If the original classic wasn't around to support the sequel what would
everyone make of this film.
Not exact matches
«However, my intent in reaching out to Paramount with this request was to
make sure
everyone who sees this impactful
film knows this is an imaginative interpretation
of Scripture, and not literal.»
If you're
making a short
film, and you want to illustrate a society that's falling into tyranny, you can just cut away to a scene
of a pile
of books burning, and
everyone will know exactly what you meant.
When I
made it for a large group
of chefs, foodies, nutritionists, dietitians, a marketing maven, art director and budding
film school student,
everyone wanted to know about the recipe and the nutritionist and the dietitian were torn between who was going to get to take the leftovers home.
Everyone is making fun of River Plate after the humiliating score last weekend, everyone including «adult film» TV station Venus
Everyone is
making fun
of River Plate after the humiliating score last weekend,
everyone including «adult film» TV station Venus
everyone including «adult
film» TV station Venus Channel.
not really
making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse
of Enkes personality during a
film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players
of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite
of Hannover
of course, people will be enthousiastic again, but there is the idea
of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind
of appeal for
everyone to reflect the important things
of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but
of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind
of human wake - up call, at least a call and then you continue
It has something for
everyone, and it's the kind
of film Hollywood should
make more.
Despite the fact that «Ant - Man» is rooted in San Francisco, «Spider - Man: Homecoming» is an ode to the bridge - and - tunnel crowd, and «The Avengers» climaxes with a «Battle
of New York» that looks curiously like Cleveland, all
of these
films still feel like glimpses into a parallel universe
made out
of plastic — a bizarro alternate timeline (complete with its own 9/11) where
everyone has been reverse - engineered from their own action figures.
This is the definition
of an indie
film making its way into the mainstream and I must warn that it's not going to be for
everyone.
The
film's thought - provoking underpinnings, combined with an outstanding performance by Kristen Wiig,
make this a captivating view, even if it's not necessarily
everyone's cup
of tea.
Therefore, the
film «Creation» (which should have been called «Evolution,» given its proper nomenclature) only confirms what I already knew to be true: that in the end,
everyone must
make their own «leap
of faith» toward some belief, be it based in science, religion, perceived facts, or the scriptures themselves.
Alda later continued to
make his mark on audiences with his more accustomed nice - guy portrayals in
films such as Manhattan Murder Mystery (1993),
Everyone Says I Love You (1996), Flirting With Disaster (1996), and The Object
of My Affection (1998).
The contributions
of everyone involved in this
film makes me both excited and depressed.
Skateboarding aficionados will no doubt find the most to like here, as well as those who enjoy slice
of life
films about the 1970s, but
everyone else is perhaps better off sticking strictly to the aforementioned Dogtown and Z - Boys to understand just what
makes Peralta's story worthwhile.
But it was her role in last year's
film that
made everyone take notice
of her acting talent.
DVD Extras
Making Of, Shane Meadows interview, illuminating commentaries involving nearly
everyone involved, pretty poor deleted scenes, two text - only essays about the
film's themes - very good value for money.
Josh Trank is best known for directing the 2012
film «Chronicle» and that movie was a smallish movie that Trank had a lot
of freedom to work on with and at least there wasn't any studious coming in and changing things and
making it really hard for
everyone else.
While not for
everyone, this is a
film that gradually reveals just how dark it is and will
make audiences squirm with each reversal
of who's in control
of this chaotic situation.
With an uphill battle
of a backstory (HBO, Steven Spielberg and Rachel Weisz were all involved in the project at one point before backing - out), it's a testament to
everyone involved that this
film got
made.
The lineup for this year's Cannes Film Festival (or as they call it in France, Festival de Cannes) has been announced and it is robust with Oscar bait, highly - anticipated premieres, star - studded features, and a lot
of foreign and obscure
films that if watched, will
make you feel cinematically superior to
everyone else.
13 Hours: The Secret Soldiers
of Benghazi embodies about what you'd expect out
of a marriage between the political firestorm that is Benghazi and Michael Bay, the action director
everyone seems to love to hate, despite the fact his
films make hundreds
of millions
of dollars.
By now, this burly, seething musk ox
of a movie, arguably the most convincing
film about the Middle Ages ever
made, should be on
everyone's tongue.
The Internship feels every bit like it's
made by the same slackers that the two stars represent themselves as being within the story itself, and like their occupation
of guys who hock merchandise for a living, this entire
film could be said to be a nearly two - hour commercial venture meant to sell Google and a few other companies (University
of Phoenix and Match.com are mentioned prominently by name) on the minds
of nearly
everyone in the audience.
The weekend takes a terrifying turn when a meteorite crashes the party forcing
everyone to face the darkest, screaming extraterrestrial nightmare imaginable... The Gracefield Incident is written and directed by up - and - coming filmmaker Mathieu Ratthe,
making his feature directorial debut after a number
of short
films previously.
One
of the criticisms
of the second and third
films was that
everyone so busy saving Katniss, it took away from what
made her so cool in the original Hunger Games.
In a sense, it would seem like having all
of these egos is a small - time
film might work against the production, but by all appearances,
everyone put in their best effort in
making this
film work, with what must have been a sparse crew and few takes allowed for every scene.
The rest
of the DVD includes a commentary with the
film's co - writers / directors Friedberg and Seltzer (who continue to showcase their lack
of humor), a separate audio track («Breaking Wind») with additional fart and burb sounds, several featurettes
of the cast / crew riffing on - set («
Everyone Loves the Beaver,» «Epic Porn,» «Hot or Not,» «What
Makes Aslo So Irresistible?»)
