Sentences with phrase «everyday landscape painting»

Illustrates the Impressionist style of everyday landscape painting.

Not exact matches

My favorite Monet paintings were inspired by the everyday colors of the landscapes and plants around him making them timeless.

I could probably paint pet portraits everyday but I do love to paint landscapes.

By reframing the overlooked details within our everyday surroundings, Grau transforms a standardized mode of communication used by public works departments across the country into a series of monochrome paintings — plein air paintings not of landscape, but in it.

Blue Mountain Gallery presents biOcular, an exhibition by Anne Diggory that includes hybrid works combining photography and painting in urban and Adirondack landscapes as well as the clutter of everyday living.

All of Cooke's subjects stem from real life — his autobiography, live models or photographic and literary sources — but metamorphose away from these everyday referents as they become realized in paint and enmeshed in the landscape of the work.

Ranging from still lifes and portraits to landscapes and everyday scenes, these 18 paintings have transformed the museums» collection of Dutch and Flemish art.

Even more important, the critic wrote, was the fact that the participating artists chose their own works to contribute — mainly still lifes and landscapes, with a few paintings of everyday figures — rather than conforming to any theme.

Katz's brightly colored, large - scale figurative and landscape paintings are rendered in a flat style that oftentimes resembles the aesthetics of the everyday visual culture commonly found in advertising and cinema — a feature that regularly linked Alex to the norms of Pop art despite the fact his work predates this movement by a relatively big margin.

As its European father, the American Impressionism saw different artists gathering and following in its footsteps regarding the depiction of the everyday modern life and the tradition of the en plain air, started with Monet's landscape paintings.

Taking in the legacies of American landscape painting and reductive modernism, as well as tourist photography, fashion advertising, generic stock photography and the aesthetics of clearance sales and shop - window display, the work looks to where one finds the sublime and the utopic in the experience of the everyday, be it in a temple, on a treadmill, at a designer clothing sale, or at the bottom of a whiskey - bottle — complex plays of crafted and consumed desire, scrambled and stripped.

Reflecting on the embedded and latent meanings around light, nature, the frontier, borders, race, gender and power in influential American landscape paintings of the 19th century, she uses materials collected from her everyday life, including holiday - themed tablecloths, discarded medical records, nature calendars, plastic bags and paint, to craft imaginary landscapes that are grounded in accumulation, personal narrative and historical critique.

What / Why: «Blurring the boundaries between sculpture, installation and painting, Sarah Sze builds intricate landscapes from the ordinary minutiae of everyday life, yet on a grand architectural scale.

This led him to make exquisite portraits, lush landscape paintings, everyday domestic interiors, and paintings that depict historical events, all featuring black subjects as if their activities were completely and utterly normal.

A painter, sculptor, and printmaker, Sultan is regarded for his ongoing large - scale painted still lifes featuring structural renderings of fruit, flowers, and other everyday objects, often abstracted and set against a rich, black background; but he is also noted for his significant industrial landscape series that began in the early 1980s entitled the Disaster Paintings, on which the artist worked for nearly a decade.

His brightly colored figurative and landscape paintings are rendered in a flat style that takes cues from everyday visual culture like advertising and cinema, in many ways anticipating both the formal and conceptual concerns ofPop Art.

Erik Benson is an artist whose process - based paintings are informed by architecture and everyday objects found in the urban landscape.

Similar to how a still - life painting would historically be considered the lowest in the hierarchy of genres, she rated this photo of hers lower than her many other Instagram posts of grand landscapes taken during hikes and summer vacations, those photos of seminal artworks she sought out in museums in New York and on her many travels, those carefully cropped photos of grand architecture, the documentation of the greater moments of life as well as those split seconds of everyday life that she just had happened upon — moments unprecedented and unrepeatable.

ABOUT THE SPEAKERS Erik Benson is an artist whose process - based paintings are informed by architecture and everyday objects found in urban landscape.

His brightly colored figurative and landscape paintings are rendered in a flat style that takes cues from everyday visual culture like advertising and cinema, in many ways anticipating both the formal and conceptual concerns of Pop Art.

In recent years, Urs Fischer has been exploring the genres of classical art history (still lifes, portraits, nudes, landscapes, and interiors) at the intersection with everyday life in cast sculptures and assemblages, paintings, digital montages, spatial installations, mutating or kinetic objects, and texts.

Blair's still lifes and landscapes — painted from his own snapshots — are photorealist visions of everyday objects, views through windows and natural scenery.

Reinvesting traditional art historical genres (still life, portraits, nudes, landscapes, and interiors) with an abundance of rich and surprising forms — such as cast sculptures and assemblages, paintings, digital montages, spatial installations, kinetic objects, and texts — he ceaselessly explores the intersection of art and everyday life.

Having previously explored the dynamic potential of portraiture, landscape, and still life, Redwood embraces genre painting or scenes from everyday life, imagining a suite of large - scale figurative works suggesting a time to come after an unlikely culprit.

Pissarro was, like Claude Monet (1840 - 1926), Alfred Sisley (1839 - 99) and to a lesser extent Renoir (1841 - 1919), a devoted adherent of plein air painting, especially country landscapes with an everyday humble theme.

Using materials collected from her everyday life, including holiday - themed tablecloths, discarded medical records, nature calendars, plastic bags, and paint, Hoffman crafts imaginary landscapes that are grounded in accumulation, personal narrative, and historical critique.

This included portrait art - featuring both individuals and groups - along with genre - painting, (everyday scenes) still life painting and landscapes depicting their country houses and livestock.

In the hierarchy of genres (or subject types) for art established in the seventeenth century by the French Academy, still life was ranked at the bottom — fifth after history painting, portraiture, genre painting (scenes of everyday life) and landscape.