Not exact matches
The
film works as supernatural horror at the same time as you feel the chaos and fear in
everyday life during the Iran - Iraq War as
experienced by people like the rest
of us and not by presidents and kings.
One thing we need to know about African - American
experience is the minutiae: there should be
films that present the ordinary,
everyday reality
of these lives in forms that resist cliché and hyperbole, refuse to glamorize, mystify, or stereotype.
Indeed, though it doesn't lean on a particular ideology, this is a fiercely political
film in which the stakes
of politics are the
everyday lived
experience: dollar bills exchanged between hands, a blank form waiting to be filled, or the aisle
of a supermarket where shoppers do mental arithmetic to figure out what they can go without this week.
Without giving away the movie's big reveal (it's horrifying, in an
everyday sort
of way, but not «surprising» in a movie way) I can say that once we face it along with Jackie and Angelo and their loved ones, the
film seems to go through much the same revelatory
experience that Jackie has on the beach as she learns how to ride a board with help from a handsome, slightly younger instructor and soon - to - be-love-interest named Ian (Luke Wilson).
«Inside Out» celebrates the power
of film to transport you out
of your own head into worlds beyond
everyday experiences and attitudes.
But her suffering, according to the
film's star Tilda Swinton, is «not that far away from the
everyday experience of being a parent».
In the spirit
of Maya Deren,
film for Prouvost has the purpose
of creating an
experience, evoking new meanings and readings, but also awakening imagery embedded in our
everyday memories.
From the perspective
of the so - called post-internet generation, his sculptures,
films and online projects — often arranged as installations — are concerned with the relationship between real and virtual
everyday worlds, that is, with life and
experience in the internet age and the effects this has on social reality.
Television,
film, and other pervasive forms
of technology make up the
everyday experiences of artists, just as they make up the
experiences of viewers.
You walk in off the pavement and into an unexpected multi-media
experience that cleverly takes over the main exhibition space, utilizing all the nooks and crannies
of the high ceiling deconsecrated Church with 3D
film, music and a cleverly crafted domestic interior filled with discarded bottles and the debris
of everyday life, like a version
of Tracey Emin's Bed for the 2000s.
Nicole Miller's time - based practice explores the
experiences of everyday people as the subject
of her work, using
film as the medium through which the artist examines the bonds
of family, community, and representation.