Sentences with phrase «everything out of painting»

Whereas the point might have once been to drive everything out of painting, to make it be only about the paint, the tide has long since turned.

Not exact matches

The franchise cost of building out includes everything from paint and furniture, to signs, line feeds for plumbing and electrical, lighting fixtures, and everything else in between.

Everything from medicines, bleaches, oven and drain cleaners, paint solvents, polishes, waxes and other toxic items should be kept out of reach, behind a secured latch cabinet or drawer.

«We posed a big threat to the established parties and they clubbed together and did everything they could to throw mud at us and abuse us... This attempt to paint Ukip out as a bunch of old men with problems about the world frankly doesn't bear comparing to the truth.»

A very important point in this book is to get all chemicals out of your house; cleaning supplies, paint, everything.

It is highly pigmented, which allows for that, but it will stick to everything, so wear disposable gloves and use a container to paint out of that you can toss out.

We have beautiful oak cupboards in our kitchen, and even though the latest trend is to paint everything in your house white (that feels kind of like a hospital to me, but I will admit it looks quite lovely in some of the pictures I've seen), with pull out shelves in some of the cupboards and a floor - to - ceiling pantry with pull - out shelves.

We need to empty everything out of the what will be the nursery and paint the room.

For a film which makes a big deal out of being zany and unpredictable, everything's very much paint - by - numbers — even the gross - out SFX and bloody fight sequences.

Does it assume that everything in the car is basically in perfect condition, just old, or does it assume the normal kind of wear and tear a well maintained car of that age would have, like small oil leaks, worn out shocks, minor dings and dent or slightly faded or oxidized paint, etc...

In fact, the kind of bottega Ghirlandaio ran was antithetical to everything Michelangelo stood for: it was an art factory, turning out panel paintings and frescoes almost like an assembly line, with apprentices and assistants suppressing their own individuality in order to produce a uniform product.

The end result is that text reads as if you were out of a magazine, an effect enhanced by the fact that everything from photos to webpages appear as if they're painted on top of the display.

Armstrong had done everything right — she painted the house inside and out, staged the basement so that it became more of a family room than a toy - littered play room for her six - year - old twins, and even moved the kids and her three dogs out of the house for almost a month so that the home retained its showplace feel.

Deck out your squidling from an enormous collection of visual and gameplay altering equipment followed by heading to the various stages with the goal to cover absolutely everything in beautiful paint, available for the Nintendo Switch.

This read really gave me a out of the box view on Nintendo these past few years, this opened my eyes on why Nintendo gets criticized so massively and even by me myself but I never realized and held the actual developers accountable for negativity going Nintendos way, though They brought some on their own, games are what matter when it's all said done, and sadly this shovel ware paints a bad picture for Nintendo and says a 1000 awful words, hopefully Nintendo can prove why their the timeless warriors of the gaming industry staying to their roots and doing everything they do fir the loyalty of gaming, us real gamers who aren't just interested in blood n gore though I do like it, it's just now what it's all about but innovative games that can grab hold of any aged gamers, this read should be spread around, good shit

They give you that extra push to plough through some of the repetitive combat scenes you are bound to encounter numerous times, just so you can unlock new party members and once you do the combat gets a fresh coat of paint again until you have seen everything that character has to offer, and you want to go out and recruit new ones.

This is made up by a low punishment for dying, with Mario basically respawning on the spot rather than being chucked out of a painting and having to do everything again.

Immediately upon arrival the area is empty with no signs of paper life and Mario discovers that the paint has been sucked out of almost everything!

I might drop the real colour of the object in favour of something I want instead; so, for example, a cloth that might be blue ends up being something quite else in the painting... Everything I do is related to something out there, but I usually have an idea for a painting before knowing how the seen thing, the motif, can be used for making the painting.»

They were eccentric shaped canvases made out of doors and still wall based, but breaking out of the rectangle... Everything about Braque was the antithesis of good painting, which was loose - limbed, open and daring.

She uses odd humor, interior logic, and palimpsest - like surfaces — evidence of her working everything out on the canvas, to create paintings of abstract characters in imaginary worlds.

