Sentences with phrase «everyone in this film goes»

Not exact matches

Up until Goblet of Fire, the future of the series felt up in the air just enough to keep everyone on their toes: Newell's film and Prisoner of Azkaban went the extra mile to prove that they were necessary additions to the canos.

The Cabin in the Woods WOW it was a great film the actors and actresses are great the writers the directors, producers and everyone who was involved, The film has a understanding story im not going to give it away for anyone who has not seen it.

By no means can I promise that everyone will embrace this film, as its script is so problematic, and its strengths aren't particularly upstanding, but their subtle impact goes a long way in overcoming shortcomings through quality aesthetic and dramatic value which make this a worthy epic.

Two performances in Game Night stood out to me, which is an accomplishment, since everyone in the film gave memorable and entertaining performances from Magnussen's look of child - like wonder when he was right about something everyone else doubted to Horgan's quick wit and ability to quickly and naturally go from moments of honest laughter to moments of unforgettable deadpan.

There's little that happens in On Golden Pond that isn't thoroughly predictable from the start, but the film is blessed with so much star power, charm and honest sentiment that everyone in the audience is willing to ignore the cliches and go the distance.

The remake, which stars Luke «We Couldn't Get Chris Hemsworth» Bracey in the Keanu Reeves role and Edgar Ramirez as the guy who's going to remind everyone they're sad Patrick Swayze is gone, is now the fourth film set to open on Jesus» birthday.

The film feels incredibly personal to Webber as nearly everyone in the cast goes by their real name and his son in the film is played be his actual child.

Or it could just be that a film focused on Batman — even if he's in Lego form — is never going to be able to conjure up emotional memories from childhood (or parenthood) for everyone in the theater.

When this film ended everyone in the theater stayed silent for a minute and then started going «WTF».

There appears to be this new trend going on in movies right now: films where Christopher Walken plays the sane, rational voice of reason while everyone else goes batshit - crazy around him.

Going in, everyone knew that Harry Potter & The Deathly Hallows Pt. 1 would be the longest prologue in film history.

There is a lot going on in this film and while it might be considered «too out there» for everyone to enjoy, I think this film will hit big with the film festival crowd especially those at SXSW.

I was afraid to say something since «Made in Dagenham» seems like a film whose story everyone must love or something, but I'll go ahead and say it.

He isn't ever really mean about it, and besides, it goes both ways, and involves everyone in the film.

Things always go quiet in the film industry over the holidays as everyone takes one last break before the full onslaught of awards season campaigning.

A truly sensational dark comedy, I implore everyone to take time to go and see this film while it's still being shown in cinemas.

The trippiest film of the bunch is Corman's hippy apocalypse Gas - s - s - s (1970), a groovy satirical road movie set in a future where everyone over 25 is killed by an experimental weapon, and a group of peace - loving hippies goes looking for utopia amidst the fashionable fascists that have taken root.

In the film we see the Bondurant brothers, played by Tom Hardy, Shia LaBeouf and Jason Clarke, and the troubles they go through trying to run a «clean» moonshine business and keep the area wet, flowing with that beverage everyone enjoys.

Not only is this film going to be awesome everyone involved in the making of it is awesome as well I don't think I need to say «congrats Jason» because it's already a 10

James Mangold for caring about all the right things in his work and blessing us with Logan and Copland, Refn for Drive alone, Stallone for giving us Rocky and THE «Just keep going» monologue that everyone in the arts needs when they have that inevitable bad day, Joe Carnahan for being able to blend heart stopping action with character drama and Phil Joanou for making my favorite film of all time with State of Grace (1990)(I'd love a Cinephilia and Beyond piece on it someday...)

It's going to be the kind of film that has everyone talking when it finally lands in theaters.

You Don't Mess with the Zohan suffers more from having nearly everyone in the film a walking stereotype, and more often than not, goes for absurd sight gags rather than reveal underlying truths beneath the ostensibly deliberate social commentary.

