Sentences with phrase «ever seen on film»

Based on a true story, this film features DiCaprio's most fearless performance yet and some of the most beautiful cinematography I've ever seen on film.

It is every miserablist working - class, undereducated, easily - roused neighborhood - as - allegory you've ever seen on film, from Dead End to Out of the Furnace.

That statement really doesn't do the film justice as the dinosaurs of Walking With Dinosaurs are the most realistic creatures I've ever seen on film.

Reporter: Malin, those were the most strenuous sex scenes I've ever seen on film.

What you'll see below is star Jane Levy with the most terrified expression I think I've ever seen on film.

Acclaimed filmmaker Ben Wheatley (Kill List, High Rise) propels the audience head - on into quite possibly the most epic shootout ever seen on film as he crafts a spectacular parody — and biting critique — of the insanity of gun violence.

She's probably one of the fiercest cougars you'll ever see on film.

Atari's aircraft comes to ground via what must be the cutest plane crash you'll ever see on film, and the dogs don't quite know what to make of his arrival.

The cast is brilliant, and the sense of family they evoke is as authentic as anything you will ever see on film.

Not exact matches

If you've ever been curious about what happens at Tony Robbins events, or just want to get a better understanding of the world - renowned life and business strategist, from how he prepares for 60 + hours on stage in front of thousands of people to what truly drives him to do what he does, this film is a must - see.

PG - 13 films account for nearly two - thirds of the smoking scenes adolescents see on the big screen, according to the two - year study, which surveyed roughly 5,000 children ages 10 to 14 about the movies they'd seen and whether they'd ever tried a cigarette.

The first couple of times we saw My Darling Clementine on the late show we watched the beginning, fell asleep in the middle, woke up at the end, and thought we had sat through one of the best films we had ever seen.

Warner's Blu - ray version delivers Heat with a new HD transfer supervised by Mann himself, and the film thankfully looks better than I've ever seen it on disc before.

Based on Gregory Miller's book Public Enemy No. 1, G - Men was reissued in 1949, with an added prologue featuring David Brian as an FBI trainer who advises his students not to laugh at the old - fashioned costumes and slang in the 1935 film; seen today, it is Brian's superfluous opening comments that seem hopelessly dated, while the film itself is as exciting and entertaining as ever.

Based on a novel and probably one of the most realistic war films I have ever see.

When originally released, Wings included a sequence lensed in the wide - screen «Magnascope» process; even when seen «flat», however, the film contains some of the best flying sequences ever captured on celluloid.

best film on dreams I have ever seen, and one of the best films of the decade.

By Sloan De Forest Spanning nine decades and branded by the most trusted authority on film, Turner Classic Movies: Must - See Sci - Fi showcases 50 of the most shocking, weird, wonderful, and mind - bending movies ever made.

This is the first film I have ever seen that takes on sexual coercion in a head on fashion.

This may not be the greatest sci - fi / fantasy movie ever made, but if you are willing to put up with a snail - paced film with an interesting story, this should be on your «want to see» list.

In a time when most movies are little more than filmed deals that can spend millions of dollars on elaborate special effects sequences that fade from the mind almost as soon as they play out, he has created some of the most bizarre, hilarious, haunting and memorable imagery that I have ever seen in a film — who could forget the sight of beer baroness Isabella Rossellini standing upon artificial legs filled with her own product in «The Saddest Music in the World,» or the horses stuck in the middle of a frozen river in «My Winnipeg»?

Rochefort doesn't have this in the Dumas novels: Christopher Lee invented it for the Richard Lester films and its been a part of the character on - screen ever since (see Michael Wincott in 1993 and Tim Roth in 2001).

«Miss Julie» (2014) Liv Ullmann «s recent adaptation of Strindberg «s famous examination of the sado - masochistic cruelty of rigid class systems is the film on this list least likely to ever get seen by a huge number of people.

You might also like See where Cruising ranks on our list of the 50 most controversial movies ever Jim Jarmusch, Spike Lee, Martin Scorsese and other movie buffs choose their essential New York film Check out the full list of the 100 best New York movies See more in Film

These guilds are massive and Paramount has, even more than they did with Selma, dropped the ball on the film's screener game in one of the worst awards» campaigns I've ever seen.

In the Fade (Fatih Akin, director & writer) I've liked Fatih Akin's films ever since seeing Head - On in 2004 and The Edge of Heaven in 2007.

Starring Serkis in the role of Baloo, alongside Rohan Chand as Mowgli, Christian Bale as Bagheera, Benedict Cumberbatch as Shere Khan, and Cate Blanchett as Kaa, the film looks to be a darker take on Rudyard Kipling's book than we've ever seen on screen before.

We've seen it unfold on screen in many varieties, whether it's characters in the field of sport, music, film or many others, but they all share that single, universal center of someone who is desperate to reach a level of skill so prominent that their name is remembered as one of the best there ever was.

