Sentences with phrase «everything seen in this film»

The situation in which our protagonist finds herself, and all the characters that surround her, everything we see in the film, I would say is deeply rooted in the Russian cultural tradition and the mythology of the place in literature.

Not exact matches

Although it is entertaining to see whether the restaurant manager will try to dodge the reporter — yes, a manager was caught on film running away and hiding behind a wall — or lie about what happened, it's everything Van Warner says to avoid doing in a crisis.

Ive seen everything i needed to see in his film against miami and UV.

This isn't the same as the rotating cameras seen in the likes of IndyCar and MotoGP (and occasionally trialled in F1), but the kind that films everything at once.

Two years later, he could be seen in another high - profile, politically tinged thriller, this time opposite Denzel Washington in director Jonathan Demme's remake of The Manchurian Candidate.In 2005 he made his directorial and screenwriting debut with Everything Is Illuminated, and appeared in the critically acclaimed, Golden Globe - winning HBO movie Lackawanna Blues, a life - affirming film about a selfless black woman (played by S. Epatha Merkerson) in 1950s segregated New York who provides a home and a guiding hand to the youths who come to live at her boarding house.

«Calvary» stars Brendan Gleeson and Chris O'Dowd in this strange film both written and directed by John Michael McDonagh, At the outset let me say that I am a huge Brendan Gleeson fan and appreciate and respect almost everything in which I've ever seen him perform.

While Harlin's big action sets in other films like Die Hard 2 suffered from an unfortunately dated sampling of CGI, everything you see in CutThroat Island has been constructed — and destroyed in grand fashion.

A twist in the third act adds a meta and surprisingly emotional spin to everything we've already seen; in a film industry littered with projects explicitly capitalizing on moviegoer's nostalgia, The Lego Movie gets there with efficiency and a relentless, consistently endearing good humor.

That crazy mask in the photo above was also in teaser, but we have no clue why or what or any of that, but suffice it to say, if you've seen any of Don Coscarelli's films, you know to expect any - and - everything.

Unfortunately, for the rest of us, it's everything we've seen before, and better, in films like those and countless others.

We don't see many films filled with grand, cinematic vistas from foreign lands, and in that regard The Way Back fulfills a much ignored genre in this age of virtual - everything imagery.

Not everything he's made has been a hit, but the last few years have seen Nicholas Stoller establish himself as one of the more reliable comedy directors in the business, with films like «Forgetting Sarah Marshall,» «The Muppets» (which he co-wrote) and «Get Him To The Greek.»

For this follow - up, recorded at the 2012 Toronto Film Festival where I saw the film for a second time (reviewed here), I decided to go all out and talk in - depth about the movie, with spoilers and everything.

And while the last 15 minutes are made up of some of the weirdest, most insane shit I've seen in a movie this year, it's all undone by everything that came before it — there's no meaningful build up and it lessens the impact of the film's final moments.

During the Apollo lunar missions between 1968 and 1972 all of those on board were given 16 mm cameras and asked to film everything they saw, in space and on the surface of the moon.

There is so much money on the line with this film — especially considering that parent studio Lionsgate bid a reluctant farewell to the «Saw» franchise only a little over a year ago, and could use another cash cow — and yet nearly everything about its execution flies in the face of standard Hollywood protocol.

There's little doubt, as well, that Shyamalan's expected emphasis on stylish visuals plays an integral role in confirming the film's mild success, while the story's coda is nothing short of jaw - dropping in its unexpectedness and audacity (ie it forces the viewer to rethink and recontextualize everything they've just seen)- which ultimately ensures that Split continues the momentum established by Shyamalan's comeback endeavor, 2015's The Visit.

Casino Royale remains my favourite but SPECTRE definitely delivered everything I want and hope to see in a 007 film - apart from a memorable theme song.

In the same way, if you've decided not to see the film, the game does a good job of tying everything together into a complete story.

The game does a good job of offering enough variety in content that you won't feel like you've seen everything even if you've watched the film.

