The segment,
taken alone, is one of the most strikingly designed bits of cinema of 2009: from the stylish 60s elegance of Charley's home and of their
eveningwear — even the notion alone that friends would dress for dinner at home!
Lyon's sportswear collection was a cheeky, pop art
take on anti-smoking propaganda that employed print and sheer fabrics, while Wilkoff's collection of
eveningwear was soft, feminine, and flowing in dyed chiffons and satin.