Sentences with phrase «everything about this film feels»

In true Anderson fashion, everything about this film feels organic, from the production design to the use of colors and costumes.

Everything about the film feels like it has been intensley, carefully planed and executed, which hsd resulted in something wonderful.

Final verdict: While a fairly decent watch, everything about this film feels average and lazy.

Even by the standards of our age of appropriation, when works of art cannibalise each other as a matter of course, everything about this film feels dated and second hand.

Not exact matches

Everything about this film moves at a very solid pace and you feel like it is giving you a slice of life at this moment in their lives.

It's about how you personally feel after you are presented with everything the film throws at you.

It feels like only yesterday that we were talking about the best films of 2011, and yet here we are, nearly at the end of June, and we've seen pretty much everything that the first half of the year has to offer.

Everything about this film oozes class; the 60's setting is beautifully captured with it's attention to detail and strikingly rich photography by Eduard Grau; the slow motion scenes with overbearing sound effects; the subtle changes of colour saturation providing an excellent technique in developing the mood and feeling of Firth's character and a fitting soundtrack to accompany the lush imagery.

A film without significant highs or lows, everything about The Martian feels in - between, like a narrative waiting for its spark.

Of course, everything about «Pompeii» feels half - assed — from its bland romance, to its terrible dialogue, to the worthless addition of 3D — and though it's slightly better than last month's «The Legend of Hercules,» the film is still a pretty miserable viewing experience.

This is my third year writing about the Toronto International Film Festival with film editor A.A. Dowd (our dispatches will run on alternating days), and right now everything feels out - of - whack: On the flight, where I sit behind a snoring guy with a Viking topknot and steroid acne and across from a fiftysomething...

Everything about Neighbors 2 feels like you saw it already, because you did, but the reason the first film was so well - received is because the gags really worked, and so seeing them again with very slight variations is still pretty amusing a lot of the time.

itself, Kameron, you wrote that it was «the kind of movie that makes me want to avoid the internet for a century,» which makes me curious about how you and the rest of the gang have approached writing about tricky films in a moment where everything feels polarized between «this movie will save mankind!»

Writer - director Mike Mills («Beginners») creates feelings and moments, and in turn, he and his cast conjure a film that's as much about nothing as it is about everything.

But I'm the first to admit that I haven't seen everything, so I'm going to start including just title and basic info for films that I've heard positive things about but haven't seen myself; if you have seen a film that's listed without a blurb, please feel free to write a little blurb and either send it to me (faithx5 AT gmail DOT com) or post it in the comments, and I'll include it for any future showings of that film, credited to you.

The new film feels like a capstone, a summation of everything Diaz loves about and finds so profound in Dostoevsky, a transmutation of the writer's melodramatic genius into grist for his more distanced, more emotionally chilled films.

The studio, though, is reportedly hoping Chase's film will headline its 2012 campaign, with specific mention from Deadline for James Gandolfini, reuniting here with his «Sopranos» helmer as «a post-war, post-Depression Era parent who has worked hard to give his son everything he didn't have but now feels some jealousy about the free - wheeling life the boy gets to experience.»

To be honest, just about everything in this film feels contrived.

The film - maker who both wrote and directed the film, which has a star - studded cast led by Kristin Scott Thomas and Timothy Spall, said everything about it was a «political statement», including its Jerusalem soundtrack and that it had been driven by «the feeling that people were losing political life.»

The film feels achingly quirky and the third act is about as clumsy as it gets to resolve everything.

It's Ozu's unique way of bringing realism to a film that allows for such speculations: despite his unusual editing style, tatami - level camera placement and generally fixed camera (though it moves more here than in any Ozu I can recall), everything in an Ozu film feels real: people talk like normal people about normal human issues.

From the acclaimed Icelandic author of Absolution, The Journey Home (now about to start filming under Liv Ullmann's direction) and Walking into the Night: a haunting collection of thematically linked stories that encompasses the twelve months of a year, capturing the most candid moments between lovers, husbands and wives, parents and children — when truths and true feelings surge to the surface and everything changes.