Her work is distinctive in its use of color, shape, and surface to
evoke human characteristics, personalities or humor.
One of her first mature works included «Children Meeting,» 1978 (now in the permanent collection of the Whitney Museum), an oil on canvas painting
evoking human characteristics, personalities, or pure feeling through an interaction of non-figurative shapes, colour and lines.
Not exact matches
Each economical vignette
evokes a sense of wonder, magic, loneliness, and an underlying darkness
characteristic of the contemporary
human condition.
Evoking characteristics of Surrealism, Nouveau Réalisme and Pop Art, her works embraced both material rigor as well as her own deeply personal psychology, leading her to create «awkward objects» — visceral sculptures that unravel gravity and composition — to explore what she saw as the most vulnerable of all ephemeral manifestations, the
human body.