Now, it is a fair question to ask why anyone who hates Edward Snowden would
ever go see a film about him in the first place (especially a film about Edward Snowden directed by Oliver Stone) and sadly, the box office returns seem to indicate that even the whistleblower's partisans sat this one out.
Not exact matches
«I think my movie, personally, is one of the most important
films that have
ever been made in America... I don't know if anyone is
going to
see it, but I feel the
film is
going to take care of itself in time and be around as long as there are
films.»
Twelve years after «Titanic,» which still stands as the all - time B.O. champ, Cameron delivers again with a
film of universal appeal that just about everyone who
ever goes to the movies will need to
see.
Moyer: Yes excuse me, the excess mass gets converted into energy and quite a bit of energy, as anyone who's
ever seen one of those
film reels of hydrogen bombs
going [off can][at] test; that is just a little bit of hydrogen converted into helium, and wow!
Hi I'm easy
going like mites in and out willing to try new things don't worry I'll let you know if I don't like what
ever it is this is my first time and would like to
see a cd / tv experienced mainly a bottom cd / v I want I prefer nights in watching a
film getting snuggly under a quilt having a...
First the 3D against my initial pre-conceptions was excellent the best 3D i've
ever seen in a
film and is by a huge margin the best thing the
film has
going for itself.
How she ensnares them is intriguing to the point of being considered
film noir and how she devours them is one of the coolest things you're
going to
see in a
film this year, if not
ever.
The only thing it has
going for it is christmas spirit, otherwise, it is one of the worst holiday
films I've
ever seen.
While there's a sense that Hoffman could do this kind of thing in his sleep, there's a masterful specificity to his performance — you can
see it in the sad little shuffle he does when he tries to run (like it
ever matters where Harold is
going or how fast he gets there), and even in the way his unwashed gray hair clumps together when he's hospitalized for the head injury that brings his kids together and defines the second half of the
film.
A sci - fi space jam that features some of the most unusual applications for a guitar solo
ever seen, The Artful Escape was picked up by Annapurna Pictures as part of the
film studio's initial foray into games — and as far as upstart indie offerings
go, this one's a hell of a light show.
Does anyone who doesn't
go to Cannes
ever see her
films, though?
A bone - crunching, testosterone - pumping freight train of destruction that barely lets you catch your breath once it gets
going, «The Raid» delivers the closest thing to non-stop, wall - to - wall action that I've
ever seen, and a big part of what makes it so awesome is the amazing fight choreography, including what is easily some of the best close - quarters combat committed to
film.
Honestly, the man has the most expressive face I have
ever seen and it doesn't matter if he's on screen in human form or as a gorgeously stop - motion - animated - and - captured giant, he's outstanding and entirely worth
going to
see the
film for.
II») Most people have been licking their chops over the possibility of a Vega Brothers movie for years now, but should Quentin Tarantino
ever go back and
film a prequel to «Kill Bill» about the Deadly Viper Assassin Squad,
seeing Bill and Budd together again would be worth the admission alone.
Saturday
saw the
film cash in # 9.2 million, and
saw 78 per cent of movie
goers flock to the cinema for the
film, which broke the UK box office making it the biggest Saturday opening
ever.
Still, I think for that first block, I'm either
going to
go with Love Crazy too, which I've only
ever seen once, or Dawson city: Frozen Time which seems like a fascinating documentary on a cache of 1500 nitrate
films that were buried just south of the Artic Circle.
It's amazing, really, that it's taken this long for Denmark's Nicolas Winding Refn - a man who has
gone on record repeatedly naming The Texas Chain
Saw Massacre as the greatest
film ever made - to direct a horror
film...
I avoided this
film during its first
go - around because I'd already
seen more Iraq documentaries than I
ever thought I could stand.
As mentioned, there are some self - indulgent moments and the progression is probably
going to be pretty predictable for anyone who has
ever seen an estranged father / son relationship in a
film before, but Real Steel deserves a lot of credit for not gumming up the plot with too much melodrama.
I enjoyed the
film but it is what I calla a one - timer, I don't
ever see myself revisiting this one and I have a feeling that people are
going to forget it as well quite quickly if not already.
«I
saw the response to the
film and the score out of Cannes and I thought «Hmm, if I'm
ever going to do this thing, if I'm
ever going to hire a publicist — which I've never done before — and if I'm
ever going to pursue the «recognition» aspect of the industry, maybe this is the time to do it.»
That means we just need to get through 294 days of internet hyperbole BEFORE ANYONE
SEES IT about how the new Annie (the third
filmed version after a 1982 feature and a 1999 telefilm) is the worst thing that
ever existed and musicals suck and it's
going to kill everyone's career... Give me strength!
Go for the outstanding performances and Michael Keaton's comeback, stay for one of the best - constructed and executed
films you'll
ever see.
One of the worst I've
ever seen is the
Gone Girl
film tie - in cover.
Molyneux
goes on to suggest that we should rethink death: «Have you
ever seen a
film where the hero dies and dies again?