Sentences with phrase «ever documentary record»

The team plans to observe the language, to record it, and to produce an illustrated dictionary, the first - ever documentary record of the villagers» signed communication system.

Not exact matches

James Cameron's romantic epic, at the time the most expensive film ever made and the biggest moneymaker of all time, winner of a record - tying 11 Academy Awards (including Best Picture and Best Director), and the film that made Cameron the self - proclaimed «king of the world,» makes its long - awaited Blu - ray debut in both Standard Blu - ray and Blu - ray 3D sets, both of them numbering four discs and both featuring two new, exclusive documentaries.

Last year, for example, the musical «La La Land» set a record for the most nominations — 14 — without winning best picture, and the documentary «O.J.: Made in America,» with a running time of nearly eight hours, became the longest film ever to win an Academy Award.

Jacques Rivette's dazzling 750 - minute Out 1 (1971)-- an eight - part serial in 16 - millimeter still unscreened in this country that remains one of the boldest experiments in film narrative ever attempted — was conceived as a kind of parody of Bazin's ideas in its deft mixture of documentary and fiction, its improvising actors working through a dense plot built around real and imagined conspiracies, and even its extended takes, one of which lasts 45 minutes as it records a theater group's exercise.

«The documentary for Double Fine Adventure is the best record of game dev ever put on screen».

The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.