Sentences with phrase «everyone in the film from»

Not only are our two leads desperate for jobs, but everyone in the film from the group's lame mentor (Josh Brener, who can't seem to utter a sentence without throwing in the word «zizzle» for all his homies) to the perfunctory mean kid (Max Minghella) all act out of a sense of desperation that's nearly always far too pathetic to be funny.

Not exact matches

From writer's festivals and film festivals to satisfy arty singles, to beer festivals and food celebrations to please gourmet lovers, to the legendary Auckland Arts Festival that celebrates life in the City of Sails, there is something here to suit everyone.

But while the sequel benefits from Reynolds» superhuman charisma as the charmingly annoying, katana - wielding protagonist, the film nevertheless feels too much like more of the same: more of the same gross - out gags, more of the same irreverent jokes, more bits where Deadpool has to regrow severed limbs to the disgust of everyone around him, more running commentary on the movie he's in....

Despite the fact that «Ant - Man» is rooted in San Francisco, «Spider - Man: Homecoming» is an ode to the bridge - and - tunnel crowd, and «The Avengers» climaxes with a «Battle of New York» that looks curiously like Cleveland, all of these films still feel like glimpses into a parallel universe made out of plastic — a bizarro alternate timeline (complete with its own 9/11) where everyone has been reverse - engineered from their own action figures.

Two performances in Game Night stood out to me, which is an accomplishment, since everyone in the film gave memorable and entertaining performances from Magnussen's look of child - like wonder when he was right about something everyone else doubted to Horgan's quick wit and ability to quickly and naturally go from moments of honest laughter to moments of unforgettable deadpan.

In the final, incredible scenes at Candie Land, easily the peak of the film and some of the best scenes of the year, everyone on - screen is hiding something from Django pretending to be a mandingo expert to Broomhilda pretending she doesn't know him to Samuel L. Jackson's memorable turn as a loyal butler with plenty to hide.

There's little that happens in On Golden Pond that isn't thoroughly predictable from the start, but the film is blessed with so much star power, charm and honest sentiment that everyone in the audience is willing to ignore the cliches and go the distance.

I've mentioned that R2D2 does make an appearance; he does connect with Luke and shows him the Princess Leia hologram from the 1977 film that blew everyone away in which she states, «Help me, Obi - Wan Kenobi: you're my only hope.»

From the chart you can see that Jason is still the lone holdout in giving any votes for Selma as he believes that everyone is vastly overrating the film's strength.

And now you can get a look at the film that clocks in at over three hours long as the first US trailer has arrived showcasing the story of a small hotel owner, his wife (and her sister) who are at odds with each other as the winter weather becomes more fierce, forcing everyone into an inescapable, tense environment from which they can't leave as long as the snow keeps up.

Or it could just be that a film focused on Batman — even if he's in Lego form — is never going to be able to conjure up emotional memories from childhood (or parenthood) for everyone in the theater.

The film opens on Christmas 1947 at a party where affluent Palestinian woman Hind Husseini (Hiam Abbass, best known to Western viewers from The Visitor, though she also appeared briefly in Munich) interacts genially with everyone from the English hostess (a briefly seen Vanessa Redgrave) to an American soldier (slightly less brief Willem Dafoe).

It's a story I know backward and forward, as does just about everyone, so there was no reason to anticipate that I'd find myself so invested in the proceedings, but Branagh delivered a lovely film that looked gorgeous, had a strong script from Chris Weitz, and featured a wonderful cast, starting with Lily James as Cinderella and including top - notch performances from Cate Blanchett, Stellan Skarsgård, Richard Madden, Hayley Atwell, Ben Chaplin, Rob Brydon, Derek Jacobi, and Helena Bonham Carter as Cinderella's Fairy Godmother.

Clocking in at barely more than a minute in length, it features brief, eerie looks at the film, spliced together with famous quotes from everyone from Aristotle to Charles Manson about the overlap between paranoia, love, fear, and pain.

Augustus Waters from the film version of The Fault in Our Stars (2014) was given this title in a 2014 Vulture article, [36] in which Matt Patches stated, «he's a bad boy, he's a sweetheart, he's a dumb jock, he's a nerd, he's a philosopher, he's a poet, he's a victim, he's a survivor, he's everything everyone wants in their lives, and he's a fallacious notion of what we can actually have in our lives.»

