Sentences with phrase «evoke color field painting»

Both meditative and visually stunning, they evoke color field painting as well as notions of the sublime in painting, in which nature provides an awe - inspiring spectacle that goes beyond mere beauty to provide a spiritual experience.

Both meditative and visually stunning, they evoke color field painting as well as notions of the sublime in painting, in which nature provides an awe - inspiring spectacle that...

Part of Arcangel's Photoshop Gradient Demonstration series, it encapsulates the long - cherished desire to put photography on par with painting and the accelerating democratization of new media; at 72 - by - 110 inches, its scale and vivid hues evoke Color Field painting.

Not exact matches

One of the pioneers of Color Field Painting, Rothko's abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewers» communion with the canvas in a controlled setting.

One in a series of «map paintings» that attempt to redraw the world — evoking the history of slavery, family memories and the colors of Bowling's native Guyana — the work also shows Bowling moving strongly towards the work of the Color Field school.

Mark Rothkoâ $ ™ s search to express profound emotion through painting culminated in his now - signature compositions of richly colored squares filling large canvases, evoking what he referred to as â $ the sublime.â $ One of the pioneers of Color Field Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled painting culminated in his now - signature compositions of richly colored squares filling large canvases, evoking what he referred to as â $ the sublime.â $ One of the pioneers of Color Field Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled setting.

While this term is often associated with American painting, specifically Abstract Expressionism and Color Field painting, Declaring Space addresses this concept from an international viewpoint, blurring national labels for a set of spatial themes that were evoked in abstract art in the latter half of the twentieth century, where the boundaries of traditional pictorial space were crossed and a new realm of abstract theater was engaged.

The very title of «Color Field,» she said, evokes the work of color field painters like Mark Rothko and Helen Frankenthaler, while the canvases allude to monochromatic minimalist paintings by artists such as Agnes Martin and Anne TrColor Field,» she said, evokes the work of color field painters like Mark Rothko and Helen Frankenthaler, while the canvases allude to monochromatic minimalist paintings by artists such as Agnes Martin and Anne TrField,» she said, evokes the work of color field painters like Mark Rothko and Helen Frankenthaler, while the canvases allude to monochromatic minimalist paintings by artists such as Agnes Martin and Anne Trcolor field painters like Mark Rothko and Helen Frankenthaler, while the canvases allude to monochromatic minimalist paintings by artists such as Agnes Martin and Anne Trfield painters like Mark Rothko and Helen Frankenthaler, while the canvases allude to monochromatic minimalist paintings by artists such as Agnes Martin and Anne Truitt.

Lacing Action painting and Color Field painting with a postmodern twist, Zimmermann's abstract motifs seem to spring from more figurative representations: he uses computer graphics and «dithering» (a technique that displays images without firm edges so as to give a more colorful appearance) to deform images, texts and signs from his own massive archive of images, evoking the atlases of Gerhard Richter and Aby Warburg.

Her paintings evoke what she calls «color desire,» as the fluidity of the forms engage us in seeking color resolutions across the pictorial field, while drawing us to the different spaces that the colors occupy and the ways they attract and repel each other.

A number of paintings on view feature broad bands of horizontal color, sensitively and economically rendered, which evoke both Color Field and the shifting hues of the forest sky at dawn or color, sensitively and economically rendered, which evoke both Color Field and the shifting hues of the forest sky at dawn or Color Field and the shifting hues of the forest sky at dawn or dusk.

The rest is covered by a generic field of sensuously brushed, subtly modulated color evoking tension between cosmic space and the raw materialism of paint.

In some ways, Louis's immersive works seem to have more of an affinity with paintings by other Color Field artists like Newman and Rothko than they do with Frankenthaler's stains; they evoke sublime, magisterial experiences of caves and grottos (as in the somber «Curtain,» with its stalactitelike points) or waterfalls (in the luscious «Tet,» on loan from the Whitney Museum of American Art).

At first, Kimber Smith's paintings seem to be all about color, unadorned primaries held in a few simple shapes, evoking a modern lineage from Matisse to Color Field paincolor, unadorned primaries held in a few simple shapes, evoking a modern lineage from Matisse to Color Field painColor Field painting.