Sentences with phrase «ever sleep with»

Don't even kiss the guy until after he has introduced you to some of the people in his circle, and never ever sleep with a guy whose family you've never met.

No one else should ever sleep with an infant.

But I am one person, who has only ever slept with her husband, and I am not the only one who has followed this pattern, and it is nothing like what prostitution would be.

When I was pregnant with my son (now 3) we knew that he was sleeping in the bassinet beside the bed, and no way was he ever sleeping with us.

Ball [22][23] reported that bed - sharing prevalence (ever sleeping with baby in the same bed) in the north - east of England was 47 % among a sample of 253 families with 1 month old infants, dropping to 29 % when the same babies were three months old.

It's like everyone I've ever slept with is here»).

THE REGISTER — June 2 — When you sleep with someone, you are sleeping with everyone they ever slept with, and everyone those people slept with, and so forth.

Jamie may treat Ronsel like an equal, but you can hear vestiges of his father's racism in the way he asks Ronsel about his wartime conquests — he wants to know whether Ronsel ever slept with a white woman — and you can sense the fear in the deferential way that the Jacksons tread lightly whenever white men are present, making apologies even when they're in the right.

There are few things more devastating than having to tell everyone you've ever slept with that you may have given them an STD.

Anyone that she ever slept with her says she hogs the ENTIRE bed.

Emin gained celebrity in the 90s for such bold and scandalous works as «Everyone I Have Ever Slept with 1963 — 1995» at the Royal Academy in London in 1997 (a tent that she appliquéd with individuals» names), and My Bed (she exhibited her own unmade bed, strewn with used condoms and dirty undergarments) at the Tate Gallery in 1999, which shortlisted her for the prestigious Turner Prize.

Emin had become known for angst - ridden expressions infused with the artist's personal biography, which she has consistently used as material for her work; exemplary pieces include her 1999 Turner Prize shortlisted work My Bed, which consisted of Emin's own bed, and Everyone I Ever Slept With 1963 — 1995, a tent appliquéd with all the names of people Emin ever shared a bed with.

Tracey Emin is a notable and prolific British artist recognized for her place in the Young British Artists movement of the 1990s, and in particular for her provocative and controversial works such as Everyone I have ever slept with 1963 - 1995 and My Bed, which was on display at London's Tate Modern gallery as part of her nomination for the Turner Prize in 1999.

In 1997, a selection of YBA works from Saatchi's collection (including Emin's Everyone I Have Ever Slept With 1963 - 1995 and Hirst's shark) was shown at the Royal Academy of Art in an exhibition titled Sensation, which in 1999 travelled to New York's Brooklyn Museum.

On 24 May 2004, a fire in a storage warehouse destroyed some works from the Saatchi collection, including the Chapman Brothers» Hell and Tracey Emin's «tent», Everyone I Have Ever Slept With 1963 — 1995.

Torn between this piece and Everyone I Have Ever Slept With, I went with My Bed simply because it's still out there, as the former got destroyed in a fire in 2004.

Or Tracey Emin RA's Everyone I Have Ever Slept With 1963 - 1995, her piece where the names of people she had slept with were embroidered on the inside of a tent — the embodiment, in nylon, of the idea that the personal is political.

The work takes its place within her early rise to acclaim, situated between the 1995 fabric tent Everyone I Have Ever Slept With 1963 - 1995, and the iconic self portrait installation My Bed, 1998, which was nominated for the Turner Prize.

In 1995, Tracey Emin created her piece Everyone I Have Ever Slept With 1963 — 1995, also titled The Tent, from obvious reason — the entire work was conceptualized as a tent with 102 names applied.

• 2004 - Momart Fire A fire in the Saatchi Gallery's Momart warehouse destroys a large number of works from the collection, including Emin's major work of conceptual art Everyone I Have Ever Slept With 1963 — 95 (1995), and the Chapman brothers» work Hell (1999 - 2000).

Famous for the provocative installations she made as one of the hell - raising Young British Artists — among them My Bed, her literally seminal 1998 installation, and the fairly self - explanatory Every One I Have Ever Slept With 1963 - 1995 — Emin brings the same emotional unburdening, the same raw vulnerability, and the same jolting power to her drawings and scrawled text pieces.

Tracey Emin is a notable and prolific British artist recognized for her place in the Young British Artists movement of the 1990s, and in particular for her provocative and controversial works such as Everyone I have ever slept with 1963 - 1995 and My Bed, which was on display at London's Tate Modern gallery as part of her nomination for the...

... South London Gallery, she produced Everyone I Have Ever Slept With 1963 — 1995 (1995; now destroyed), a tent embroidered with the names of everyone she had (literally) slept with, including her twin brother, her mother, and her two aborted fetuses, as well as assorted lovers.

Previously, she gained notoriety for her tent installation Everyone I Have Ever Slept With 1963 — 1995, which listed 102 names and contributed to the media - frenzied Sensation exhibition in London in 1997.

However the appointment of the artist is somewhat controversial: most famous for the works Everyone I Have Ever Slept With (a tent embroidered with the names of everyone she had ever sleepy with), and My Bed (her unmade bed, surrounded by grimy detritus), Emin is not your typical fine arts academician — and perhaps an odd choice of a professor of drawing.