This film is everything you'd dread seeing in celluloid / digital form - badly written, not well acted, not particularly well shot, and unimaginative - these last two totally unforgivable given the film's supposed to be set in Hawaii.

«Touchy Feely» Lynn Shelton's latest isn't perfect, but damn if its highs don't exceed just about everything else I've seen this year, packing more emotional wallop into a single scene than most films do in their entire running time.

That his nickname is thought to originate from a copy of Frederick Forsyth's novel «The Day of the Jackal» is apt, as popular culture has leapt upon him as a subject in everything from Robert Ludlum's Bourne Trilogy (as seen in the TV adaptations, but not the films) to comedic television series Whoops Apocalypse (with Seinfeld «s Michael Richards satirising his public persona).

10 years later, and after a couple of more films I will most definitely be seeing soon, he has a made a film that is in a different league, using everything seen in Los Muertos (right down to the subject of a father searching for his daughter) to infinitely higher degrees.

What makes The Lobster must - see viewing is the film's pitch - black sense of humor, its uncomfortably keen insights into real - life relationships, and even, in spite of everything else, its aching romanticism.

Inevitably they can't fit everything in, but as an attempt at rounding off the series with impact, whilst answering the question of what happened to virtually every character we have seen in the series the film works brilliantly.

For his part, Martini is clearly trying to go for a stylized, hyper - real effect in which everything looks normal but is a bit off but his results are off in all the wrong ways — the film feels as if it was made by someone who has been charged with making something in the tradition of «Blue Velvet» and «Donnie Darko» but who never actually got around to seeing them and is basing his work on what he thinks was in them.

Once you see footage from the surreal horror vacation from hell, you'll wonder just why or how Disney isn't doing everything they can to stop this movie from getting released, but maybe they respect director Randy Moore's efforts in independent film.

While they don't touch on everything, the creators behind I, Tonya manage to blend many of the most relevant incidents and periods in her life together in order to give the audience the kind of film that we rarely get a chance to see.

Over the next seven days, we'll cover these and dozens of other films in the TIFF lineup, filing capsule reviews of everything we see.

A rating is everything in a horror film because it determines a lot of what we'll actually see on screen.

I don't pretend to understand everything that goes on in the «Alien» universe, but having enjoyed most of these films (including 2012's underrated «Prometheus»), I couldn't wait to see what director Ridley Scott had in store for us this time around.

Since seeing the film in May at the Cannes Film Festival and in a second viewing more recently, I've wondered if everything Blanchett does is scaled correctly.

Once Frost starts talking about all the cool shit people traditionally do in action movies, it's inevitable that everything he's gushing about will pop up in the film's climax, but there's enormous fun in seeing how Pegg and the boys get there.

The first film felt like a fun little movie to pay homage to some classic horror movies, and seeing the success, it felt like Wirkola put in everything he had to make sure that this movie stood on its own and it sure a fuck does.

I can't wait to see both movies though, as TWR was the last movie I needed to see from 2009's list of nominated films to put a nail in the casket of last year and now I can finally move on to 2010 movies without having the weight of not seeing everything hanging over me.

back staging it on pop fashion and art food,, cold play and you being almost as funkadleic as,, kl f our totnes pop band the west country bring out comicness and fun with bil lbalies as standup comedy, but the uncanny, comic connections,, and ideologies,, divine intervention etc has to be confronted,, in this instance,, there, writer,, everything went,, lahlah lah when i found out1999 my first son was deaf,,,, your film baby driver now he is 21 effected,, very deeply as a deaf man him and he would love to meet you,, and help you do baby driver two accompanied rap back, on his life in the deaf community London as an artists and lover of fast cars,, and anti war gang block buster, he has all the locations and sights he just needs u when u next in London,, he is Leonardo Patterson on Facebook but as his mum - an interpreter,, i have to translate he wants to take u top the 32 floor of the shade, an ask u how come sign language music blips u got him quite emotional echoes his child hood with his Jamaican father,,,, he just wants the anti war second mix,, none violent comedy,, with bil bailey unit as a mixed race teenager growing up in south London, he has seen the,, how gangs nonviolence,, have ruined it,, for, cant give any more away he cant work out how to meet your pr,, as he is dyslexic,, soi he is getting me to write this,, Lamborghini,, s are his love,, its cosmic,, could u make a,, deaf teeagers dream come true,, we could meet you clpahm picture house where wesaw bay driver with subitles at thier subtitles for deaf club every Thursday,, can you messge me onfacebook messgenr,, thanks his deaf club,, eevry wed,, would also love avisit,, deaf club central, reards su and,,, leonardo patterson,,,