The movie stands with «The Remains
Of The Day» (1993), «A Room with a View» (1985) and «A Soldier's Daughter Never Cries» (1998) among the best work by the team of director James Ivory and producer Ismail Merchant, who between 1961 and Merchant's death in May 2005, made a series of films that could be described as «Merchant - Ivory» and everyone would know what you mean
Of The Day» (1993), «A Room with a View» (1985) and «A Soldier's Daughter Never Cries» (1998) among the best work by the team
of director James Ivory and producer Ismail Merchant, who between 1961 and Merchant's death in May 2005, made a series of films that could be described as «Merchant - Ivory» and everyone would know what you mean
of director James Ivory and producer Ismail Merchant, who between 1961 and Merchant's death in May 2005,
made a series
of films that could be described as «Merchant - Ivory» and everyone would know what you mean
of films that could be described as «Merchant - Ivory» and
everyone would know what you meant.
When a new director casts himself as the lead in his own
film,
everyone kind
of assumes that a fair piece
of arrogance and selfishness is at play, especially when that lead role happens to have him
making out with attractive ladies for most
of the running time.
It
makes sense for a
film that will see Earth's mightiest heroes taking on Thanos (Josh Brolin), a fight that requires
everyone from the Guardians
Of The Galaxy to General Okoye (Danai Gurira).
The
film chronicles the world's largest man -
made disaster, which occurred in 2010 on the Deepwater Horizon in the Gulf
of Mexico, and honors the brave men and women whose heroism would save many on board and change
everyone's lives forever.
Everyone from Omar Little
of «The Wire» to Tony Soprano
of «The Sopranos» have familiarized audiences with the genre's tropes so much so that much
of the
film's runtime comes with few surprises,
making for an elongated ending to Seal's entrepreneurial smuggling empire.
Not only is this
film going to be awesome
everyone involved in the
making of it is awesome as well I don't think I need to say «congrats Jason» because it's already a 10
James Mangold for caring about all the right things in his work and blessing us with Logan and Copland, Refn for Drive alone, Stallone for giving us Rocky and THE «Just keep going» monologue that
everyone in the arts needs when they have that inevitable bad day, Joe Carnahan for being able to blend heart stopping action with character drama and Phil Joanou for
making my favorite
film of all time with State
of Grace (1990)(I'd love a Cinephilia and Beyond piece on it someday...)
As such, the
film goes out
of his way to
make this non-character beloved by
everyone.
In a year that, for better or worse, British
film made a fair amount
of noise on the international stage (for every An Education there was a The Boat That Rocked), Andrea Arnold's staggeringly good second feature demanded that
everyone just shut up and listen.
The subject matter
makes this a
film that isn't for
everyone's tastes, but the moments
of brilliant filmmaking and moving storyline
makes this a must - see for those in the mood for an engaging biographical tale with a heap
of style.
In The Future, writer / director / star Miranda July indulges in the same wayward malaise
of her previous
film, Me and You and
Everyone We Know, but, somewhat ironically, the focus on the uncertainty
of «what comes next»
makes this one seem a lot less scattershot.
Susanne Bier
makes films that
make audiences feel uncomfortable, and they may not be
everyone's cup
of tea.
But in the mid-credits scene
of the
film, we saw that Thanos was about to board the Asgardian ship,
making everyone wonder what type
of carnage would follow.
The
film's story spoofs the music industry as it unwinds its loopy tale
of a rock kingmaker (Roddy McDowall) and the girl - boy singing duo he plans to rocket to the top
of the charts by
making them
everyone's favorite romantic pair.
«Women writers and directors have to start documenting the truth
of female lives,» says Gerwig, who jokingly calls herself «The Lady Clint Eastwood» in the hopes that she'll be
making films for as long as the 87 - year - old has, and admires the work
of other female directors such as Kelly Reichardt (Certain Women), Rebecca Miller (Maggie's Plan) and Miranda July (Me and You and
Everyone We Know).
Sure, Tony Mendez was also involved behind the
making of this
film and his wife, Jonna even chimed in on who would represent her husband Antonio on screen, «Tommy Lee Jones... But now
everyone is too old.
Not many people would have been willing to wager before the start
of the summer movie season that «The Avengers» would emerge as the best superhero
film of the year (especially with «The Dark Knight Rises» still to come), but Marvel's big gamble proved
everyone wrong,
making beaucoup bucks at the box office on its way to becoming the third highest grossing movie
of all - time.
It's not giving too much away to note that not
everyone we meet will
make it to the end
of the
film.
It's too long, descends into a riot
of silliness towards the end and sometimes takes the easy road
of making people laugh by just getting
everyone to shout a lot but it's still one
of the funniest
films of 2013.
Thank you to
everyone involved in
making such an enjoyable
film and for staying true to the heart
of the book.
Weaver's presence (which, as
everyone knows, has resulted in plans to
make a new Alien
film with Blomkamp at the helm) also calls to mind the failed 1983 arms dealer comedy from William Friedkin, Deal
of the Century.
It's not for
everyone - consider yourself warned - but there's no denying that this is a well -
made, well - acted
film loaded with satirical subtext, particularly about America's distribution
of wealth.
The sequence, fittingly titled «Belle,» features Watson as the titular character, fleshed out by the townspeople,
made up
of the
film's chorus, who — like the townspeople in the animated version — don't understand why Belle is all about the books, and not about acting like
everyone else.