The 16 mm film — silent, black and white, jerky, and sped - up —
evokes early cinema, while its content locates it in the spare minimalism of the late 1960s.
Evoking the myths and histories of the «Wild West» and taking the form of vignettes that last under a minute (as per Rule Number One), the films draw on American Western folklore, Situationist psychogeography,
early film and primitive
cinema, such as flipbooks and kinetoscopes.