Sentences with phrase «events of the film into»

(iii) a match - up exercise (iv) a gap - fill (v) an activity in which students must put the main events of the film into the correct order and (vi) a storyboard exercise.

Not exact matches

Unlike other festivals that screen films in the hopes of getting a bigger distribution deal, Ellison's crew plans to use social media and other tech to turn these films into year round events, it says.

Author Chuck Palahniuk plans to revisit Tyler Durden and the whole gang in an upcoming graphic novel that takes place 10 years after the events of Fight Club, his novel which David Fincher later adapted into the now - classic film.

So yeah, I guess Jumanji, Pitch Perfect 3, Ferdinand, Coco, Wonder and Justice League could combine with the film's less crowd - pleasing elements, honest displeasure from some fans and the various factors that made The Last Jedi into less of an event than The Force Awakens, but that's still a $ 732 million domestic total.

It's difficult to discuss what's good about the film without treading into spoiler territory, since many of its biggest laughs are predicated on the sheer unlikeliness of certain events or images — or the seemingly bottomless depth of its special - guest cameo roster (suffice it to say that at least one world - famous Torontonian shows up to get in on the fun).

Jack hands off one of his stories early in the film for his brothers to read and while hints to its plot are dropped, only later does it manifest itself into one of the few scenes in the film that felt not merely fresh to me but touching; briefly, we glimpse an event from the day of the funeral, awkward and uncomfortable, with the kind of details that only siblings might later recall.

With every frame, he demonstrates the power of the film maker to distill complex events into fiercely indelible images.

The film chronicles much of his life, and depicts key historical events that deeply affected the course of Jiro's life, including the Great Kanto Earthquake of 1923, the Great Depression, the tuberculosis epidemic and Japan's plunge into war.

Yes, the film inserts fiction into actual events, but I didn't have much of a problem with it, and thought it worked quite nicely.

There's no suspense about what will become of Anne: The whole film is a recounting of the events leading up to the one haunting pre-credit image, of Anne in her final repose, with which Haneke brings us into this experience.

Through an odd series of events Roger convinces Eddie to help him clear his name; quickly transforming the film into a buddy flick.

Though the film has its basis in an actual event that took place in St. Louis, it takes on the homogeneous look of many other thrillers in which an emergency escalates into a paramilitary operation.

On Geena Davis (a rare tangent into the living, precipitated by his memories of Oliver Reed on Cutthroat Island): «Perhaps in a long laundry list of ludicrous events I have witnessed on film sets, the one I most treasure is watching my leading lady having her makeup and hair assiduously attended to between each take of one scene.

SYNOPSIS Three decades after the events of the first film, a new blade runner, LAPD Officer K, unearths a long - buried secret that has the potential to plunge what's left of society into chaos.

The film declines to invite the viewer into its world; events unfold at a painfully slow pace, while some of the plot developments seem bewilderingly random.

To transform a novel into a film without tact or some place of purpose is to present an audience with a run - down of in - book events without much - needed personality or intent.

While the main event of the film certainly did happen, as well as some of the scenes (some of them, excerpted from the documentary, are shown during the end credits), the film as a whole does tend to traverse familiar territory as far as feel - good sports films go, especially with the final game where all of the loose ends comfortably fall into place.

Meanwhile, a recovering Harry Hart (Colin Firth, «The King's Speech»), who survived the events of the previous film, has to rehabilitate himself back into form.

The film recounts the real events of April 2010, when the drilling rig Deepwater Horizon exploded into flames, causing the worst oil - spill in US history.

Those looking to be inspired by a feel - good drama based on real - life events may find it, while those looking for a good story without the manufactured situations usually injected into these sorts of films may not.

Edward Zwick and his creative team discuss some of the challenges and also the rewards of adapting this well - documented historical event into a feature film.

Blade Runner 2049 synopsis: «Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long - buried secret that has the potential to plunge what's left of society into chaos.

Previous conversations with 10 Cloverfield Lane director Dan Trachtenberg have taught us the events of that movie don't take place on the same exact timeline as the events of the original film, but there seem to be some aspects that do cross over into the separate films» alternate timelines.

In anticipation of the film's premiere, Amazon Studios has released the first official look at the film online today, including a small glimpse into the mesmerizing, unique format that frames all the events and characters within the film itself.

Although many tales of these events have made into narrative films, to think about the reality of what actually happened is almost too much to fathom.

This special one day event will feature a series of films with famously mustachioed actors including Charlie Chaplin, Douglas Fairbanks, Clark Gable, Errol Flynn, Groucho Marx, William Powell, Peter Sellers and Sean Connery, which segues into a tribute to British born actor Richard Harris who often sported a mustache as well as a full beard.

The film starts off with some awkward, painfully lame flashback scenes of Kyle's childhood and transitions into an opening act that is loaded with full - on patriotism that sees him go to war to get back at the people who brought suffering to our doorstep in the events of 9/11 (he was already enlisted, but if we believe the film that decision was also motivated by seeing news footage of American lives being taken), but one of the most interesting surprises is how balanced it eventually becomes and how we see the way that Kyle's actions negatively impact others and how even he begins to question his commitment to the cause, despite the fact that he would never vocalize it.

