Doig's paintings seem to have a tidal pull towards abstraction;
everyday scenes turn into dreamlike visions.
Not exact matches
, with early
scenes of easygoing camaraderie gradually
turning into something darker; and it has the same
everyday, naturalistic depiction of violence which Meadows utilised in
Turkish artist Yiğit Yazici drives to
turn the vernacular into something spectacular, with
everyday objects and
scenes becoming psychedelic landscapes.