People began to sit up and take notice with works such as her tent (Everyone I Ever Slept With, from 1963 to 1995) that was bought by Charles Saatchi and shown at the Royal Academy's Sensation show in 1997 — the same year that she so memorably appeared on a late - night Channel 4 discussion show completely hammered.

Everyone she ever slept with had their names embroidered inside a tent.

So much has been written about Emin — by herself and others — since she first came to prominence alongside fellow Young British Artists (YBAs) Damien Hirst and Sarah Lucas more than two decades ago that her story seems to have congealed in a series of now quasi-mythical episodes: the childhood in the seaside town of Margate; the promiscuity; the abortions; the shop with Lucas; the first show with White Cube's Jay Jopling, cheekily entitled «My Major Retrospective 1963 — 1993»; the tent (Everyone I Have Ever Slept With 1963 — 1995); My Bed (1998); the drunkenness; the heartbreaks.

One of her installations, called Everyone I Have Ever Slept with 1963 - 1995 is a tent, into and onto which she has sewn all these people's names.

As Peitz notes, two iconic»90s works, Tracey Emin's Everyone I Ever Slept With, 1963 — 95, and Jake and Dinos Chapman's Hell, were among the losses.

In Everyone I've Ever Slept With, Emin used the process of appliqué to inscribe the names of lovers, friends and family within a small tent, into which the viewer had to crawl inside, becoming both voyeur and confidante.

Her readymades were always hand - made anyway — from her tent with the names of everyone she ever slept with stitched on to it, to rickety wooden fairground structures recalling her seaside childhood.

For instance, in 1997 Emin showed Everyone I Have Ever Slept With 1963 — 1995, a tent appliquéd with quite a list of names, at the Royal Academy in London.

One of her exhibits was the installation Everyone I have Ever Slept With 1963 - 1995 (1995), a blue tent, appliqued with the names of about 90 people she had «slept» with, many of whom were relatives and other platonic partners.

It was Franck who snapped up Tracey Emin's famous embroidered tent artwork Everyone I have ever slept with, 1963 - 1995.

Tracey Emin not only lost her appliqué tent, All the People I Have Ever Slept With, but also her beach hut, The Last Thing I Said Is Don't Leave Me.

In May 2004, a fire in a Momart warehouse in East London obliterated many works of art owned by the Charles Saatchi collection, including Emin's famous tent Everyone I Have Ever Slept With 1963 — 1995 («The Tent»)(1995) and The Last Thing I Said To You Is Don't Leave Me Here («The Hut»)(1999).

One of the most significant contemporary artists, she achieved international recognition with such key works as Everyone I Have Ever Slept With 1963 - 95 (1995, destroyed 2004) and My Bed (1998) for which she was shortlisted for the Turner Prize and is currently on display at Tate Britain alongside works by Francis Bacon.

Two important works missing from the show are her unmade bed, which Charles Saatchi is exhibiting in a 2012 show and her tent «Everyone I Have Ever Slept With 1963 - 1995» a work destroyed in the Momart fire of 2004.

Propelled by explicitly autobiographical works such as Everyone I ever slept with (1995) and My bed (1998), Brit - celebrity «bad girl» Tracey Emin has crossed the boundary from artist to a pop - culture phenomenon.

I wrote out a list of names of everyone I had ever slept with — it was really difficult — almost like carving gravestones.

When people go inside the tent, they come out trying to remember everyone they ever slept with.

This act of recontextualization is echoed in comparable bed pieces by Louise Bourgeois (Femme Maison, Woman House, 1994); Tracey Emin (Everyone I Have Ever Slept With 1963 — 95, 1995, and My Bed, 1998) and Cornelia Parker (The Maybe, 1995/2013).

In Everyone I've Ever Slept With 1963 - 95 (1995, destroyed 2004), Emin used the process of appliqué to inscribe the names of lovers, friends, and family within a small tent, into which the viewer had to crawl inside, becoming both voyeur and confidante.

Included in the show were Tracey Emin's tent, Everyone I have Ever Slept With 1963 - 1995, Marc Quinn's Self, 1991, a self - portrait sculpture made from his own blood, Damien Hirst's infamous shark suspended in formaldehyde and Jake and Dinos Chapman's sexualised child mannequins.

Dinos Chapman claims he and his brother, who shot to fame in the mid — 1990s as part of the Young British Artists movement, have recreated Emin's famous tent, entitled Everyone I Have Ever Slept With 1963 - 1995.

Tracey's art - autobiography sensibility and its resultant media effect were first truly realized with Everyone I ever slept with 1963 - 1995 (1995).

Tracey Emin interview: Art, artist and media coverage Propelled by explicitly autobiographical works such as Everyone I ever slept with (1995) and My bed (1998), Brit - celebrity «bad girl»...

It might have given local art lovers the impression that this former wild child who made Everyone I have Ever Slept With 1963 - 95 and My Bed, the 1998 display of detritus from her personal life — dirty sheets, underwear stained with menstrual blood, used condoms, cigarette butts and empty alcohol bottles — had lost her zing.

In 1997, her work Everyone I Have Ever Slept With 1963 — 1995, a tent appliquéd with the names of everyone the artist had ever shared a bed with was shown at Charles Saatchi's Sensation exhibition held at the Royal Academy in London.