Not exact matches
«They have casual conversations — discussing art as it fits into life, using
everyday language and insight,» says Mary Jo Rosania, Hunterdon's
visual arts teacher.
This edition also reflects on Paolozzi's fascination with the relationship between humans and machines - here the
visual language of Photoshop, and the staggering of images are indicative of the machine that has come to occupy our
everyday.
He strove to create a unique
visual language with which to portray the
everyday world.
She creates a
visual language that narrates the rural Chicana / o experience, including celebrations, myths, healing ceremonies, family stories, and
everyday life.
Cánovas» seamless alternation between aspirational glamour and the
visual language of the
everyday is reminiscent of the flickering of a film reel, each image closely contemplated and carefully manipulated before it is reborn to the world.
Mundane elements of
everyday life are appropriated to emphasize the act of making, portraying reality as it is subjectively experienced by individuals, insider groups and particular cultural arenas — each with their own
visual language.
Using the
language of pop art, one of the most relevant comparisons is how both artists have made work to reach a wide and popular audience, creating symbolic
visual languages through the use of
everyday objects.
Eric Glavin works with a palette of shapes and colours culled from the advertising and signage which constitute the
visual language of the
everyday.
About The Artist Documenting the
visual languages of the
everyday to expose overarching structures of authority, Barrada's projects interrogate ideas around bureaucracy, archaeology, authenticity and myth - making.
By reclaiming from design this familiar
visual language, Worthington suggests that the
everyday objects with which we surround ourselves can and should be re-assessed as beautiful; the sleek forms of modern design reflected in our home sound systems and desk chairs have been as carefully considered as the pediment of the Parthenon.
Cecilia Berkovic is a
visual artist and graphic designer who uses
language, found imagery and strategies of collecting and displaying to explore aspects of feminism, the
everyday, consumer culture, desire and queer identity.
She makes playful use of a palette of styles and
visual languages that ranges from Renaissance painting to modern art, combining them with
everyday observations and humorous references to pop culture and pornography.
The work of these photographers shares motivations and techniques with that of their predecessors, but departs and expands as well, establishing distinctly new
visual languages for the documentation of
everyday life and the found subject.
For more than two decades, New York — based artist Jack Pierson (born 1960) has been using the
visual languages of photography, painting, sculpture and drawing to examine intimate and emotional aspects of
everyday life.
The work of these photographers is united by their interest in the portrayal of
everyday life, and by their development of distinctive
visual languages within a documentary aesthetic.
Falcetta's paintings use a hybrid
visual and material
language to examine the
everyday world and the seams and shapes that hold his surroundings together — creating containers for distilling experience.
The
visual language of
everyday llife — cars, food, blue jeans, President Kennedy — rendered in a smooth, largely anonymous hand, allied him with other artists working in a Pop idiom.
Searching for a
visual language to capture the immediacy of
everyday life and the quotidian nature of his subject matter, Andrews developed his «rough collage» technique, combining scraps of paper and cloth with oil paint on canvas.
She was part of a group of artists working in New York in the 1980s — which included Jack Goldstein, Sherrie Levine, Richard Prince, Cindy Sherman, and Laurie Simmons, among others — that probed the
visual language of mass media and illuminated the imprint of ubiquitous images on our
everyday lives.