Check out a throwback Brooke Shields, wearing a bikini (or bikini-esque torn piece of fabric) in practically
ever scene of this movie.
Not exact matches
Danny Boyle's incredible look at the Edinburgh drug
scene launched the career
of Ewan McGregor and includes one
of the best soundtracks
ever put to a
movie.
Despite the talky legal proceedings taking up most
of the
movie's final hour, that doesn't take away from the fact that the slave revolt that opens the
movie is one
of the most intense and powerful
scenes Spielberg has
ever created.
Anybody who has
ever seen the
movie Star Wars remembers the
scene in which the robot R2 - D2 projects a 3D
movie of Princess Leia imploring Obi - Wan Kenobi for help.
PG - 13 films account for nearly two - thirds
of the smoking
scenes adolescents see on the big screen, according to the two - year study, which surveyed roughly 5,000 children ages 10 to 14 about the
movies they'd seen and whether they'd
ever tried a cigarette.
The production spent time creating
scenes for a trailer they had no intention
of ever being in the finished film,
scenes that badly characterized what kind
of movie it would be.
And I can honestly say that this is one
of the most hilarious
movies I have
ever seen, there isnt one
scene that did nt make me laugh, and for that ill give it a 9!
Django Unchained, Tarantino's deliriously kicky and shameless (and also overly long and scattershot) racial - exploitation epic, is set in the slave days, and among other things, it's a low - down orgy
of flamboyant cruelty and violence: whippings, a
scene in which a man gets torn apart by dogs, plus the most promiscuous use
of the N - word
ever heard in a mainstream
movie.
An interesting idea, with 80
scenes from some
of the most memorable
movies ever.
As erotic as the
movie is, there is one sex
scene that has to be one
of the most emotionally unnerving I have
ever seen.
Special kudos must be given to film editor Michael Kahn, whose facility with these completely unhinged battle sequences should shame anybody who's
ever worked on a Michael Bay
movie; to cinematographer Janusz Kaminski, who has given these
scenes a dull grey cast evocative
of nightmares torn from America's sleeping subconscious brain; and to sound designer Gary Rydstrom, who has crafted a World War II soundscape that rattles and unnerves you even when your eyes are closed.
From the nail - biting tavern
scene in which Kruger tries to mediate a tense showdown between the Nazis and the Basterds to the unforgettable climax in which Laurent's own version
of happily
ever after is revealed (the
movie begins with «Once upon a time...»), the female characters are unquestionably necessary, powerful, and unforgettable.
Aside from the musical
scenes, Ten Thousand Saints could easily be added to the
ever - growing list
of movies that don't accurately capture the essence
of the hardcore
scene.
Crowe has been behind the
scenes at some
of the greatest rock tours
ever, dating back to the articles he first wrote for Rolling Stone as a teenage journalist — a life story that served as the basis for one
of his better
movies, 2000's «Almost Famous.»
When their story ends and brings a sense
of achievement to the film, though, Fisher chooses to continue the
movie as if to remind the audience in a final
scene that he really is the most inspiring
movie studio security guard who
ever wrote a spec script.
The mood's mostly pretty dour, which leaves the audience particularly grateful for those who provide comic relief: Dave Bautista's growly Drax, who in one
scene is practicing the underappreciated art
of standing really, really still; Tom Holland's chipper Peter / Spidey, taking it all in with wide eyes; Robert Downey Jr.'s
ever - grumpy Tony Stark / Iron Man, who's pretty sick
of Peter's pop - culture references (particularly «a really old
movie called «Alien»»).
There's a
scene near the end
of Call Me By Your Name, which premiered this week at the Sundance Film Festival, where Michael Stuhlbarg's character delivers some
of the most touching and heartfelt advice to his son, Elio (Timothée Chalamet), that I've
ever seen on a
movie screen.
Speaking
of fire, there's a
scene with a giant fire encompassing a yacht in the middle
of the ocean that features honestly the absolute worst CGI I have
ever seen in a major studio
movie.
Hedren considers this one
of the most dangerous
movies ever made, and while that's true it's hard sympathizing with the cast when nearly every
scene looks like the finale
of Grizzly Man.
I don't want to get into the plot or characters at all here (I want to wait until I see Lonergan's «extended cut»), but let me say that this
movie features four
of the most mesmerizing and complex characterizations I've
ever seen in any
movie: Paquin's Lisa, Jeannie Berlin's Emily, J. Smith - Cameron's Joan and Allison Janney's Monica (the latter a one -
scene cameo).
What's more, the
movie goes out
of its way to include a
scene in which he tells a badly wounded, black - skinned Buffalo Soldier, Henry Woodson (Jonathan Majors), that he's the best soldier he's
ever known — as if to illustrate the selectivity
of his racial hatred.
In a review for Nerdist, podcast host (with Kevin Smith on Fatman on Batman) Marc Bernardin opposes the negativity
of the South Korea
scenes, calling it the point when the film «leaps to its feet» and «becomes the best Bond
movie you'll
ever see.»
Turns out Evelyn is pregnant (the
movie tastefully denies us what would have been the quietest sex
scene ever), and ends up going into labor at a very inopportune time — a diabolical twist that allows Blunt to perform a superb pantomime
of suppressed pain and fear, realizing a Scientologist's insane ideal for childbirth.
Ever wonder how some
of the most amazing
scenes in
movie history were shot?
