Sentences with phrase «evolution of abstract painting»

• For the evolution of abstract painting, see: History of Art.
For more about the people involved in the evolution of abstract painting and sculpture, see: History of Art.

Not exact matches

Of his work Erikson says: «My paintings are abstractions in the sense that at some point in the painting process I'm abstracting from nature, whether consciously at the beginning or through some experience or memory I bring into the studio during the evolution of the paintinOf his work Erikson says: «My paintings are abstractions in the sense that at some point in the painting process I'm abstracting from nature, whether consciously at the beginning or through some experience or memory I bring into the studio during the evolution of the paintinof the painting.
The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.
His fourteenth solo exhibition with Pace, this recent body of large scale paintings and works on paper highlight Mangold's continued evolution and mastery of abstract painting.
His latest exuberant abstract sculptures are the culmination of a singular artistic evolution in which the minimalist stripe paintings for which he became famous in the 1960s gradually gave way to complexity and relief.
In particular, Evolutions II combines two seemingly disparate bodies of previous work bringing together geometric and lyrical abstract painting.
Studying the evolution of mainland Chinese abstract painting, and testing the limits of installation art and the boundaries of sculpture.
Arshile Gorky's portrait of someone who might be Willem de Kooning is an example of the evolution of abstract expressionism from the context of figure painting, cubism and surrealism.
The Columbus Museum of Art and Denver Art Museum present Mark Rothko: The Decisive Decade, 1940 — 50, a major exhibition tracing the evolution of Rothko's work from his Surrealist - influenced, figurative compositions of the early 40s to the abstract, color field paintings for which he is best known.
Executed in the 1970s as an evolution of his early expressionist canvases, Jack Whitten's large - scale paintings reveal hidden geometrical shapes that emerge from an abstract surface.
The exhibition traces the evolution of Michael Goldberg's work from the early cubist inspired drawings of the 1940s to the monumental nonobjective paintings of the early 1960s and the abstracted landscapes and still - lifes of the mid - to late «60s, the monochromatic paintings of the 1970s and ending with his use of grids in the 1980s.
Spanning work made between the 1960s and 1990s, this concise survey traces the evolution of Tanaka's style from his dark and intense early paintings, which demonstrate abstract experiments with nihon - ga materials, to the refinement of his later works that display a fresh and profound lyricism through the use of color.
Her friendship with Mondrian and their shared idealism were vital to her artistic evolution and her pursuit of the spiritual in abstract painting.
Spanning the last decade of the artist's output and comprising twenty - two works on both floors of the museum's downtown Jones Center galleries, this exhibition highlights key moments in Weiser's recent oeuvre and illustrates an evolution in his exploration of abstract painting.
The two paintings in front of us are works created at the evolution between surrealism and abstract expressionism.
In 1913 he began a series of paintings of colored discs that have no reference to any object and are considered hallmark paintings in the evolution of abstract or nonobjective art.
The town rapidly became a centre for abstract avant - garde landscape painting, and attracted a new generation of creative practitioners like Terry Frost, Patrick Heron, Roger Hilton, Peter Lanyon, John Wells and Bryan Wynter, who had a significant influence on the evolution of fine art painting in the UK during the second half of the 20th century.
The gallery's inaugural exhibition, titled «Paths to the Absolute: Kandinsky, Malevich, Mondrian, Newman, Pollock, Rothko, and Still,» united 13 masterworks that exemplify two defining moments in the evolution of European and American abstract painting.
Produced by the Feitelson / Lundeberg Art Foundation and Louis Stern Fine Arts, this book seeks to pay homage to Feitelson's invaluable contribution to the evolution of American abstract painting in the 20th Century.
Of her evolution toward abstraction, Vance said, «There isn't much abstract painting that feels warm and intimate.
Elrod's new body of large - scale paintings are investigations of composition, form and texture informed by the history of abstract painting, perceptual experiments and the evolution of digital technology.
At Frieze New York, Alexander Gray Associates presents paintings and drawings by Jack Tworkov, charting the evolution of the artist's career from gestural abstract expressionism in the 1950s to a conceptual approach to geometric abstraction beginning in the late 1960s and 1970s.
Whether it's because art historians have been put off by his urbane and privileged background, or have opted to focus on his famous series of paintings, Elegies to the Spanish Republic, the fact remains that Motherwell's early work and his evolution from surrealist vocabulary to the subdued abstract expression he later embraced has been largely ignored.
Revelation: Major Paintings by Jules Olitski at American University Museum walks the viewer through Olitski's creative evolution as an abstract artist, demonstrating the breadth of his experiments in light, color, texture, application and technique.
The exhibition The Optimism of Colour: William Perehudoff, a retrospective, guest - curated for the Mendel Art Gallery by Karen Wilkin, and this accompanying catalogue celebrate Perehudoff's achievements and trace the evolution of his distinctive approach, from his early figurative works, which reflect his desire to enlarge upon the special character of his surroundings, to the radiant, abstract paintings that established his reputation — paintings that seem to aspire to the condition of music.
a b c d e f g h i j k l m n o p q r s t u v w x y z