Piet Mondrian worked out a composition with tape in place of paint, while Robert Rauschenberg, ever on the hunt for new materials, threw in everything but the kitchen sink.

But this show at Mary Boone has a different context: Everything is a combination of fluorescent as well as black light, so it brings out the fluorescent and the oil paint.

I think this work looks kind of plain because Frank Stella was really getting to the basics of painting, and he's trying to really narrow it down to see, if I take out almost everything, can I still make a picture?

The night makes a painting out of everything.»

Conrad Bakker's painted panel reads, «Liquidation Sale / Going Out of Business / Everything Must Go.»

While the Museum is closed and secure, our collections team and installation crew work into the night to get everything de-installed, cleared out, and ready for the new group of paintings to be brought up and installed in the galleries.

Everything in this art wells out from bodies — as Kerry Downes noted in his 1980 study of Rubens, «space in his paintings exists between and because of objects and not independently of them»...»

Based in Youngin, South Korea, Kim is an artist and illustrator who also happens to love creating unique animal characters out of a range of materials including everything from polymer clay, fabric and nail polish to aluminium wire, brass tubing, acrylic paint and polyester.

The specifics of the painting, how the form and color interact, play out in the process and reveal themselves only when everything is completed.

Spanish collective Barruntando creates adorable, hand - painted characters out of clay, including everything from foxes and sloths to crocodiles and bats — all available from its charming Etsy shop.

In other words, everything the foundation has spent in New Orleans has come out of its own deep paint - stained pockets.

At the same time, the American scene was equally hostile to us because if, as we thought, to make an authentic gesture without any a priori idea of how it would turn out, was the real gambit, then everything — «hard - edge» abstraction with its ideology, Social Realism with its ideology, regionalism with its ideology, landscape painting with its sentimentality, portrait painting with its class background, anything you could imagine — was equally threatened by our premise.

Oil paint is the most fantastically malleable substance: once you've figured out how not to turn everything into a sludgy grey, oil paint remains wet long enough for endless changes of mind, and because of the way the pigment is held in the oil, it is beautifully luminescent.

In March 2004, at New York's Armory Show, the gallery sold everything on the opening day; this included work by a new artist to the gallery and recent graduate, Raqib Shaw, whose first solo show in London of eighteen drawings and five paintings, stemming from the work of Hieronymous Bosch and priced up to $ 20,000, had previously sold out.

115, No. 4 Bui, Phong «Artists to Artists», Volume 2, 25 Years of the Marie Walsh Sharpe Space Program Mason, Isabella «Katie Bell at Locust Projects, Miami», Blouin ArtInfo, Nov. 4th Kaiser - Schatzlein, Rob «Katie Bell's Miami Breakthrough», Two Coats of Paint, Sept. 23 Saltz, Jerry, «Never Has My Breath Been Taken Away Like It Was at Knockdown Center» Vulture, June 16 Final Fridays, Artist Interviews Podcast, Episode 17 2015 Namesake, «Namesakes: Katie Bell», Oct. 19 Montem Magazine, Issue # 5 (Tokyo, Japan) Pini, Gary, ’10 Must - See Art Shows Opening this Week», Paper Magazine, Sept. 23 Salama, Cecilia, «Artist Katie Bell Will Pull the Rug Out From Under You», Opening Ceremony Blog, Sept. 24 Johnson, Paddy, «This Weeks Must See Events: Butch Queens and Dykes in Brooklyn, Regular Queens Has Everything Else», Art F City, Sept 21 Butler, Sharon, «Revitalization by Contamination», Two Coats of Paint, Aug. 2 Mullis, Sidney, Maake Magazine, Featured Interview, Fall 2015 2014 BRIC Arts Media, «BRIC Biennial: Volume 1, Downtown Edition», Sept 20 (Exhibition Catalog) Steele, Marjorie, «Reconstructing History: Artists Create Community inside Site: Lab», The Rapidian, Sept. 21 Konau, Britta, «Gouge, Break, and Hammer», The Portland Phoenix, June 25 Eastabrooks, Erin, «The Home - Wrecker: Interview with Brooklyn Artist Katie Bell», SHK Magazine, May 19 Scott, Megan, «18 Under 37 ″, Knox Magazine, Spring 2014 Toomer, Helen, «How Art World Insiders Started Their Must - See Collections», Refinery 29, March 25 Galgiani, Allison, «Artist FlashCards: Why Katie Bell is Boss», Bushwick Daily, March 26 Kimball, Whitney, «Color Wheel: Katie Bell», Art F City, March 12 New American Paintings, # 110, Northeast Edition, March 2014 Bell, Katie, «IMG MGMT: Katie Bell, How We Met», Art F City, Jan 8 «The Form», Viewpoint Magazine UK, No. 33, p. 162-163 2013 Smyth, Cherry and Jost Münster, «Limber: Spatial Painting Practices», Sept. 13 (Exhibition catalog) Katz, Samantha, «Material», Gallery Glass, Episode17, Sept. 17 Steinhauer, Jillian, «Art Rx», Hyperallergic, Sept. 3 «Material», Time Out New York, August 27 Sculpture Center Tumblr, Featured Artist, «Katie Bell», April 22 Cole, Lori, «PAINT THINGS, Beyond the Stretcher», Critics» Picks, Art Forum, March 26 Johnson, Paddy, «8 Great Brooklyn Artists Under 30», The L Magazine, March 13 - 26, Vol.

