Sentences with phrase «event history light»

Using a selection of buttons below these, you can open the camera's streaming feed, event history light settings, and more.

Not exact matches

Here, we apply the «ontological principle» which, in this context, means that history must not only be interpreted either by reason or by communication, but in the light of the «diachron transcendence» of passed and future events.

But we can utilize Mays's own techniques and interpret this as referring to some characteristic of an event in light of its causal history.

But then, in a second exegetical operation, one must look at them also in light of the total movement of history and in light of history's central event, Jesus Christ.

To faith the promise of a still undisclosed future is all we need to light up our history and to give us consolation in the face of the apparent absurdities that have taken place within The course of human events.

Scientific history can shed much interesting light on the historical circumstances surrounding the great events upon which our hope is founded, and critical historical work can even become a necessary and corrective ingredient in a community's recalling of its foundational moments.

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More seismic events in Ghana's history played a part in Adom - Otchere's world view as they shed some light on the social strata around the then - six - year - old son of a young army officer.

The genome sequence sheds new light on a major event in the history of life on Earth: the origin of flowering plants, including all major food crop species.

The complex event and its aftermath can also be further illuminated via discussions of larger themes in social and political history, such as balancing national safety and civil rights — comparing reactions to 9/11 with those following the attack on Pearl Harbor, for example — or the grounds for overseas military interventions — such as the recent U.S. engagements in Iraq and Afghanistan as compared with the U.S.'s position on the League of Nations after World War I. «These themes put a light on it,» Brodsky Schur says, giving teachers and even parents a way to integrate such a seemingly unteachable event.

For the first time in history, astronomers around the world detected both light and gravitational waves of this event, triggering a new era in astronomy.

The most disruptive event in the history of biotime occurred on December 31, 1879 with the invention of the electric light bulb.

Declassified documents bring to light the secret story behind the events that stunned the world 80 years ago, detailing the most controversial espionage operation in British history.

But while there's no denying that its message resonates even more in light of the recent events in Ferguson, Missouri and Staten Island, hopefully those parallels won't end up overshadowing the movie itself, because although it's not quite as sobering as last year's Oscar - winning «12 Years a Slave,» «Selma» is a deftly made drama about an important piece of American history that's guaranteed to be a major awards contender, largely due to the outstanding lead performance from David Oyelowo.

In 1997, the «Phoenix Lights» incident was the most - witnessed UFO event in U.S. history, with the craft said to be as...

A subplot involving a duo of vicious schoolgirls who want to kill Joe because he caught them stealing candy is incredibly stupid, while the so - called «murder tourists» — foreigners who have traveled to the U.S. on Purge Night to take part in the annual event — are visually striking in their twisted American history getups (the light - up Lady Liberty is the standout) but aren't given enough time to truly make a mark.

In tracking this history, Jackson recognized the significance of the very institution at which he was speaking, going as far to shine light on Harvard's role in such events, stating «we [African - Americans] are not at the bottom of Harvard, but at its foundation.»

Celebrate Black History Month with the help of 10 ideas that delve deep into the history, major events, contributions, famous African Americans, and sheds light on how scholars today can take a proactive stance on current civil riHistory Month with the help of 10 ideas that delve deep into the history, major events, contributions, famous African Americans, and sheds light on how scholars today can take a proactive stance on current civil rihistory, major events, contributions, famous African Americans, and sheds light on how scholars today can take a proactive stance on current civil rights...

For history students, the hysteria around the broadcast is interesting in light of world events at that time (the build - up to World War II, etc.).

Dr Alan Sutton relates the marque's history / 1927 Salmson — This month The Editor writes about his encounter with a splendid example of this French light car / Birthday celebrations «Down Under» — Dennis Harrison describes two Australian events commemorating the history of British vehicles there / Vulcan cars made in Southport — In part one of this article Michael Worthington - Williams examines the development of the company and its cars up to 1928.

