Sentences with phrase «everyday process of work»

Because they didn't die tragically, this version of Romeo and Juliet instead have to learn that marriage is an everyday process of work and negotiation and appreciation — not too different from a platonic or working relationship, as Sherlock and Watson prove.

Not exact matches

«An important point is that it is not merely a different technology for computing in the same way our everyday computers work; it is at a very fundamental level a different way of processing information.

The results, which are published in the journal Cell, add to the understanding of how the brain's frontal lobes work and control behaviour.The frontal cortex of the brain plays a crucial part in cognitive functions, including everyday mental processes such as attention, memory, learning, decision - making and problem - solving.

Vitamins and minerals work as catalysts in the body for the everyday process of metabolism.

The Pittsburgh Filmmakers» collaboration is just one example of how educators are working to make the arts a part of students» everyday lives while incorporating technology into the process.

The stamps can be seen as an extension of Brehmer's interest in everyday printed ephemera — the very visible process of photo reproduction with enlarged half - tone dots and simplified color separations connect visually to the earlier work.

Here is a brief description of her process when building works on paper or panel:» Through abstraction I reveal a world, not unlike my everyday life: rigorous and controlled but with room for spontaneity, irony and consciousness.

Through associative thought processes that connect the everyday and the esoteric, the overlooked and the commonplace, Gander's work involves a questioning of language and knowledge; a reinvention of the modes of appearance and creation of an artwork.

Across the space, still - life paintings depicting everyday objects and formal explorations will be installed against a backdrop of Du Pasquier's wallpaper designs, juxtaposed with the sculptures, textiles, and design objects that inspire her work in painting and illuminate her iterative process of creation.

Currently working in London and New York, «engaged with the processes of the everyday,» he rejects the use of the term «contemporary art» citing it as historical and redundant.

Rooted in everyday processes and procedures (for example, the exchange of currency, the semiotics of public signage, the logistics and mechanics of crowd control, or even the formalities of death) the works in Real Life examine these structures through their subsequent mediation — and often abstraction — in art.

Made at the STPI Creative Workshop in Singapore, the new works in this exhibition are part of the artist's ongoing Rubbing / Loving project, in which rubbings of interior spaces and everyday objects are created in a process that discloses and memorialises...

Friedman's work presents the processes and materials of sculpture vis - a-vis the materiality of the body, manipulating substance, subject matter, and scale to highlight the familiar as well as the surreal aspects of everyday things.

Brătescu's work blurs the lines between art and the everyday, enhanced by her focus on the process and production of art and the linking of her upbringing in Communist Romania.

His work explores representation of everyday space through computer - based processes, often appearing in the form of animated GIFs.

The solo exhibition by Berlin - based artist Judith Hopf features a wide selection of her recent work and emphasizes her fascination with everyday materials like brick, concrete, glass, packaging, and easily understood manufacturing processes.

Micah Danges» (Pew Fellow, 2015) work hovers between image and object, pushing the limit of what a photograph can be and using optical distortions that create abstract scenes from everyday items and places, in a distinctive merging of materials and process.

For the past few decades, Chaimowicz has been mainly producing work within the confines of his own home, in the process generating art that synthesizes the everyday with the fantastical.

In a rare glimpse of the evolutionary process of an artist's journey, multiple bodies of work will be shown, bringing together the artist's inquiry into the search for meaning in everyday life.

Hawser's work reconfigures and repurposes commonplace materials applied in industrial processes to create sculptures and installations that subtly demonstrate the inherent mutability of everyday objects.

The idea of working with everyday objects and composing them to jewelry was developed throughout the process by experimenting with materials, comparable to Josef Albers teaching methods:

The artists make ingenious use of everyday resources, and a highly finished work might be the product of an unexpected process.

The constant stream of images that society produces and encounters everyday on their electronic devices, such as tablets, and our physical relationship to them in the way we hold, swipe and tap them is being thought about when making these works as well as how that relates to making sculpture and the process of constructing form and image through material processes.

Suffused with humor, this work undermines the myth of the artist's self - importance, and absurdly blurs the distinctions between the creative process and an everyday Israeli experience.

June 24 - October 6, 2010 Consisting of works from the UAMA permanent collection, this exhibition focuses on woodblock prints from the nineteenth century and explores the print - making process, everyday life in pre-modern Japan, and the cultural exchange that took place between Japan and the Western world.

Emphasis on the process is central to her practice; as she physically transforms the materials through painstaking manual labour, raising questions about everyday working experiences of marginalised people.

While Jukkala's approach is less immersive than Guston's, more geometric than gestural, his new work harks back to the stark horizons and looming heads that accompany Guston's reflections on the everyday process of painting.

The American artist assembles on stands kitsch consumer items, in the process changing everyday things to works of art and examining ideas about how we collect, classify and display objects.

The process of combining art and everyday life would later define Oldenburg's work.

This publication aims not to draw out any notion of influence or direct correlation between these bodies of work, but rather to elucidate a resonance between two artists who both engage transformative processes to invest the humblest of everyday materials with deep aesthetic significance.

All of the exhibited works are on paper, specifically industrial paper manufactured for everyday use, a medium which he saw as being process - orientated as it is intended to be used for everything but drawing or painting.

Made at the STPI Creative Workshop in Singapore, the new works are part of artist's ongoing «Rubbing / Loving» project, in which rubbings of interior spaces and everyday objects are created in a process that discloses and memorialises details of the artist's surroundings.

Like much of Stark's work, the story of these virtual encounters self - reflexively addresses the conditions of creative self - doubt, sources of insight and inspiration within the context of the everyday and the problem of production through the often - difficult process of artistic labour.

Her works are deeply rooted in the use of everyday materials, like brick, concrete, glass, packaging, and plausible manufacturing processes.

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

I'm excited to see how the student's process and art works are influenced by their exposure to Rocklen's seemingly effortless treatment of objects, from abandoned lonely things to gleaming relics of our everyday world.

The explicit use of casting processes behind Eva Rothschild's Wandering Palm, which assembles cast component parts of familiar everyday objects, has a resonance with the existing permanent collection and in particular Barbara Hepworth's own hand - worked plasters from the Hepworth Family Gift.

Collapsing any distinction between the physical process of making the work and its visual content, these everyday tools provided the artist with a repertoire of ready - made imagery that avoided both spontaneous gesture and self - conscious compositional decisions.

See, e.g., Benjamin N. Cardozo, The Nature of the Judicial Process 57 - 58 (1921)(«Stare decisis is at least the everyday working rule of our law... [A judge makes law through issuing opinions because] in fashioning [the law for the parties to a case], he will be fashioning it for others.»).

In order to get tech to work for you, you have to commit to using it regularly and making it part of your everyday processes.

Make your values a central part of the workplace and show employees how they guide everyday work processes and decisions.

As a rapid learner, you will soon find out that I can easily and smoothly blend into everyday work processes and have a strong sense of working in culinary environments.

I am still in the process of absorbing what I can of RE investing knowledge everyday, but I know that I will enjoy seeing my hard work payoff in something tangible and real.