers they look more like robotic aliens from another
film «Batteries Not Included» and «
Short Circuit» springs to mind, the Decepticon disguised as a female student was the worst offender.
In
short, if we carefully examine the state
of contemporary cinema, we easily acknowledge that
even though there is a defining economic and technological imbalance between Hollywood and the rest
of national
film industries, first, it would
short - sighted to understand Hollywood cinema as a monolithic structure which survives through the repeated performance
of a practice
of top - down cannibalism.
As Abraham Lincoln, Daniel Day - Lewis is nothing
short of mesmerizing,
even in this brief introduction, and in a way this sequence is evocative
of the
film as a whole — it's overtly chatty, with little interest in anything beyond the dynamics
of two people communicating with each other.
Comedy, sci - fi, horror, romance, adventure, action, drama, and thriller, it covers quite a lot
of territory in a
short amount
of time, and does so with its own sense
of style that makes it different from any other
film,
even if it is an homage
film at its core.
With the abundance
of film festivals, not to mention sites like Vimeo and YouTube,
short films are becoming
even more popular for young filmmakers who wish to get their movies out there.
He
even describes his constant companion Earl (R.J. Cyler), with whom he makes
short film parodies
of classic movies, as more
of a «co-worker» than a best friend.
Nonetheless, with a lot
of talent involved, I hoped the 2007 edition would offer a
film that could hold up well,
even if it fell
short of the original flick's quality.
In the end, the only real suspense comes from seeing whether the
film can stretch its wafer - thin premise and paucity
of ideas out to a full 90 minutes — and at 88 minutes with credits,
even there it comes up
short.
The entire cast
of the
film (all
of whom are both a lot more successful and a lot older) is back, with Showalter again donning the
short -
shorts and
even - tighter than before T - shirts as Coop, Camp Firewood's resident romantic sad sack.
After a
short self - imposed retirement, it seems like Smith is creatively reinvigorated, crafting
even more boutique
films that no one else would make, and Tusk is a prime example
of this.
The story in the
film — and this is where I really believe the
film gets
even less credit than it deserves — follows the
short, troubled life
of a small Puerto Rican newspaper, The San Juan Star.
Still, this is an informed, fairly candid piece wherein the likes
of biographer Eric Lax and punmeister Gene Shalit — who was evidently close friends with Newman — touch on the actor's collaborations with Martin Ritt (inevitably, Paramount's Hud gets
short shrift, while the movies Newman made for Robert Altman at Fox are not
even mentioned), his feud with Jack Warner, and the two
films in which he directed second wife Joanne Woodward.
Even the «Portal»
short film I did was not a literal adaptation
of the game.
Just a few
short days ago, Chris Pine talked briefly about his experience on Star Trek 2, saying the
film would keep its comedic elements, but the crew
of the Starship Enterprise would face an
even greater threat.
Chastain said she makes a point
of working with a female director at least once a year —
even if it's only a
short film.
More subversive and inspiring than Marston's lineage, which includes the Gal Gadot led reboot (a formidable step in the right direction, especially as concerns box - office standards), a
film also robbed
of its source material's original enlightened subtexts on sexuality and gender norms, Robinson's take on the material is effective,
even if it stops
short of being exceptional.
In an age where inexpensive, high - quality digital cameras have nominally
evened the playing field between the big and small screens, Louis CK's show is one
of the precious few that has any right being called «cinematic,» unfurling as a series
of short films united by their maker's curiosity regarding family, pop culture and the contours
of his narrow worldview.
It's incredible to think that in the
short 10 years since the release
of «Shaun
of the Dead,» the zombie comedy has practically become its own subgenre,
even spawning several «rom - zom - coms» (romantic zombie comedies, a term coined during the marketing for that
film) in the process.
Most
films based on video games suck, so it should come as no surprise that Max Payne falls
short in the quality department,
even given the presence
of Wahlberg (The Happening, We Own the Night) and a robust supporting cast.
He is
even more prolific as a director
of short films than as a director
of feature
films, so we suggest a double that mixes the two.
