In the 1980s Milroy's paintings featured
everyday objects depicted against an off - white ground, compositionally arranged in a grid or random scatter and characterised by a quick gestural application of paint.
Not exact matches
His work often
depicts everyday objects and places using vibrant colors and simple shapes.
From lemons to dominoes to flowers, these deceptively complex works epitomize the distinctive stylistic approach he employs to
depict objects inhabiting our
everyday world.
The drawings in «Connecting the Lines»
depict the piles of defunct
everyday objects from multiple locations across the world including my parents» basement in Korea, woodshop at the City Collage of NY, thrift store in Main and junkshop in Germany.
Across the space, still - life paintings
depicting everyday objects and formal explorations will be installed against a backdrop of Du Pasquier's wallpaper designs, juxtaposed with the sculptures, textiles, and design
objects that inspire her work in painting and illuminate her iterative process of creation.
In these works, blue gazing balls, hand blown from glass, have been placed on white plaster sculptures
depicting signature examples of antique statues from the Greco - Roman era, including the Farnese Hercules and the Esquiline Venus, along with
everyday utilitarian
objects encountered in today's suburban landscape, such as rustic mailboxes, a birdbath and an inflatable snowman typically seen outside during Christmas.
The paintings of Zhang Enli
depict the familiar and overlooked;
everyday objects that are connected through the artist's immediate surroundings.
A prominent Pop artist, Claes Oldenburg's signature sculptures
depict everyday objects such as French fries, telephones, and hot water bottles, made from soft materials including latex and canvas.
His painted plaster sculptures
depict everyday objects: Pastry Case 1 (1961 - 62) from the Sidney and Harriet Janis Collection is a prime example.
A number of the images,
depicting American storefronts and
everyday objects, were projected behind the speakers during the talk.
Geka's paintings
depict everyday objects, such as wallpaper, lamps, floors and curtains.
Influenced by the rudimentary shapes in
everyday objects, Pehrson's creates a contrast and installs a sense of wonder in the viewer to
depict the metaphysical implications of his hand - cut works.
In the 1960s, Claes Oldenburg (b. 1929) became one of the most audacious artists of the twentieth century by making crudely rendered soft sculptures
depicting everyday objects — «a mixture of things as they are and things as they are imagined to be.»
Thus began this fascination series where beautiful photographs
depict everyday objects and how they're related to one another.
Pride of place goes to
Objects of our Time, a new series of twelve screenprints that
depict everyday items in the artist's signature style.
Hand - blown from glass, the blue gazing balls have been placed on white plaster sculptures
depicting signature examples of antique statues from the Greco - Roman era along with
everyday utilitarian
objects encountered in today's suburban and rural landscape, such as mailboxes and a birdbath.
They subverted the myth that all artists were visionaries by
depicting banal,
everyday objects.
His artistic practice seeks to realize the potential for unexpected magic and serendipity in
everyday life,
depicting natural
objects in a fantastic way.
There is a drawing in the collection of the Queen; hanging in Buckingham Palace by Leonardo daVinci which
depicts a deluge of raining
everyday objects: rakes, funnels, lamps and general debris.
The artist has described his work as being anti-monumental, with his sculptures often
depicting everyday objects such as garbage cans and plastic bottles.
Mexico City based artist Lucio Muniain's work
depicts gruesome realities ripped from
everyday press, redelivered by the artist in a loose style of hand drawn figures and
objects, accompanied by text phrases — street language, slang, cynical observations the artists creates.
His years as a cartoonist influenced his mature technique, a stylized realism
depicting everyday objects and scenes.
Craig - Martin's later works have used a stylised drawing technique often
depicting everyday household
objects and sometimes incorporating art references, such as
objects known from their use in Dada artworks.
Appel — in contrast to Abts — is focused on the world around her, using traditional trompe l'oeil technique to
depict fabric, sheets of transparent plastic, hand sewing, match sticks, floor grit, slabs of meat, and other
objects from
everyday life.
Duchamp himself had contributed to the movement, largely by
depicting what he called «ready - mades,» (utilitarian articles such as snow shovels and bottle racks) signing the resulting pictures, and presenting the result as
objects of art rather than
objects made for
everyday use.
The show features new paintings and paper collages; fanciful, sometimes mysterious arrangements of
everyday objects, toys, Plasticine, cardboard, threads, and adhesive tape serve the artist as models — the artist
depicts them with an uncanny accuracy in his paintings and drawings.
Later works include exuberantly satirical works of the 1960s, many featuring the vaguely autobiographical figure described by critic and artist Anne Doran as a «nattily dressed and deeply ridiculous Everyman in mad pursuit of liberty, poetry, and sex»; the pornography - inspired «X-Rated Paintings» of the early 1970s; the «Noun» paintings of the same period (each
depicting a single
everyday object against a bright, patterned background); the schematic, figurative canvases made in homage to Copley's Surrealist idol Francis Picabia; and the story cycles and morality tales from the 1980s and 90s, including a painting from the installation project The Tomb of the Unknown Whore.
In the latter half of the decade, Thiebaud
depicted the
everyday objects and store windows that would become his hallmark, often overlaying the subjects with broad, gestural brushwork.
Alfonso's works
depicts accumulations of
objects, devices and accessories from
everyday life, piled up, and drawn closely together, so as to flood the pictorial space.
Ruscha's work
depicts everyday objects — gas stations, street signs, billboards — yet often triggers philosophical reflections on the relationship between words, things and ideas.