The July 1st update to everyone's favorite streaming service was a fantastic one, loaded with classic films that range from «From Here to Eternity» to the franchise that made Sylvester Stallone a household name (just in time for the excellent «Creed» trailer to drop no lefrom «From Here to Eternity» to the franchise that made Sylvester Stallone a household name (just in time for the excellent «Creed» trailer to drop no leFrom Here to Eternity» to the franchise that made Sylvester Stallone a household name (just in time for the excellent «Creed» trailer to drop no less).

One of the criticisms of the second and third films was that everyone so busy saving Katniss, it took away from what made her so cool in the original Hunger Games.

The various behind - the - scenes documentaries are outstanding, with in - depth discussions from everyone concerned about the development of the film's groundbreaking effects and the ways they stretched Michael Crichton's source material into a trio of feature - length films.

He's been the subject of great films (Oliver Stone «s «JFK «-RRB- and bad ones (recent miniseries «The Kennedys «-RRB-, and been played by everyone from Cliff Robertson to James Marsden (in «Lee Daniels» The Butler «-RRB-.

AICN pointed out a press release today from MGM that lists a new RoboCop movie alongside upcoming franchise films already in development like Quantum of Solace, The Thomas Crown Affair 2 (with RoboCop director Paul Verhoeven on board) and everyone's favorite future films, The Pink Panther 2 and 3.

The film, which portrays in real time a boy growing up from six to 18, has struck a chord with almost everyone who has seen it.

Everyone from Seth Rogen to Jonah Hill were considered for roles in the film at one time, and in March 2014, following the death of co-writer and star Harold Ramis, original Ghostbusters helmer Ivan Reitman formally stepped down as director.

Everyone's favourite characters, much of the surreal narration (delivered with perfect dryness by Stephen Fry), and the original's distinctive theme music, are all present and accounted for — and in an age where CGI has become the slick new medium for special visual effects, an inordinate amount of physical modelling and creature puppetry have been used to give the film a refreshingly organic retro look, as though the crew from the original TV series had been lured back to their old tools by a much bigger budget.

But yeah, most everyone else is focused on the Oscars, and just in time for some last minute cramming for your Oscar pools comes two more nominated films: Chico and Rita, a hand - drawn musical from Spain nominated for Best Animated Feature, opens at the Seven Gables (John Hartl reviews it for The Seattle Times), and Bullhead, the Belgian drama nominated for Best Foreign Language Feature, opens at The Uptown.

Neeson gives a strong, assured performance as Felt, and in some of the film's best moments you can see the toll this leaking is taking on Felt, who has to keep it entirely from everyone he holds dear all the while Nixon's men and Gray are putting the pressure on Felt to find out who the leaker is.

A few weeks ago, I had a chance to talk to Joe and Anthony Russo about Avengers: Infinity War and how they were able to achieve everything that they did with the film including how they kept everything that happened in the film a secret from everyone including the actors.

Extras: Audio commentary from writer - director John DeBello, writer / co-star Steve Peace and «creator» Costa Dillon; deleted scenes; six exclusive featurettes: «Legacy of a Legend,» a collection of interviews, including comments from John DeBello, Costa Dillon, film critic Kevin Thomas, fans Kevin Sharp and Bruce Vilanch, future «Tomatoes» mainstay John Astin and actors Steve Peace, Jack Riley, and D.J. Sullivan, «Crash and Burn,» a discussion about the famous helicopter crash that could have killed everyone because the pilot was late on his cue, «Famous Foul,» about the San Diego Chicken and his role in the climatic tomato stomping ending, «Killer Tomatomania,» a smattering of interviews with random people on the streets of Hollywood about the movie, «Where Are They Now?»

Although there are several major contenders — from the likes of Quentin Tarantino, David O. Russell and Alejandro González Iñárritu — scheduled for release at the end of the month, the highly anticipated seventh installment in the «Star Wars» film series is what everyone will be talking about during the holidays.

This is a film set in a small town in which seemingly no one is free from moral compromise, and everyone acts according to their basest impulses.

There has also been no shortage of celebrity endorsement for what many are labelling «the most important Marvel film to date», as everyone from athletes in the NBA, to some of the biggest music artists in the world, and even members from the superhero universe in Captain Marvel's lead, Brie Larson, have contributed to the hype.

