Depicting a passionate crowd of African Americans — their attitude suggesting the fervor of a civil -
rights era
audience — Intentionally Left Blanc reverts in its exposed, «positive» format to an image in which select faces are whitened out and erased, the
exact inverse of the same view in its «negative» condition.
I'll repeat with what I concluded in Part 1, but more succinctly: for an authoritative storyteller to mesmerize an
audience, the story must never contain an element where the
audience blurts out, «wait a minute, what you just said can't be
right,» otherwise whatever point there was to the story disappears at the
exact same moment when the storyteller's credibility implodes.