However, this year has seen movement on a prequel series
of films, a documentary about real life Quidditch players, and
even a
short story updating the...
In this way, I suppose that Anderson's Resident Evil adaptation is successful in capturing some
of the basic pleasures
of the video game,
even if it falls
short of being an original and entertaining
film.
The disc, absent
of even chapter menus, features only a
short trailer that fails to elicit the basest desire to watch the
film.
Despite these shortfalls, the
film does successfully manage to explore some interesting themes
of diplomacy and leadership along the way, and
even though it could be argued that the narrative itself is bland and unimaginative, barely moving from its starting point to its conclusion, the weight, intensity and emotional journey Caesar and his comrades evoke, more than make up for its few
short comings.
Deadpool's favorite blind landlord Blind Al, Josh Brolin's Cable and
even Deadpool's cabbie friend Dopinder are all present in this
short teaser
of the
film.
It was a moment to bring a grin to the face
of even the most red - blooded republican, a brilliant instance
of classic British humour that created a ripple
of laughter around the entirety
of the globe, when Queen Elizabeth II appeared in a
short film clip as part
of the 2012 London Olympic Games opening ceremony.
Actress Patricia Clarkson has done her share
of television; heck, before breaking through as a
film actress in the late 1990s, she
even co-starred in a network legal drama, the
short - lived, ahead -
of - its - time Murder One.
By the end
of the
film we don't
even know what she does for a living, although it's her labour that supports Nash and child; her only moment
of regret for getting the
short end
of life's stick comes during a tantrum she throws when Nash rejects her sexual advances.
Even though there are about 9 key actors that play important roles in the
film, the true star
of the Big
Short is Steve Carell.
At 150 minutes, the epic length
of the
film posed a challenge to programmers trying to offer customers a choice
of two
evening showtimes, and there was evidence
of straddling across two screens, alternating with a
shorter film.
THE
SHORT VERSION: 20th Century Women is a
film about Dorothea, a mother (Annette Bening) trying to raise her son (Lucas Jade Zumann) as a good man,
even though his father (literally) is out
of -LSB-...]
The
film is entertaining, but just falls
short of what could have been,
even what should have been.
This falls far
short of Finding Nemo and Shrek,
even if you ignore the fact that Shark Tale is a derivative
film.
hahahaha, I would love if they had Warner Bros. cartoon
shorts before all
of their movies,
even serious Oscarbait, thrillers, and crime
films.
And the fact that «A Haunted House» (starring «Scary Movie» co-creator Marlon Wayans) spoofed many
of the same
films only a few
short months ago makes this fifth installment
even more pointless, although I'm not entirely sure that's possible.
It doesn't have nearly the level
of location - specific detail, but there's a similar warmth to the way Goodhart (who adapted this feature
film from an earlier
short) treats her characters,
even when they're treating each other poorly.
The first award
of the
evening went to Maryna Vroda for her
short film Cross Country.
He's directed a bunch
of short films and documentaries, and
even some
of the shows he's been on like 11.22.63 and The Deuce, but this is his first «big» directing job.
Where Avatar falls a little
short is in the romance between Jake and Neytiri, which while compelling doesn't resonate as strongly as the emotional cores
of many
of his previous
films, whether the traditional romantic love stories
of a Titanic, The Abyss, or The Terminator (or
even True Lies); or his dual epic sequel tributes to maternal love, Aliens and Terminator 2: Judgment Day.
Trying to look at the
film objectively, I can honestly say that,
even if it falls
short of the greatness
of a Shakespeare play, as a straightforward
film, Nelson's opus is overly melodramatic to a fault, with unconvincing character touches and a climax that borders on idiotic.
It's that middle section where a certain Hungarian filmmaker wins the foreign language
film award or the director
of a little - seen
short injects mania and uncompromising glee into an
evening full
of been - there - done - that Meryl Streep stares.
They're helped immensely by performances that take the threat and the drama seriously,
even as director David F. Sandberg (whose
short film this one is based on) has fun in exploring and playing with the rules
of this otherworldly creature.