Not only does he provide some great entertainment and a well made film, but he also gets a fantastic performance from almost everyone in the film (the exception is Charlie Sheen, regretfully).

She's done fine work with everyone from Martin Scorsese (The Aviator) to Adam Sandler (Click), but the fact that she keeps returning to the tight leather outfits of the perplexingly enduring Underworld series (whose fifth film is due next January and sixth is now in development) suggests she isn't being offered better parts than a werewolf - slaying vampire.

You Don't Mess with the Zohan suffers more from having nearly everyone in the film a walking stereotype, and more often than not, goes for absurd sight gags rather than reveal underlying truths beneath the ostensibly deliberate social commentary.

Although certain scenes lack focus, the vibrant colors and themes of Coco are simply irresistible, and a companion short film starring Josh Gad and other cast members from Frozen is sure to put most everyone in a Christmassy mood.

As incoherent as his films tend to be, his ramblings are utterly hilarious, as he bounces from one conspiracy theory to the next, referencing John Paul Sartre to John Lennon and everyone in between as inspirations for his work.

And in a film like The Hobbit, where everyone is covered in makeup, it is this skill that helps keep the only recognizable star from being distractingly recognizable.

Weaver's presence (which, as everyone knows, has resulted in plans to make a new Alien film with Blomkamp at the helm) also calls to mind the failed 1983 arms dealer comedy from William Friedkin, Deal of the Century.

But because the deus ex machina here is not only evident from the start, and because the identity of the Rainmaker is glaringly obvious, then the conclusion to the film betrays everyone in the audience by only partially observing the rules of time travel set up in earlier scenes.

Beginning in the 1940s, the film shows how everyone from family members to the South African government pressurised the pair to separate.

It's also a film whose impact derives from something other than its story and characters — specifically, Wyatt Garfield's brilliant cinematography, which uses 35 mm, 16 mm and Super 8 mm film at a time when almost everyone in the entertainment business is shooting digitally; and the final lead performance by Anton Yelchin, who died last year in a freak accident.

Although a certain cameo appearance in Thor has been well and truly leaked on the interwebs, the recent snafu featuring everyone's favourite Australian film critic Jim Schembri makes this critic more wary of explicitly stating the who or why, but let's just say that a brief appearance by another character from The Avengers occurs and it isn't in the now - obligatory post-credit sequence featuring Samuel L. Jackson.

But everyone in this film, from the extremely well dressed Vicki Vale (Kim Basinger), to the sinister mob boss Carl Grissom (Jack Palance), are overshadowed by Jack Nicholson as the Joker.

Led by the late Bill Paxton in one of his best performances, some fine supporting turns from McConaughey, O'Leary and Boothe, a fascinating and tightly wound plot that never fails to fascinate and engage the viewer, Frailty is a film that is perhaps one of the prime examples of an «underrated gem» and I recommend that everyone at least give a watch at least once.

The two strongest contenders for Best Supporting Actress are Lupita Nyong «o, the frontrunner, and her challenger, Jennifer Lawrence, who steals American Hustle right out from under everyone else in the film.

Diehard football fans looking for two hours of the concussion battle will be disappointed, and everyone will be let - down by a fairly tame final half - hour, which somewhat negates much of the hard - hitting content from earlier in the film.

Everyone is based on something in Marvel lore, be it iconic comic book storylines or films and TV; Charlie Cox's Daredevil from the Netflix series is a playable character, as are Vulture, Killmonger, Hela, and «Gladiator» Hulk and Thor from movies like Spider - Man: Homecoming, Black Panther, and Thor: Ragnarok.

It's a film that could be put in front of anyone, right or left side, American or foreign, and you might have different reaction from everyone involved.

Alas, Weitz sympathizes too much with his target, making everyone in his film, from the Bush - like President to the Al Qaeda - like terrorists oddly likeable and endearing.

Its sole bonus feature is a 11 - minute making - of featurette which interweaves footage from the set and film itself with interview chats with Bateman, Kunis, Judge and producer John Altschuler, and Judge mocks his acting cameo in the movie and shares that his inspiration for Kunis» character was «a sociopath whom everyone happens to like.»

However, in the wake of spoofs done by everyone from Chris Rock to porno producers, the sequel to this cinematic innovator reached levels of suck only consistently seen in Uwe Boll's film repertoire.