Everything about this film oozes class; the 60's setting is beautifully captured with it's attention to detail and strikingly rich photography by Eduard Grau; the slow motion scenes with overbearing sound effects; the subtle changes of colour saturation providing an excellent technique in developing the mood and feeling of Firth's character and a fitting soundtrack to accompany the lush imagery.
Give credit to Soderbergh for not turning a thoughtful science fiction story into some Hollywood - ized roller coaster ride or tacking on some ridiculous ending to try to
explain everything about the film.
Everything about this film just gives off a creepy vibe from the introduction of this creepy doll named Annabelle to the youngest child, who is constantly playing with this old - fashioned jack in the box with a mirror attached to it.
Guardians of the Galaxy (Disney, Blu - ray + Blu - ray 3D, DVD, VOD) is based on one of the more obscure Marvel Comics to get the big screen treatment, but
everything about the film suggests a filmmaker trying to recapture the sense of energy and color and sheer fun of Star Wars and the pop space opera.
Ricki and the Flash Rated PG - 13 for thematic material, brief drug content, sexuality and language Available on DVD and Blu -
ray Everything about this film says it should have been a hit.
At first
glance everything about this film spells Oscar consideration (Brolin was nominated for his work on Milk, Reitman is a four - time nominee and Winslet is of course a winner and six - time nominee) and yet no nods were forthcoming this year and, frankly, it's not hard to see why.
Everything about this film screams excess, from the ludicrous two - and - a-half hour running time to the whopping scale of the action sequences to Johnny Depp's bizarro costume.
Everything about the film and the characters in it is a throwback, and purposefully so: From their clothes (can anyone please direct us to where we can buy Stone's below - the - knee backless dresses?!
Everything about this film is so iconic!
Everything about this film is poorly done, from start to finish.
Everything about this film, from the title to the metaphors, remains cloudy.
From the film's sexually - charged yuks to its perfunctory romance and Animal House - style college conflicts between wild and crazy party monsters and stuffy, obnoxious administrators bent on shutting down their fun,
everything about the film is recycled for your viewing pleasure — even director Todd Phillips has mined similar territory before with his last film, Road Trip.
Everything about the film is undefined and never - lasting.
Everything about this film is subtle and understated but all the more brooding and effective for it.
Everything about this film is woefully undercooked, from the story, to the acting, to the visual effects, which look photorealistic in some scenes and unpolished in others.
Everything about the film is first - class: Benoit Delhomme's cinematography, John Paul Kelly's period production design, Johann Johansson's score, and the contributions of such fine actors as David Thewlis, Emily Watson, Simon McBurney, Charlie Cox, and Maxine Peake.
In true Anderson fashion,
everything about this film feels organic, from the production design to the use of colors and costumes.
From the thumping drum of Iggy Pop's Lust for Life which launches the film, it's uniquely comic yet bleak portrayal of junk addiction, to the simple yet brash mugshot poster,
everything about the film screamed iconic.
Everything about this film is memorable, the characters, the quotes... oh the quotes, there are too many to list.
Along with the terrific beginning,
everything about this film is breathtaking except the meaningless script that essentially gets in the way of the overall enjoyment of the film.
Everything about the film is top notch and the supporting actors are great; but the film is owned by Mikkelsen (Best Actor Winner at Cannes) who is onscreen for nearly every second.
I can't tell
you everything about the film, but it's a live action, sort of classic re-telling of the classical animated story.
Everything about this film is so distinct and unique it defies description or definition.
Everything about the film is engineered to make you weep and weep we all did.
To me the tagline tells says
everything about the film and sums up what I, along with the main character, will be feeling while the story unfolds.
Everything about this film is incredible: fleshed out characters, actors, visuals, story, music, etc...
Everything about the film is outsized, unrealistic and hyperbolic: the vibrant Technicolors, sweeping camera movements, hysterical acting, and every scene is charged with emotion.
Everything about this film felt off putting, but the film's fatal mistake is that instead of focusing it on, you know the great love of the rich society girl Cecilia and her poor handyman Robbie (James McAvoy) who apparently went to college because Cecilia's father paid for it.
From the perfect production design and washed out look, to the cast and lead performance by Oscar Isaac (who I will be rooting for to get the Oscar) as folk musician Llewyn Davis, to the amusing but tragic story at its core,
everything about this film is near perfect.