Augaitis's artists have raided the junk piles, warehouses, hard ware stores and toy boxes of modern industrial culture, pulling out hospital sheets, toilet seats, crowbars, Cheerios, things that go squish and everything else you can think of, except the high art stuff of oil paint and marble.

Its sole inhabitant is an oversized, gray female nude outlined in black (as is everything else in the painting), and usually seen from behind, a character Dunham described best when he said — in a 2009 interview in the Brooklyn Rail — that «[i] t was like the doctor deciding to make a female version of Frankenstein out of spare parts.»

You want the overall tone of your painting to seem believable, as if everything that's happening is all part of one single thing - like it looks out there.

Edgar's paintings have the aura of an act of faith, in which everything is left out except what is risked.

The stands that shone out across the main section tended to focus on just on one or two artists (painting, drawing and sculpture by Gary Hume RA at Sprüth Magers), or, more inventively, brought together lots of artists under one particular curatorial treatment (a playful recreation of an artist's atelier at Hauser & Wirth's stand, whose floors and walls were filled with everything from Louise Bourgeois to Phyllida Barlow RA).

I always destroy the work if anyone looks passive» — L. YIADOM - BOAKYE «I want the work to be pulled out of the air somehow, to play God and exploit that power of creation in paint» — L. YIADOM - BOAKYE «It's not a person, it's not a portrait; it's a painting, and everything that goes on within it qualifies the other elements» — L. YIADOM - BOAKYE The centrepiece of Lynette Yiadom - Boakye's major 2012 exhibition Extracts and Verses at Chisenhale Gallery and subsequently of her Turner Prize show in 2013, Bound Over to Keep the Faith is a monumental and compelling vision.

Excerpted from Wanting Fewer Things but Reaching Out for Everything: Pockets of Accumulation: The Recent Paintings of Russell Roberts.

She has kept herself out of the process — or out of everything but images, marks, and the very thought of painting as a process.

JM: In each painting there's a feeling of different times of day, shadows move, the light changes, everything is shimmering, dissolving, coming into and dropping out of focus.

The utopian promise of these «everything is perfect» paintings leave out a lot of the actual history of America's foundation.

ONLY half of USA oil imports goes into gasoline fuels, the other half makes PLASTICS: Your carpet, paint, almost everything you own (that isn't REAL leather, wood, or metal)- is most likely made out of toxic petroleum oil that offgases dioxin and a mess of other problems such as oil wars - even your plastic toothbrush you clean your mouth with is made out of petroleum oil.

For the most part, the press do not paint a pretty picture of these ex-wives, and have added fuel to the ever - burning fires of the «scorned woman» being out for everything she can get.

I luv the look of chalk paint, but the price places it a bit out of my reach for everything.

I'm about to pull everything out of my living, dining and kitchen and finally get it painted so it will be a few weeks before I decorate for Fall.