Olivier Martinez, unable to disguise his French accent (
everyone in the film speaks English), nevertheless does fine work as Mauritius, the jailer of Paul, who is experiencing a crisis of faith because his daughter is gravely ill, and neither sacrifices and rituals honoring the Roman gods nor Roman doctors have helped.
Not exact matches
In between the admittedly excellent musical moments, no character in the film speaks except to deliver the exposition that moves the already thin plot forward, and the pace moves forward so quickly for everyone except Augus
In between the admittedly excellent musical moments, no character
in the film speaks except to deliver the exposition that moves the already thin plot forward, and the pace moves forward so quickly for everyone except Augus
in the
film speaks except to deliver the exposition that moves the already thin plot forward, and the pace moves forward so quickly for
everyone except August.
In Michael's world, and the world of the
film,
everyone speaks with the same voice (Tom Noonan), be it a boorish taxi driver driving him to his hotel, his ex-girlfriend, his son, his wife.
Just about
everyone in the
film takes a turn
speaking about suicidal thoughts, which happens often enough to make it noticeable and slightly irritating.
In fact, that leads to another aspect of the film you might find jarring, and that's everyone speaking in their native accent
In fact, that leads to another aspect of the
film you might find jarring, and that's
everyone speaking in their native accent
in their native accents.
I was more frustrated by the lack of Japanese language
in the
film though, because
everyone ends up
speaking in a jumble of accents.