It may be hard to wrap one's head around all the connections going on behind the scenes in Hell Baby, a film that feels as lightweight as the different podcasts almost everyone in the film has participated in.

The great Moira Shearer (The Red Shoes) plays one of his victims in the best sequence in the film, a photo shoot in the film studio that everyone but the poor girl knows is going to end badly for her.

The cosmic film centers on Peter Quill / Star - Lord (Chris Pratt), «a U.S. pilot who ends up in space in the middle of a universal conflict and goes on the run with futuristic ex-cons who have something everyone want.»

Cavill was also asked for his thoughts on the decision to keep Superman out of the film's marketing campaign, despite the fact that everyone in the audience already knew that the Man of Steel was going to feature:

The real drawing interest of the film comes through the intricate nuances caused by the conflicted loyalties for everyone in the know about what's going on, and the constant peril that the protagonist and antagonist are in during nearly every scene.

There is no question what DiCaprio goes through on screen is an endurance test, as it will also be with an element of the audience who may find themselves in a fight for survival just to get through what González Iñárritu and company have put on screen in a remarkable and challenging film that won't be for everyone.

Terrence Malick direction in this movie was pure brilliant, even when sometimes it dose get a little pretentious with some of the imagery, but all that aside, this is a beautiful film that's not going to be for everyone.

Of course, most people going into the film will know that Wallace would kill himself 12 years later, but rather than spend its time foreshadowing that event, Ponsoldt is more interested in the meeting of these two literary minds and examining the struggle of Wallace to retain his normalcy in the wake of being deemed «the voice of a generation» by seemingly everyone around him.

Mostly, though, the film puts her in situations which are humiliating rather than hysterical, and, worse, everyone around her (with the exception of dull Kristen Bell) has been ordered to go over the top with their grotesque characterizations.

That Gustave's portion of the film is framed in an aspect ratio of 1.37:1 (the standard of decades gone by) only heightens the idiosyncratic nature of the picture, a tactic sure to please fans and alienate most everyone else.

(In a clever subversion of an old trope, this film offers a small - town diner where a table full of gossipy old men — with Bruce Dern as their ringleader — pass judgment on everyone's comings and goings.)

Wherever Paddington goes, as we know from the earlier book and film, he charms everyone with his Aunt Lucy - isms (e.g., «If you look for the good in people, you'll find it») and helpfulness.

And like pretty much everyone in the world, I was amazed to hear the news in fall 2012 that Disney had acquired Lucasfilm and were going to produce new Star Wars films.

During my interview with Browning and Cornish, we talked about how everyone bonded off set while they filmed in Vancouver, their reaction to seeing the finished film, the many deleted scenes and will they be in a director's cut (they will), and what is their go to karaoke song.

But for all the eccentricity, the film feels unexpectedly personal in addressing experiences everyone goes through at some point in their lives.

The Creator (The «G - word» is never said in the film) has decided that his experiment with mankind has gone completely off the rails, as everyone is a poster child for the worse sins imaginable against the planet and themselves.

«Obviously it's a celebratory night for everyone in films and television, but I feel that what's happened tonight means that we're not going back,» she adds.

Danny Trejo is a genre icon who has been in hundreds of films in his career, having faced Michael Myers in Rob Zombie's Halloween and killed as one of the few to go against The Devil's Rejects among many others, but he reached a new level earlier this year with that hilarious Brady Bunch inspired Snickers commercial that everyone can't stop talking about.

Some cinema - goers were furious about the ending of this Oscar - winning crime saga, in which Javier Bardem's remorseless contract killer walks away scot - free having wiped out practically everyone in the film we care about, but the Coen brothers were being faithful to the spirit of Cormac McCarthy's bleak and beautiful novel.

Thanks to Brian, Tracy Day, and everyone associated with the Festival, it's also going to use theater, dance, film, and music to make science in our city sexy.