Not exact matches
Mays responds that if we remember Whitehead's early mathematical training, then it is
evident that the values he
later deals with are more akin to «the sort one meets within books on mathematics and mathematical logic, than those found
in works on ethics, aesthetics and theology» (PW 61/59).
This becomes
evident upon reading chapter IX of The Principles of Psychology, «The Stream of Thought,» and James's
later work Essays
in Radical Empiricism.
Even
in his earliest
work, elements of the
later Munch are
evident.
Among Baptists, for reasons that will
later be
evident, it meant taking both sides
in an argument; among the Methodists it meant not living up to one's promise to
work.
The third guidepost,
in turn, makes
evident that there is no credible warrant for Ford's attribution to Whitehead of a reluctance to acknowledge
in print changes
in his metaphysical position; for this attribution is clearly at odds with Whitehead's well - established habit of explicitly acknowledging
in later works (or second editions) mistakes made
in earlier ones (or first editions).
All of the trademarks of his
work are
evident in this very first screenplay — witty banter laced with profanity, reversals, reveals, a loopy plot that doesn't make much sense if you hold it up to any kind of scrutiny but it's so fun you never will, a Christmas - time setting — less tightly controlled and mannered
in his
later scripts, but still there.
Had these reforms emerged from purely legislative initiatives, they could be reversed easily if it became
evident that they were not
working as planned or if a better approach had been discovered
in later years.
Her process is
evident in the finely calibrated geometries of her hard - edged paintings from the early 1970s, through the striped and
later color blocked
works of the»80s and»90s.
The minor miracle of the show is the
late burst of color and texture
in the recent
work, such as the dense patterning and thick impasto of Joe's Joy (
in which the fascination with quilts is particularly
evident).
Both qualities are
evident in Knight's Heritage, an important transitional piece
in which Truitt still employed a brushy texture to define the paint surface and actual grooves to mark the three divisions (elements she abandoned
in her
later, smoother
work) but began to break out of the somber tones of her earliest
work and embrace glowing color.
While I understood Ha's
work on an intuitive level at the time of the exhibition, it was not until my visit to the artist's studio
in the winter of 2008 that I began to fully grasp the depth of his earlier burlap and barbed - wire paintings, not only as signs of military repression made
evident during the
late 1970s, but also as spiritual
works focused on transformation and resistance that could be read as icons of the human condition.
The legacy of Last Ladder was the emergence of a sculptural practice far more focused on the ability of material itself to convey meaning and message to the viewer, and the highly streamlined and minimalist approach to form
evident in Andre's
later work.
On the level of technique, Pollock's revolution led then to the color field painters who, years
later, adopted staining and pooling methods clearly
evident in the
work of Morris Louis and Helen Frankenthaler.
Though he never exhibited with the Impressionists, by the
late 1870s their influence is increasingly
evident in his
work.
Perez Villalta's
work has been undergoing a shift of
late: Though central to his practice until not long ago, the human figure — while still present — is now little more than a vague, ghostly suggestion; this shift was already becoming
evident as early as three years ago,
in his previous show at this gallery.
The influence of philosopher Alain Locke, who encouraged Jones to draw inspiration from African art, is
evident in many of her
later works, such as Irma (1972).
The legacy of
late - 20th - century Pop Art is
evident throughout the exhibition: Andy Warhol's style and subject matter
in particular is echoed
in paintings by Bruno Peinado, Rebecca Campbell, Lisa Alonzo, and Mickalene Thomas;
in photographs by Hassan Hajjaj, Laurel Nakadate, and Hank Willis Thomas; and
in multi-media
works by Nick Cave, Matthew Brandt, Roberto Guerrero, and R. Luke DuBois, among others.
It is
evident from his
work in the
late 1940s that Kline had already been moving
in the direction of isolating the formal nature and features of his brush marks.
His love of scenery and nature is
evident in many of his
works, from his early St. George and the Dragon (1510, Alte Pinakothek), to his
later Battle of Issus (1529).
Elements of Gottlieb's explorations from the
late 40s, including an all - over composition and an allusion to cosmological elements, are
evident in Labyrinth
works like Black, White, Pink (1954) and his iconic Burst paintings, such as Pink and Blue (1971), respectively.
The progenitors of key elements
in Bengston's
later work are
evident in his student ceramics: he placed blunt, forceful emblems
in the center of his compositions, and created sharply - angled mug handles shaped like chevrons, a motif he would regularly employ
in later works.
The final section of the exhibition presents
work from the
late 1940s to early 1950s, including quintessential paintings by Irene Rice Pereira, whose compositions challenge the edge of the frame and make
evident the push to be what will
later be the «all - over»
in the development of Abstract Expressionism.
Also
evident in these early paintings is the way Herrera utilized the canvas compared to how she
worked later in her career.
But, with their hand
worked gestural layering of paint and the artist's
later avowed intent with these
works to explore «the infinity of the unbounded universe, from my own position
in it, with dots — an accumulation of particles forming the negative spaces
in the net... I wanted to examine the single dot that was my own life,» [2] their affinity to Abstract Expressionism, as well as to Minimalist silence is simultaneously
evident.
And this becomes
evident in At Five
in the Afternoon and
in later works.
While this tightrope between abstraction and figuration is still being walked
in this
latest body of
work, much of the angst
evident in some of her earlier paintings seems replaced by a revelation of freedom and confidence —
in herself and
in her practice of painting.
As the recent re-hanging at the renovated East Building of the National Gallery of Art makes amply
evident, there were a lot of artists interested
in the expressive possibilities of color who lived and
worked in Washington DC between the
late 1950s and the
late «70s but were not included
in Nordland's landmark exhibition: Anne Truitt, Sam Gilliam, Kenneth Young, and Alma Thomas, for example.
Though best remembered for its opposition to the pervasive philosophy of David Hume, Scottish Common Sense philosophy is influential and
evident in the
works of Thomas Jefferson and
late 18th century American politics.
The 175 - acre campus, however, is still a
work in progress as
evident from the
latest drone footage shot by YouTube Duncan Sinfield.