But I'm the first to admit that I haven't seen everything, so I'm going to start including just title and basic info for films that I've heard positive things about but haven't seen myself; if you have seen a film that's listed without a blurb, please feel free to write a little blurb and either send it to me (faithx5 AT gmail DOT com) or post it in the comments, and I'll include it for any future showings of that film, credited to you.

Lastly, the 3D post-conversion issue must again be raised, although I will admit up - front that I have tended to avoid seeing films in 3D when possible and find the mad rush to convert everything into 3D a bizarre and potentially disastrous fashion.

The latest film from writer - director Leigh Whannell (Insidious and Saw franchises), centers on Grey Trace, a technophobe in a utopian near - future when computers control nearly everything a» from cars to crime - surveillance a» who is paralyzed in a freak mugging.

In a film that throws everything at the wall to see what sticks, his mania is the anchor in the madness, the actor revelling in an against - type role that exudes both unlikely charm and abundant chaoIn a film that throws everything at the wall to see what sticks, his mania is the anchor in the madness, the actor revelling in an against - type role that exudes both unlikely charm and abundant chaoin the madness, the actor revelling in an against - type role that exudes both unlikely charm and abundant chaoin an against - type role that exudes both unlikely charm and abundant chaos.

As a note, I've included everything I've seen so far in 2014 (something approaching 200 films), regardless of if it's been released yet.

As the world of Room is unveiled, we see everything through Jack's eyes as the immediacy and impact of such a strange but startlingly powerful set of circumstances are presented to us in Lenny Abrahamson's (Frank) stunning film.

That scene, and you'll know what I mean when you see the film, will make your heart bigger, and your lungs bigger, or at least you'll want them to get bigger so that you can take in everything that is possible.

The only reason anyone has had to doubt its dominance came when it shockingly failed to earn a nod for the Best Director Oscar, but as we saw just five years ago, «Argo» didn't even need one to take the top prize, so in terms of which film has the least number of obstacles to overcome AND everything else that a film ultimately needs to win Best Picture, it would seem that «Three Billboards outside Ebbing, Missouri» is far and away the obvious choice.

The film plays it coy with the details, until the various pieces of its puzzle come together in the third act, as the brothers to explore even stranger things — a dead body and its living counterpart existing side by side, a grisly scene in a tent that repeats itself every few seconds, even more visual hints left by an entity that seems to see everything.

The films are drastically different in their subject matter, but allowed Vikander the opportunity to display a wide range of emotions, both subtle and intense, and everything in between, and left audiences utterly compelled and wanting to see what she does next.

We'll keep seeing these numbers fluctuate from month to month based on everything from film festivals, test screenings as well as increased interest in the race as the year goes on.

Chad Hartigan, who premiered his third film Morris from America at this year's festival, described a larger epidemic of movies becoming two things: «One is the hundred - million - dollar movies you see in the theater, and the other is everything else you watch on iTunes or Netflix.»

Because I barely remember anything from any other movie in this series (I had to go back and reread my reviews, not just to refresh my memory, but to affirm that I'd even seen the previous films), everything that wraps up loose threads, the two (count»em) times characters are forced to give Biblical genealogies to the probable delight of ardent fans, the deadening nonsense involving love triangles, all that jazz, is exactly like watching paint dry.