This won't be to everyone's taste, but very quickly became like candy to me — because,
of course, by giving each
scene and sequence its full weight and measure (there are rich, trenchant dialogue
scenes in this
movie, several
of them; never better than Jesper Christensen's Mr. White having a quiet word with Bond, or Seydoux's Madeleine passing angrily, drunkenly out, muttering to herself in French), Spectre begins to feel like something no Bond
movie has
ever felt like before: an actual
movie.
It's the slowest chase
scene ever in a Star Wars
movie, as the bad guys actually just wait for the good guys to run out
of gas while firing at them every once in awhile.
One
of those falls, in particular, near the end
of the
movie is responsible for one
of the most breathtakingly gorgeous
scenes of violence I've
ever witnessed and is sure to be a talking point for everyone who sees the film.
Edit from Russ: In the days since I originally posted this, Apple has added a clip taken from one
of the
movie's most tense
scenes, where Jeremy's Renner's character has to defuse a massive car bomb while his support team grows
ever more paranoid and uncomfortable.
This is a date
movie that never stoops to slut - shaming its sexually active heroine; it's also a
movie about sex that treats sex without oven mitts, through some
of the best love - making
scenes to
ever appear in a
movie like this.
If not for the vulgarities and three
of the most uncomfortable sex
scenes you've likely
ever witnessed, this would have been a textbook Lifetime Channel
movie.
Pinocchio tries to escape, is locked in a cage by Stromboli, is visited by the Blue Fairy, and then (in one
of the best
movie scenes ever filmed) tells her lies and finds that his nose grows and grows and grows.
One
of my personal favorite
scenes ever in a feature film is from this romantic comedy / drama — and if you've seen the
movie, you know exactly what I'm talking about.
The
movie is great fun and involves one
of the best break up
scenes ever to be seen in film.
the story in this
movie has been done before in old
movies but kill bill makes that story and makes it feel new.the soundtrack to this
movie is one
of the greatest soundtrack
ever and the fight
scene at the end was well shot and Directed really well.
Matt Rodgers on the best
ever video game
movie scenes... The first part
of 2018 will see two high profile videogame adaptations hit the big screen in an attempt to do what 2016's Assassin's Creed couldn't, by breaking a curse which has stretched back as far as 1993's infamous Super Mario Bros.
movie.
This is easily the most sentimental
movie Del Toro has
ever written and directed; besides an unconventional love story, The Shape
Of Water is one of those gushing valentines to the cinema, complete with scenes set in a classic movie palace and lots of lovingly lavish throwback period detai
Of Water is one
of those gushing valentines to the cinema, complete with scenes set in a classic movie palace and lots of lovingly lavish throwback period detai
of those gushing valentines to the cinema, complete with
scenes set in a classic
movie palace and lots
of lovingly lavish throwback period detai
of lovingly lavish throwback period detail.
This
movie features one
of the hottest sex
scenes I've
ever seen even though the women are mostly clothed during it.
The torture
scenes are drawn out to prolong the gruesomeness, but there is absolutely no pay off to any
of them, so there is really no reason to
ever see this unnecessarily violent
movie ever again.
Five years ago, he was writing a memoir about the bizarre behind - the -
scenes saga
of the
movie, which had been dubbed «the worst
movie ever made.»
Patriarchal values aside, Seven Brides is one
of the most entertaining
movie musicals
ever made, and I defy anyone to outdo the barn dance / raising
scene.
Centered on a pair
of all - time awesome performances from Arkin and especially Falk, littered with
scene - stealing supporting work from the likes
of Richard Libertini, Ed Begley Jr., James Hong and David Paymer, the
movie is an out - and - out hoot that is as fresh and as vital today as it
ever was 37 years ago.
The
movie pours on the action and miraculously allows us to suspend disbelief even as it offers some
of the most moronic
scenes ever filmed.
Part
of it is in the reliance on unconvincing computer - generated effects, which undermine the impact
of swarms
of slimy eels, turn a
scene of unwanted dental surgery — a squirm - worthy idea if there
ever was one — into a joke that goes on too long, and reduce a gruesome revelation near the end
of the
movie to a walking, talking, and unconvincing lump
of mincemeat.
The real hampering element to the
movie's tension - building and payoffs is a narrative that switches between a Kafkaesque tale
of wrongful imprisonment, the mysterious and
ever - evolving history
of the incestuous occupants
of the castle that stood where the sanitarium is now, the uncomfortable relationship between Lockhart and a fellow patient named Hannah (Mia Goth) whose mental and actual age are in question, and
scenes of nightmarish horror that may or may not be the result
of Lockhart's diminishing mental state.
Until
of course the
movie decides to have the face - off between Guile and Bison and then we have to see one
of the worst fight
scenes ever.
The
movie's harrowing car / subway train chase was maybe the best chase
ever filmed for a while, and it helped show what you could do with that sort
of scene.
To put it another way: These post-credit
scenes are perfect, so there's no reason Deadpool needs to go back in time and assassinate the screenwriters — one
of whom is,
of course, Ryan Reynolds — to stop this
movie from
ever happening.
The highlight
of the
movie is a powerful
scene between the two actors, that will resonate with anyone who
ever looked for parental advice and approval.
That Paul Rudd
scene has got to be one
of the best improvised moments in a comedy
movie ever, right?
There will be many conversations and laughs had thanks to Deadpool 2's mid-credits
scene, an instant contender for one
of the very best to
ever appear after a comic book, or any other kind
of movie.