The Deadpool movie let a worldwide audience in on the grosser aspects of Wade Wilson's powers, but Marvel Comics has given him a new superpower that is officially too disgusting to ever be seen on film.

The thing is, although I personally have already seen the film six times (if you've been to MNPP at any point in the past three months you're more than aware of my obsession but if you missed my first take on the movie out of NYFF it's one of the most meaningful pieces of writing I've ever done, says me), it seems that some of you have not seen the film six times yet.

One of the higher priorities on my film to - do list is to watch Zhang Yimou's earlier films, none of which I have, to my shame, ever seen.

His swan song, Parade, sorely underrated by the small number of critics who've actually seen it, was a clean break from Hulot, and as such, feels more free than anything else Tati ever made — it's a difficult film for people who may be expecting another lighthearted, whimsical comedy, instead of an experimental film that uses a circus performance as its foundation, but in its own way, it's the ultimate Tati, an undiluted expression of what he loved to do and to see, and what hats to put on.

«Children Of Men» For a film which is, ostensibly at least, science fiction (it creates one of the most coherent, fascinating futuristic dystopias ever seen on screen), «Children of Men» sums up our War - on - Terror, immigration - panic era better than any contemporary drama could.

In a review for Nerdist, podcast host (with Kevin Smith on Fatman on Batman) Marc Bernardin opposes the negativity of the South Korea scenes, calling it the point when the film «leaps to its feet» and «becomes the best Bond movie you'll ever see.»

This has been on my must - see list ever since it was announced, and that excitement has only grown with each new reveal, from the casting of Chris Pratt in the lead role, to landing Vin Diesel and Bradley Cooper to voice the movie's CGI characters, to the strong buzz emerging from early screenings that have pegged it as one of the studio's best films to date.

Shot in Super 35 mm, the film pays special attention to its visuality and contains some of the most beautiful shots ever seen on the silver screen.

takes us back to many different genres of filmmaking from the 1940s, including historical epics, war films, musicals — tap dancing Frank Sinatra musicals and Esther Williams musicals with vibrant colors, rich black and whites — all the while allowing Deakins to do what he always does with any movie he's working on whether it's the shittiest film you've ever seen or the best — making it 100 % better just by having shot it.

Dial M for Murder premiered at the Westminster Theatre in London in 1952, only for it to be made into an expert crime mystery thriller by Alfred Hitchcock two years later, while Wait Until Dark, another complex and dark play in the vein of Hitchcock's interests directed by Arthur Penn (who would helm Bonnie and Clyde the very next year), saw the light of day in early 1966 on Broadway, where it instantly attracted the attention of both the audience and Warner Brothers, determined to turn it into a feature film starring none other than Hollywood's sweetheart Audrey Hepburn in a much darker, insidious story than her filmography had ever witnessed.

The second half of the film transitions from mystery to anatomy of a scheme, and features one of the most brutal and bloody on screen murders you will ever see.

I could continue on and on about this film, for it is one of the greatest films I have ever seen (Disney or not).

The film is about Mitch Rapp, an «ordinary every day all - American athlete and scholar» recruited by the CIA, becoming one of the best assassins they've ever seen, but he gets into trouble on an assignment in Beirut.

Honestly, the man has the most expressive face I have ever seen and it doesn't matter if he's on screen in human form or as a gorgeously stop - motion - animated - and - captured giant, he's outstanding and entirely worth going to see the film for.

The Bicycle Thief (Ladri di biciclette) Year: 1948 Director: Vittorio De Sica This tale of a father and son in poverty - stricken Italy is on of the most moving films I've ever seen.

Filled with surprising and unexpectedly beautiful images of people and places, FACES PLACES is a perfect little gem of a film, a pleasant way to spend a couple of hours, on the road with two fascinating and ever - curious people as they see what is around the next bend, in life and on the road.

Life - changing events for this protagonist (her father losing his job, acceptance into college, the loss of her virginity) bump up against funnier, more inconsequential ones; it's one of the most authentic depictions of that tumultuous period on the cusp of adulthood I've ever seen in a film.

Okay maybe this isn't the best sales ploy ever, but you can bet it won't stop plenty of kids from trying their hand on one of these spirit boards after seeing this film.

Have you ever seen a film that is so incredible, so extraordinary in every way, that when it's over you feel totally drunk on happiness, high on cinema, floating away with huge smile?

While it may not be the greatest film ever from the Coens, it has stuck with me since first seeing it midway through the festival and has grown on me since.

The film's final act sees Jep on a big assignment, in which he is supposed to get to conduct only the third ever interview with Sister Maria (Giusi Merli), a 103 - year - old missionary from Africa widely revered as «The Saint.»

Still, I think for that first block, I'm either going to go with Love Crazy too, which I've only ever seen once, or Dawson city: Frozen Time which seems like a fascinating documentary on a cache of 1500 nitrate films that were buried just south of the Artic Circle.