In fact, nearly every sequence unfolds under the suffocating guise of overlapping sound bridges that reference key unseen events in the fil
In fact, nearly every sequence unfolds under the suffocating guise of
overlapping sound bridges that reference key unseen
events in the fil
in the
film.
Stan Douglas's 1995 Der Sandmann, a nine minute, 16 mm black and white
film uses two
film projectors synchronized to play so that their
film tracks repeatedly
overlap images of
events in the same location taking place at different times.