Including all the crucial elements of the novel, with few events excised in the extended running time afforded by splitting the source material into two parts for cinematic consumption, Harry Potter And The Deathly Hallows: Part 2 is the film that the fans have cried out for over the past few years.

While the malleable allegory of the film's events — a woman and her writer husband live in an Edenic country house that spirals into infernal chaos — has fueled both love - or - hate reactions and directorial marketing, I was riveted by the heedless spectacle and totally enveloping film technique, all anchored in Jennifer Lawrence's sometimes baffling commitment to a character driven to distraction by her husband (Javier Bardem), his mystery guests (deliciously entitled Michelle Pfeiffer, Ed Harris), and much, much more.

Much of the film merely recounts events in Sestero and Wiseau's story, without delving into the weird psychology of the book's core relationship.

The timeframe for this prequel novel is interesting, as it seems to begin before Jurassic World was event built, and will likely dive deep into the backstory of how Masrani Global handled InGen assets, and became the corporation we saw in the 2015 film.

As always the recent drop of a major Marvel movie in theaters sent Marvel's Agents of S.H.I.E.L.D. fans into a tailspin, wondering how the show would incorporate the major events of the film.

The film digresses unnecessarily into the lives of an Israeli commando and his modern dancer girlfriend, juxtaposing the Entebbe raid with her performance as if the two events are somehow compatible.

Now, the blessing and cooperation of the miners, their families and their rescuers, their story — with previously unseen events — has been turned into a film by Patricia Riggin and featuring an all - star cast that includes Antonio Banderas, Rodrigo Santoro, Juliette Binoche, Lou Diamond Phillips, James Brolin and Gabriel Byrne.

Yes, there is plenty of narrative to work through, and the performances and events that unfold deserve the breathing space that splitting Mockingjay into two films allows.

What It's About: Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long - buried secret that has the potential to plunge what's left of society into chaos.

What begins as an enjoyable sci - fi drama about mankind's last hope quickly stumbles into a nightmarish thriller with heavy resonances of the underappreciated Paul W.S. Anderson film, «Event Horizon.»

The opposing force in this film is not a type of personal conflict, but an embodiment of a past way of life, dealing with the calamity in one's past before they started employment at a boring job, and put themselves into a situation where sneaking in sexual intercourse becomes an event because of a baby that is in the house.

On top of all that, it's also important to consider ABC's Agents of S.H.I.E.L.D.: The series» producers confirmed that the show will no longer tie directly into the events of the Marvel films, choosing instead to tie into them only thematically.

Linklater's film has elements of a Last Vegas / Going in Style-esque comedy about older men behaving badly, mostly whenever Cranston's heavy - drinking bar owner is on screen, but instead, the film settles into a pedestrian and often mawkish groove, events purely functional, conflict or drama never really arriving.

Everest's story is of the 1996 events, made famous by Jon Krakauer's book Into Thin Air (already filmed as a TV movie with Christopher McDonald as Krakauer), in which three separate Everest expeditions ran into tragic difficulty in a sudden stInto Thin Air (already filmed as a TV movie with Christopher McDonald as Krakauer), in which three separate Everest expeditions ran into tragic difficulty in a sudden stinto tragic difficulty in a sudden storm.

Bizarrely, this Dutch film tries desperately to wedge true events into the shape of an American thriller, but the action sequences are so lacklustre that a fascinating story ends up feeling dull and pointless.

The first half of this new trailer is a recap of the events from the first two films, and when we finally delve into new footage it kind of feels like we've seen the whole movie already.

The events from that film also lead into this one as we find Dominic Toretto (Vin Diesel) and his crew of former outlaws doing their best to adjust to the world that they left behind after taking down Owen Shaw (Luke Evans), an international villain who presented more danger than they ever did.

Not to draw comparisons to the two, as Tim Curry's interpretation of the flesh and fear feasting demonic clown will always be one of the high spots in regards to King's imagination translated to cinema, but this is both a film with its own identity (the events unfold throughout the late end of the 1980s this time around) that also manages to honor the craftsmanship that went into one of the novelist's most personal tales.

The Last Airbender is hopelessly overambitious, attempting to squeeze in all the major events from the 20 or so half hour - long episodes that make up the first season of the show into a 99 minute long feature film.

The most recent Star Wars movies, Rogue One: A Star Wars Story and Star Wars: The Last Jedi, have either led directly into or picked up almost directly from the events of another film in the saga.

The film opens on a quick recap of the big early events of Genesis through the fall of Man, leading into a quick prologue wherein Noah as a young man sees his father murdered by descendants of Cain.

It's not a cinematic event like Oscar nominated films «The Help» or «Hidden Figures», nor is it the type of film that will cross cultures or boundaries making its way into homes across America and that's why I am so disappointed.

An extensive selection of work from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course of a day.