Sentences with phrase «exact patterns made»
And yet these rules are so complicated that — rather than attempting to figure them out — it is better to enjoy the paintings just as they are: intricate and exact patterns made up of thousands of small squares on large circular or square canvases.
https://www.artforum.com/ Not exact matches
«So I used the exact slogan he keeps parroting, and I made my truck pattern into the exact same stupid idea he won't shut up about.
We have Baby Wear that are made in the exact same pattern such as camouflage, zebra and leopard just to name a few.
Dusty air blowing across the Pacific from Asia and Africa plays a critical role in precipitation patterns throughout the drought - stricken western U.S. Today, a scientist will present new research suggesting that the exact chemical make - up of that dust, including microbes found in it, is the key to how much rain and snow falls from clouds throughout the region.
But, when you actually measure the predictions that climate scientists have made against observations of how the climate has already changed, you find the exact opposite: a pattern «of under - rather than over-prediction» emerges.
The same exact patterns that made me a great businessperson were the same patterns that made me a great athlete.
I also agredd with trying to use an entire piece of fabric, you're post has made me realise that I always sunconciously try and marry up a pattern with a piece of fabric the exact length!
it looks so familiar because I have that exact pattern, I just haven't made it yet!
It's comfortable as all get - out, it's warm, it's my exact winter palette, it works great with leggings (I'm working on a leggings pattern and I've got ta make sure the samples are comfortable to wear!)
Getting all three for any given Divine Beast will trigger a boss battle against its corresponding Blight Ganon, but you're given limited weaponry and few items to eat; this doesn't make these bosses any more difficult though, because the weapons you're given don't break and the Blight Ganons have the same exact patterns as before.
Solo Exhibitions 2016 «Drunk Brown House», Serpentine Sackler Gallery, London 2016 «Eucalyptus, Let us in», Greene Naftali, New York 2014 «Orchids, or a hemispherical bottom», Johann König, Berlin 2014 «Parrot Problems», Fridericianum, Kassel 2014 «Oreo St. James», Sadie Coles HQ, London 2013 «No borders in a wok that can't be crossed», CCS Bard, New York 2012 «Plank Salad», Chisenhale Gallery, London 2012 «Evian Disease», Palais de Tokyo, Paris 2012 «Almost the exact shape of Florida», Kunsthalle Zurich, Zurich 2011 «Park Nights», Serpentine Gallery, London 2011 «Fruits, Flowers, and Clouds» (with T293), Museum of Applied Arts, Vienna 2011 «Take a stick and make it sharp», Johann König, Berlin 2010 «I like my heroes marble chested», Carl Kostyál, London 2010 «Wicked patterns», T293, Naples Group exhibitions 2018 «Faithless Pictures», The National Museum of Art, Architecture and Design, Oslo 2018 «The Body Electric», The Walker Art Centre, Minneapolis 2017 «Suspended Animation», Les Abattoirs, Toulose 2017 «made on the table», Sadie Coles HQ, London 2017 EuroVisions: COntemporary ARt from the Goldberg Collection, NAS gallery, Sidney, Australia (touring exhibition in Australia to 2019) 2017 «Second Nature», K11 Art Foundation, Hong Kong 2016 «The Hepworth Prize for Sculpture», The Hepworth Wakefield 2016 «NO MAN»S LAND: Women Artists from the Rubell Family Collection», National Museum of Women in the Arts, Washington 2016 «Turner Prize 2016», Tate Britain, London 2016 «OVERPOP: New Art from Yuz Collection and Beyond», Yuz Museum, Shanghai 2016 «The future is already here — it's just not evenly distributed», 20th Biennale of Sydney 2016 «THE NEW HUMAN: Knock, Knock, is Anyone Home?»
Mostre Personali 2016 «Drunk Brown House», Serpentine Sackler Gallery, Londra 2016 «Eucalyptus, Let us in», Greene Naftali, New York 2014 «Orchids, or a hemispherical bottom», Johann König, Berlino 2014 «Parrot Problems», Fridericianum, Kassel 2014 «Oreo St. James», Sadie Coles HQ, Londra 2013 «No borders in a wok that can't be crossed», CCS Bard, New York 2012 «Plank Salad», Chisenhale Gallery, Londra 2012 «Evian Disease», Palais de Tokyo, Parigi 2012 «Almost the exact shape of Florida», Kunsthalle Zurich, Zurigo 2011 «Park Nights», Serpentine Gallery, Londra 2011 «Fruits, Flowers, and Clouds» (con T293), Museum of Applied Arts, Vienna 2011 «Take a stick and make it sharp», Johann König, Berlino 2010 «I like my heroes marble chested», Carl Kostyál, Londra 2010 «Wicked patterns», T293, Napoli Mostre Collettive 2018 «Faithless Pictures», The National Museum of Art, Architecture and Design, Oslo 2018 «The Body Electric», The Walker Art Centre, Minneapolis 2017 «Suspended Animation», Les Abattoirs, Tolosa 2017 «made on the table», Sadie Coles HQ, Londra 2017 EuroVisions: COntemporary ARt from the Goldberg Collection, NAS gallery, Sidney, Australia (touring exhibition in Australia to 2019) 2017 «Second Nature», K11 Art Foundation, Hong Kong 2016 «The Hepworth Prize for Sculpture», The Hepworth Wakefield 2016 «NO MAN»S LAND: Women Artists from the Rubell Family Collection», National Museum of Women in the Arts, Washington 2016 «Turner Prize 2016», Tate Britain, Londra 2016 «OVERPOP: New Art from Yuz Collection and Beyond», Yuz Museum, Shanghai 2016 «The future is already here — it's just not evenly distributed», 20a Biennale di Sydney 2016 «THE NEW HUMAN: Knock, Knock, is Anyone Home?»
Carving wood is a more exacting process — especially when working with hardwood — that requires patterned motions that can make it easy for the artist to lose himself in the art making process.
But, when you actually measure the predictions that climate scientists have made against observations of how the climate has already changed, you find the exact opposite: a pattern «of under - rather than over-prediction» emerges.