1935 Maserati sports - racer (part 2)-- Ken Painter condudes the history of the resurrection of his 4C5 / Bay to Birdwood Run — A report from Dennis Harrison on this huge Australian biennial pilgrimage / Australian All - Veteran Rally — This colourful event is described for us by Ross McGown / The 1920s Windsor — Michael Worthington - Williams tells the story of this high quality London - made light car / 1934 Triumph sports - tourer — On this month's «Excursion'the Editor experiences a car once described as «an enthusiast's ideal» / Hill - climbs in the North — A.B. Demaus continues his series of articles on pre.war hill - climb locations / Hershey Meet USA — The biggest old - car meet in the world was wet this year!

Shedding light on the respective histories of these trends are the current and altogether absorbing exhibitions of encrusted, cascading paint events by Larry Poons, from the 1970s, and playful tinkerings with line, both flat and not, from the second half of the 1980s by Al Taylor.

On five days a year at different times, the shadow caster is designed to create a circle of light around plaques placed in the ground that mark important events in Florida's history.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

With her lyrical re-interpretation of history, Zarina Bhimji throws light on Europe's involvement in global events and points out the complicated histories of people who live among us.

Through 250 works and documents never seen together before, this event sheds light for the first time on the post-revolutionary years during which the history of art was written in Vitebsk, a long way from Russia's big cities.

, Somerset House, London, UK (2013); Glasstress: White Light White Heat, Fashion Space Gallery, London, UK (2013); Frida Kahlo: A Life in Art, Arken Museum of Modern Art, Skovvej, DE (2013); ArTricks, The Israel Museum, Jerusalem, IS (2013), GLASSTRESS: White Light / White Heat, collateral Event of 55th Venice Biennale, Venice, IT (2013), The Art of Chess, Saatchi, London, UK (2012); Burning, Bright: A Short History of the Light Bulb, The Pace Gallery, New York, US (2011); Family Ties, GALERIE THOMAS, Munich, DE (2011); The Unconscious in Everyday Life, Science Museum, London, UK (2010); Rude Britannia — British Comic Art, Tate Britain, London, UK (2010); The Surreal House, Barbican Art Gallery, London, UK (2010); Distortion: 53rd Venice Biennale, The Gervasuti Foundation, Venice, IT (2009); Statuephilia: Contemporary sculptors at the British Museum, The British Museum, London, UK (2008); and Apocalypse — Beauty and Horror in Contemporary Art, The Royal Academy, London, UK (2000).

Her approach to filmmaking is decidedly sculptural: she presents objects in space, fascinated by how light and time inform perception, harnessing silence to study how a particular location, individual or event is located within space and time, reworked through the telling, and mis - telling, of history.

«Starling's work reveals rich, unexpected and complex histories, brought to light through his scientific unraveling of an image, object or event,» said Maxwell L. Anderson, the Eugene McDermott Director of the Dallas Museum of Art.

Grace Weir, A Reflection on Light, 2015 A meditation on time and the nature of light «A reflection on light» consists of a seemingly single long take that weaves together events from different histories and disciplines that orbit a painting whose subject is light by the Irish Cubist artist Mainie JelLight, 2015 A meditation on time and the nature of light «A reflection on light» consists of a seemingly single long take that weaves together events from different histories and disciplines that orbit a painting whose subject is light by the Irish Cubist artist Mainie Jellight «A reflection on light» consists of a seemingly single long take that weaves together events from different histories and disciplines that orbit a painting whose subject is light by the Irish Cubist artist Mainie Jellight» consists of a seemingly single long take that weaves together events from different histories and disciplines that orbit a painting whose subject is light by the Irish Cubist artist Mainie Jellight by the Irish Cubist artist Mainie Jellett.

A new research paper has shed some light on a still - worse case than the PETM, the end - Permian extinction — the worst known extinction event in Earth's long history.

We the People offers students the opportunity to learn about, evaluate, and discuss current events in light of Constitutional principles and history.

Beyond that, Motorola events should be properly lit to the color of something not resembling body fluids and LG may have made its most ultimate phone in the history of the company.

It is always best to be upfront with your history, then to have events come to light in the court proceedings.